ALULA: Singing at AlUla is “one of my favorite experiences,” the world’s favorite tenor said after another memorable concert in the ancient desert city.
Andrea Bocelli performed to a packed auditorium on Friday in the iconic mirrored Maraya venue, and millions more watching live on TV and online.
“It is always an incredible experience to sing in the middle of the desert in AlUla,” he said. “Coming from the noise and chaos of the big city, it is an educational experience for me to find myself in this idyllic and peaceful place away from the world.”
It was Bocelli’s fourth performance at Winter at Tantora, the Kingdom’s original music and cultural festival. He was accompanied on stage by Italy’s Asti Symphony Orchestra and sopranos Christine Allado, Serena Gambero and Clara Barbier Serrano.
The Italian flautist Andrea Griminelli also joined Bocelli for a mesmerizing duet that sparked rapturous applause and had the audience calling for more.
Winter at Tantora, one of four festivals under the AlUla Moments banner, continues until Feb. 12.
World’s top tenor Bocelli wows AlUla crowd again
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World’s top tenor Bocelli wows AlUla crowd again
- The Italian flautist Andrea Griminelli also joined Bocelli for a mesmerizing duet
Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah
- The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz
RIYADH: A new center for Arabic calligraphy under the patronage of Crown Prince Mohammed bin Salman officially opened in Madinah on Monday.
The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz, governor of Madinah region.
He was joined by Culture Minister Prince Badr bin Abdullah bin Farhan, touring the new facility’s exhibition spaces and receiving briefings on cultural programming and the center’s achievements.
They also viewed collections highlighting Arabic calligraphy’s artistic and historical importance.
Speaking at the opening, Prince Badr said: “From this land of enlightenment and scholarship, we proudly launch a global platform dedicated to Arabic calligraphy as an invaluable cultural asset.”
He went on to credit the crown prince’s “generous and boundless support” for the cultural sector.
The minister said that the center demonstrated to the world the legacy of Arabic calligraphy while underscoring Saudi Arabia’s commitment to safeguarding its cultural identity and heritage.
According to Prince Badr, the facility represents an ambitious vision to elevate Arabic calligraphy as both a universal communication tool and an integral element of Arab heritage, art, architecture and design.
The center further aims to enhance the Kingdom’s cultural identity and strengthen its international presence, targeting calligraphers, emerging talents, visual artists, Islamic arts researchers, educational and cultural institutions, as well as art and heritage enthusiasts worldwide.
It will deliver specialized programs including research and archival services, calligraphy instruction, academic grants, a permanent museum, touring exhibitions, an international calligraphy association and a business incubator supporting calligraphy enterprises.
Additional offerings feature artist residency programs, expert-led workshops, and standardized curriculum development, complemented by international educational partnerships aimed at heritage conservation and expanding global appreciation for this time-honored art form.
The center’s establishment in Madinah carries particular significance, given the city’s historical role as the cradle of Arabic calligraphy and its association with transcribing the Qur’an and preserving Islamic knowledge.









