Saudi artist paints elderly back into the social picture

In a latest collection, titled ‘See In My Eyes,’ the beauty of a group of elderly subjects. (Supplied)
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Updated 01 December 2021
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Saudi artist paints elderly back into the social picture

  • Fawaz Binkolaib says remaining integrated in society is vital to the well-being of older people

JEDDAH: Art presents us with an opportunity to fight social stigmas and promote inclusion through the positive representation and empowerment of marginalized groups.

In a world where younger generations are celebrated and adulated, the elderly can sometimes feel like they have lost their place and succumb to loneliness due to social exclusion and ageist stigma. But according to a local artist, one way in which older people can remain full and active members of society is through art.
Ageism is a global phenomenon that affects senior citizens across all cultures. In the Saudi context, culture plays a vital role in socially including the elderly, where family solidarity equates to ensuring the well-being of senior members.

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In a world where younger generations are celebrated and adulated, the elderly can sometimes feel like they have lost their place and succumb to loneliness due to social exclusion and ageist stigma. But according to a local artist, one way in which older people can remain full and active members of society is through art.

Fawaz Binkolaib, a Jeddah-based artist with a bachelor’s degree in fine arts from the Art Institute of Houston in Texas, said older members of society were all too often left on the sidelines.
“As we grow older, time leaves its marks on our skin, the stages of our lives telling stories of pain and laughter,” the 29-year-old told Arab News.
“We sometimes unintentionally exclude our seniors from daily social activities, treating them as unfit to take part.”
It was while studying in the US that Binkolaib realized how art could be used as a medium for conversation.
“My passion for art was sparked in a general education class I had to take in my first year called art appreciation,” he said. “My mind was woken by the subjective and various art forms and how that can provide different ways of communicating for us as a species.”
In his latest collection, titled “See In My Eyes,” Binkolaib showcases the beauty of a group of elderly subjects through the intricacies of every fold and wrinkle on their faces.
He said that creating the digital images, which he did using an electronic pen and pad, enabled him to really connect with his subjects.
“Speaking to the elderly was peaceful and easy,” he said. “They were excited to be voiced and heard. As we were speaking, other people passed by and joined the conversation, helping them to get across their stories.
“After talking with my senior muses, I became aware that a sense of community can enhance their overall psychological and emotional well-being,” he added.
“For that, I believe that promoting community-engaged art programs can empower and uplift senior citizens. I also think that their absence from social media has made it difficult for them to represent their image and how the younger generation perceives them.”
Binkolaib also said that facilitating and accommodating elderly people’s inclusion in community activities, like art, and familiarizing them with current trends was a good way to reintegrate them into society.
Art serves as a channel of untraditional communication for those unable to find the words to express their feelings, he added. Therefore, creating artistic outlets for senior citizens can help bridge the generation gap and energize their souls, providing solidarity and social cohesion.
Binkolaib says the elderly were us years before our time, leaving their thumbprint on all the places we are yet to experience for ourselves, carrying with them the wisdom of life gained through trials and tribulations.
“Because one day all we are going to have are the marks on our faces that relay our stories better than our words ever can,” he said.
Examples of the artist’s work can be found on his Instagram page, @Fawaz_designs.


King Abdulaziz Foundation reveals rare images from king’s 1916 Basra visit

Updated 20 December 2025
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King Abdulaziz Foundation reveals rare images from king’s 1916 Basra visit

  • Photographs form part of a wider collection documented by British photographer Gertrude Bell

RIYADH: The King Abdulaziz Foundation has revealed archival photographs documenting King Abdulaziz’s tour of the outskirts of Basra in 1916, a visit that came at an early stage of his efforts to build regional relationships.

One of the photographs, taken by British photographer Gertrude Bell, shows King Abdulaziz standing with his men in the Basra desert, the Saudi Press Agency reported. 

The image reflects his early political and diplomatic engagement in the region, as he sought to strengthen ties with neighboring areas and engage with the wider Arab and international community, SPA added.

The photograph forms part of a wider collection documented by Bell, which records key developments and transformations across the Arabian Peninsula during the early 20th century.

The Basra visit holds particular significance in King Abdulaziz’s journey as a unifying leader. 

Rather than crossing borders in pursuit of power, the visit reflected an approach focused on stability, cooperation and long-term regional harmony, laying the groundwork for a leadership style defined by pragmatism and openness, SPA said.