Red Sea Immersive invites audiences to explore a world of virtual reality

Directed by Felix Gaedtke and Gayatri Parameswaran, Kusunda is an interactive VR experience about the endangered Kusunda language in western Nepal. (Supplied)
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Updated 18 November 2021
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Red Sea Immersive invites audiences to explore a world of virtual reality

  • 21 projects will introduce era-defining immersive storytelling experiences from award-winning international artists and directors
  • Most significant VR works produced in 2021 will be presented in competition for the Golden Yusr Immersive Award, which includes a $10,000 prize

JEDDAH: Red Sea Immersive, the exciting programming strand of the Red Sea International Film Festival, on Thursday announced its 21-strong program of virtual reality experiences, which will run from Dec. 7-15 at Jeddah’s new creative complex, Hayy Jameel.

Presented in collaboration with Art Jameel, the program will introduce era-defining immersive storytelling experiences to audiences in Jeddah, while also serving as an inspiration and catalyst to future immersive content creators and studios from the region.

Thirteen of the most significant VR works produced in 2021 will be presented in competition for the Golden Yusr Immersive Award, which will include a cash prize of $10,000 with eight projects presented out-of-competition. The program is curated by Liz Rosenthal, curator of Venice VR at the Venice International Film Festival.

Immersive will be adjudicated by an all-female jury of three leading international artists. The jury will be presided over by pioneering American avant-garde artist Laurie Anderson, who will be joined by British Academy of Film and Television Arts-winning director Victoria Mapplebeck and Sarah Mohanna Al-Abdali, one of the first Saudi Arabian street artists.

“There is something truly special about the experiences in Red Sea Immersive,” Edouard Waintrop, artistic director of the Red Sea International Film Festival, said.

“It is an art that is so complimentary of the main festival program but also stands independently as a ground-breaking and boundary-pushing selection of work. It is an honor to be able to host this curation and we are excited to see the lasting impact that Red Sea Immersive has on the Saudi art, film, and technology industries.”

Liz Rosenthal, the curator of Red Sea Immersive, said: “The selection in Red Sea Immersive is truly one of the most exciting presentations of virtual experiences to have graced the festival circuit to date. To have this presentation in such a dynamic new venue such as the Hayy Jameel, and in Saudi Arabia where there is such a burgeoning, young art scene, is such an exciting frontier for this genre of work. I am also excited to see the impact this has on the wider VR industry, especially in the Arab region.”

The 13 incredible experiences being presented in the competition are Anandala, End of Night, Genesis, Glimpse, Goliath: Playing with Reality, Kusunda, Laika, Lavrynthos, Le Bal De Paris De Blanca Li, Marco & Polo Go Round, Reeducated, Samsara (Lun Hui) and The Sick Rose.

The Book of Distance, Hangman At Home, Mare, Maskmaker, Paperbirds 1 & 2, Replacements (Penggantian), We Live Here and VRChat Worlds Collection are the eight experiences that will be presented out-of-competition, as part of Red Sea Immersive.

The inaugural edition of the Red Sea International Film Festival will run in Jeddah from Dec. 6-15.


Balad Beast brings global beats to historic streets

Updated 31 January 2026
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Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”