Riyadh weapons galore leaves visitors wanting more

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The Museum of Weapons, a major participant in the Riyadh Season, is taking visitors through the arms that were used to defend the first, second and third Saudi states. (AN Photo/Zaid Khashogji)
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The Museum of Weapons, a major participant in the Riyadh Season, is taking visitors through the arms that were used to defend the first, second and third Saudi states. (AN Photo/Zaid Khashogji)
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The Museum of Weapons, a major participant in the Riyadh Season, is taking visitors through the arms that were used to defend the first, second and third Saudi states. (AN Photo/Zaid Khashogji)
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The Museum of Weapons, a major participant in the Riyadh Season, is taking visitors through the arms that were used to defend the first, second and third Saudi states. (AN Photo/Zaid Khashogji)
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The Museum of Weapons, a major participant in the Riyadh Season, is taking visitors through the arms that were used to defend the first, second and third Saudi states. (AN Photo/Zaid Khashogji)
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Updated 10 November 2021
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Riyadh weapons galore leaves visitors wanting more

  • One of the shields on display was last worn by King Saud bin Abdulaziz Al-Saud, the first son of King Abdulaziz to become King of Saudi Arabia

RIYADH: The Museum of Weapons, a major participant in the Riyadh Season, is taking visitors through the arms that were used to defend the first, second and third Saudi states.

From old wick rifles that were manually filled with gunpowder to swords made in Damascus, Persia, Yemen and India, these vintage tools all arrived in the Arabian Peninsula to be used in its wars. 

Located in Riyadh’s Janadriyah Cultural and Heritage Festival venue, the museum is hosting popular exhibits, including one titled “Baroud,” meaning gunpowder, where a cave gallery is displaying some of the first explosive weapons used to win battles in all three Saudi states.

The weapons on display were also used in Arabian battles fought in the Levant, Egypt and during the First and Second World Wars. 

Mohammaed Al-Kamaan, who founded the weapons museum in 1997, shared with Arab News why he decided to participate in this year’s Combat Field’s gun exhibition, one of the 14 zones in Riyadh Season 2021.

“Our message here at the museum is one that is national, cultural and historical in nature. We want to show people our history; in the guns, weapons and tools we used, the armor the knights wore in battle and the swords wielded by the founders of the first and second Saudi states’ and the founder of modern-day Saudi Arabia, King Abdulaziz.” 

As visitors stopped to take in the vast collection of original guns on display, Al-Kamaan took the time to explain their historical significance. As he gave his explanations, his joy in guiding the visitors was clear.

“Truly everyone who enters the museum is astounded,” he said. “From local Saudis to residents and visitors from abroad, they really appreciate the historical importance of these artifacts that led to the unification of the Kingdom of Saudi Arabia.”

He added: “My father was a companion of King Faisal, God rest their souls, and he inherited 18th, 19th and 20th century weapons passed down through generations. So when my father passed away, I inherited them and spent the last 30 years of my life collecting and recording their historical significance.”

Powerful figures like Saud bin Abdulaziz Al-Saud, Turki bin Abdullah Al-Saud and Abdulaziz bin Abdulrahman — as he was known before unifying modern-day Saudi Arabia — were among those who used such weapons in battle.

“Many of the wick rifles and modern flintlocks used to unify the Kingdom were manufactured in these lands by local gunsmiths,” Al-Kamaan said, adding: “And this started as early as the first Saudi state in 1744, also known as the Emirate of Diriyah.”

These local gunsmiths were found all over the Arabian desert.

Places like Al-Ahsa, east of the Kingdom, and Najran to the south, Hijaz to the west and Hail in the north were “the most well-known places for manufacturing weapons and firearms during the three Saudi states.”

Although guns were available, King Abdulaziz preferred close-quarter combat using swords, according to the weapons collector. 

“The swords sourced from Damascus were slightly altered to fit our style of battle,” he said. “King Abdulaziz always picked the sword as his weapon of choice in battle.”

The founder of Saudi Arabia loved swords so much that he would name them, with some favourites being “Yaqoot,” meaning ruby, “Sweileh,” and “Raqban,” said Al-Kamaan.

“The ‘Shalfa’ you see here is different from the regular spear. While the spear comes as one piece, the Shalfa has three components to it: The head, body and ‘jub’ where the blade enters.” 

All of these tools and weapons were used at the same time.

One of the shields on display was last worn by King Saud bin Abdulaziz Al-Saud, the first son of King Abdulaziz to become King of Saudi Arabia. It protected him in battle from many of the weapons gathered in the gallery, such as the Shalfa and various foreign swords. 

“This is not our first time hosting a gallery of this kind, but we normally operate with the Kingdom’s cultural institutions. Soon we plan to open our own physical museum,” Al-Kamaan said.

Other than the museum, the Combat Field zone is also hosting stores selling air guns, gas guns with licenses from the interior ministry, and other gear that complement hunting in Saudi Arabia.

Operating from Oct. 23 until March 16, 2022, the minimum entry age for this zone is 12, with entry tickets costing 55 riyals ($14.66) on weekdays and 110 riyals on weekends.

Other attractions at the mega military expo include battle games, paintball, laser tag, and a tech zone with robot battles and virtual reality fights.


Saudi deputy FM receives US deputy assistant secretary of state

Waleed Elkhereiji holds talks with Daniel Benaim in Riyadh. (Twitter @KSAmofaEN)
Updated 13 May 2024
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Saudi deputy FM receives US deputy assistant secretary of state

  • The most prominent regional and international developments discussed

RIYADH: Saudi Deputy Minister of Foreign Affairs Waleed Elkhereiji received Daniel Benaim, US deputy assistant secretary of state for Arabian Peninsula affairs, in Riyadh on Sunday.

The two sides discussed strengthening Saudi-US relations and ways to enhance cooperation, the Saudi Press Agency reported.

The most prominent regional and international developments were also discussed, as well as the efforts put forth in these areas.

 


Jeddah Historic District, Cruise Saudi team up to boost visitor numbers, economy

Updated 2 min 39 sec ago
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Jeddah Historic District, Cruise Saudi team up to boost visitor numbers, economy

  • Sides sign memorandum of understanding to ‘drive economic growth’
  • Partnership ‘pivotal’ in regeneration of district, Cruise Saudi CEO says

JEDDAH: The Jeddah Historic District Program and Cruise Saudi have agreed to work together to increase the number of international cruise visitors to the city while preserving its cultural and historical integrity.

The program, established in 2018 under the auspices of the Ministry of Culture, oversees various initiatives within the Historic Jeddah region with the aim of promoting it as a cultural center.

Cruise Saudi is owned by the Public Investment Fund and manages cruise-related services and infrastructure, including the development of terminals and operation of shore excursions.

Since its creation it has welcomed more than 300,000 cruise passengers.

The two sides signed a memorandum of understanding to boost economic activity and promote the region, using private sector expertise to improve the visitor experience.

“The tourism sector is experiencing growth and prosperity, which contributes to enhance the Kingdom’s presence on the global tourism map in line with Saudi Vision 2030,” Abdulaziz bin Ibrahim Al-Issa, director general of the Jeddah Historic District Program, said.

“Our strategic partnership with Cruise Saudi is not only to drive economic growth but also to actively engage in the regeneration of the district. We are committed to protecting both the tangible and intangible heritage that earned the district its UNESCO status.”

Cruise Saudi CEO Lars Clasen said: “This partnership is pivotal in the strategic regeneration and sustainability of the district. With this alliance, we are dedicated to presenting Cruise Saudi tourists with an experience that inspires the visitors with the district's enriched heritage.

“Jeddah’s Historic District is one of our most popular Shorex destinations and we continue to witness just how much international passengers enjoy exploring its unique historic sites through the tours and experiences we offer.

“This MOU represents our shared vision and marks an exciting new chapter, paving the way for collaborative efforts to draw even more visitors to this enchanting destination while protecting its heritage and authenticity.”
 


Riyadh to host Global AI Summit in September

Updated 12 May 2024
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Riyadh to host Global AI Summit in September

  • The summit will bring together international ministers, organization heads, CEOs of major tech companies, and AI experts
  • Topics at the conference will include AI innovation, industry trends, and fostering human talent in AI and other key areas

RIYADH: The Saudi Data and Artificial Intelligence Authority will host the third Global AI Summit from Sept. 10 to 12 at the King Abdulaziz International Conference Center in Riyadh, the Saudi Press Agency reported on Sunday. 

Abdullah Al-Ghamdi, president of SDAIA, highlighted Crown Prince Mohammed bin Salman’s dedication to advancing the national data and artificial intelligence agenda, aiming to bolster the Kingdom’s global presence in these fields.

The summit will bring together international ministers, organization heads, CEOs of major tech companies, and AI experts to discuss global AI developments and announce initiatives and agreements, advancing international efforts in data and AI under the Kingdom’s banner.

Topics at the conference include AI innovation, industry trends, shaping a better future with AI, fostering human talent in the field, and other key areas.

This summit, under the crown prince’s leadership, is a testament to the successes of Vision 2030, which position Riyadh as a global hub for cutting-edge AI developments, the SPA said. 


Swiss artist pays homage to heritage in Riyadh show

Updated 12 May 2024
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Swiss artist pays homage to heritage in Riyadh show

  • ‘From Roots to Vision’ by Vlad Pocol is inspired by Saudi Vision 2030 and his own personal journey

RIYADH: In Ahlam Gallery’s latest solo exhibition, Swiss painter Vlad Pocol examines the ties that link past, present and future — with Saudi Arabia’s Vision 2030 as a reference point.

“If you could explain your artworks in one word, what would it be?” one listener asked. “Intuition,” Pocol replied, explaining the basis of his first show in the Kingdom.

The artist relied on intuition when he decided only a few months ago that Saudi Arabia would be his new home, leading him to create an exhibition based around three ideas: heritage, transition, and vision.

The immersive exhibition titled “From Roots to Vision: A Migration” urges observers to think about heritage, and challenge the possibilities of the future as we weave our past legacy for generations to come.  

Ambassador of Switzerland to the Kingdom Yasmine Chatila and Pocol discussing a patched installation made of discarded materials salvaged from artwork waste. (Supplied/AN photo by Huda Bashatah)

Pocol told Arab News: “It’s great to evolve, but it’s also important to stay rooted in our own heritage. I’ve taken Saudi Arabia as an example. Everyone is so excited with what’s happening with the Vision (2030), but everyone is still so rooted and respectful and inspiring in a collective way … that can also inspire us in an individual way.”

Within the “Heritage” collection, “Identites” delves into the themes of self-reflection and outsider perceptions. Four papier mache panels woven together by rope encourage the viewer to see alternative versions of themselves as they are layered in complexity with oil paint.

It is great to evolve, but it is also important to stay rooted in our own heritage.

Vlad Pocol, Swiss artist

“Legacite” is a series of six artworks that explores the themes of circularity, continuity, and generational cycles. In a single dot, each painting prompts a reflection on the viewer’s part within these continuous loops.  

Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)

The highlight of the show, “Sans Fin,” is a mirage of moving images constructed by strokes of paint. The piece is inviting, yet mysterious, prompting us to question our capability to grow using the metaphor of a black hole — you never know what may lie in the unknown.  

In 2018, when Pocol was a lawyer, he was invited by a colleague to a workshop centered around recreating the work of a contemporary artist. After an accident that resulted in a damaged painting, he developed a technique to repair the artwork.

Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)

“My technique gives structural movement. When you see my paintings, you enter a world … it’s moving. My energy also comes up in the artwork,” he said.

In “Transition,” the works invite viewers to consider what lies beneath the surface, with more sculptural works coming into play.

Another installation is made of discarded materials salvaged from artwork waste. What we deem as undesirable is turned into something valuable, and even beautiful, challenging us to reconsider sustainability practices and our role in global consumption.  

In the “Vision” collection, the artist’s optimism about the future is linked to the promise of Saudi Arabia’s Vision 2030.

His work “Dessen” is based on a childhood memory of winning his first drawing contest, and celebrates the impact of early creative expressions on future artistic development.  

While “Elles” is a tribute to femininity and the women in his family, nearby twin works are inspired by the artist’s migration from Romania to Switzerland.  

Pocol describes the green-colored “Ja Deu Tu Certo” as “one of the most personal” works in the collection.

“Any pieces I’ve offered to my mom have been green because I really believe in the power of healing and the green (color). My mother has been fighting metastatic cancer for two years now,” he said. The work conveys his belief that “she will be well.”

He said the color also holds significant meaning in Saudi culture, as it stands for pride and patriotism.

Reflecting on showcasing his works in the Kingdom, Pocol said: “It’s so significant to have my exhibition here. While I have roots from Romania, 30 percent of my genes are Middle Eastern. Being here in Saudi Arabia is very subconscious. I feel at peace, like I’m coming back to something.  

“I’ve traveled a lot in my life and it’s the first time I’m able to find a new home outside of Switzerland … once you follow your intuition, it gets you to whatever is meant for you. That’s why I’m here in Saudi Arabia. It’s meant to be.”

The exhibition will run until June 2.

 


Saudi commission explores impact of biennales on artists

Biennales are large-scale exhibitions held every two years that provide a platform for artists to engage with specific themes. (
Updated 12 May 2024
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Saudi commission explores impact of biennales on artists

  • Shahad Al-Blihed analyzed Manal Al-Dowayan’s work “Shifting Sands: A Battle Song,” emphasizing its reflection of Saudi women amid cultural shifts

RIYADH: Various experts recently took part in a virtual meeting to consider the role of biennales in visual art.

The event was organized by the Visual Arts Commission as part of its ongoing review of the sector, the Saudi Press Agency reported on Sunday.

Biennales are large-scale exhibitions held every two years that provide a platform for artists to engage with specific themes. The meeting outlined the criteria for artist participation, focusing on career robustness and foundational achievements.

Shahad Al-Blihed gave her insights into curating the Saudi pavilion at the 60th Venice Biennale.

She analyzed Manal Al-Dowayan’s work “Shifting Sands: A Battle Song,” emphasizing its reflection of Saudi women amid cultural shifts.

The Venice event demonstrated the commission’s commitment to boosting local artists internationally, the report said.