Review: Singer Camilla Cabello dazzles in ambitious re-telling of ‘Cinderella’

‘Cinderella’ is streaming on Amazon Prime. Supplied
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Updated 24 September 2021
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Review: Singer Camilla Cabello dazzles in ambitious re-telling of ‘Cinderella’

CHENNAI: It is hard to grab attention while repurposing a fairytale that has seen countless retellings, but Kay Cannon, best known as the screenwriter of the “Pitch Perfect” film series, has wisely tweaked “Cinderella” to retain a fair degree of interest. The director transforms her into the epitome of modernism with a strong feminist streak — not seen in traditional versions of the story. 

Cannon, who wrote and directed the work that is now streaming on Amazon Prime Video, manages to sidestep tried and tested tropes by weaving in a couple of novel features and dressing it up as a musical. 

It opens with the townsfolk singing Janet Jackson’s “Rhythm Nation” and Cinderella (essayed brilliantly by Cuban-American singer and songwriter Camilla Cabello) herself belting Des’ree’s classic, “You Gotta Be.” The medley by Keith Harrison is quite melodious and draws you into the tale with its magnetism. 




The director wisely transforms her into an epitome of modernism with a strong feminist streak. Supplied

Set in a dusty town with its toiling masses, Cannon’s fantasy first gives us a taste of snobbish royalty: King Rowen (Pierce Brosnan can’t sing at all!) and Queen Beatrice (Minnie Driver) stand on the balcony in their palace looking down on their subjects. Their son, Prince Robert (Nicholas Galitzine), is firmly under the thumb of his father, who insists the boy find a bride immediately. When he first notices Cinderella, or Ella, she is busy laying out her dresses, all personally designed and handmade. She’s ambitious and has no time for pining over lovers.

Cannon adds new dimensions to the age-old characters. Cinderella’s stepmother, Vivian (Idina Menzel), and stepsisters, (Maddie Baillio and Charlotte Spencer), are far from the obnoxious creatures of the original tale. In fact, Vivian comes off as rather kind, perhaps due to her own unhappy life. The sisters are more funny than fiery and it is not a fairy godmother Billy Porter who opens the doors of destiny for Cinderella to attend the royal ball. 




The director manages to sidestep tried and tested tropes by weaving in a couple of novel features and dressing it up as a musical. Supplied

Though, on the whole, a disarmingly novel experiment, Cannon does still fall into the trap of having her protagonist forced to choose between love and career, a dilemma which seems a little staid.


Book Review: ‘Padma’s All American’ Cookbook

Updated 19 December 2025
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Book Review: ‘Padma’s All American’ Cookbook

  • For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity

Closing out 2025 is “Padma’s All American: Tales, Travels, and Recipes from Taste the Nation and Beyond: A Cookbook,” a reminder that in these polarizing times within a seemingly un-united US, breaking bread really might be our only human connection left. Each page serves as a heaping — and healing — helping of hope.

“The book you have before you is a personal one, a record of my last seven years of eating, traveling and exploring. Much of this time was spent in cities and towns all over America, eating my way through our country as I filmed the shows ‘Top Chef’ and ‘Taste the Nation’,” the introduction states.

“Top Chef,” the Emmy, James Beard and Critics Choice Award-winning series, which began in 2006, is what really got Padma Lakshmi on the food map.

“Taste the Nation,” of course, is “a show for immigrants to tell their own stories, as they saw fit, and its success owes everything to the people who invited us into their communities, their homes, and their lives,” she writes.

Working with producer David Shadrack Smith, she began developing a television series that explored American immigration through cuisine, revealing how deeply immigrant food traditions shaped what people considered American today.

She was the consistent face and voice of reason — curious and encouraging to those she encountered.

Lakshmi notes that Americans now buy more salsa and sriracha than ketchup, and dishes like pad Thai, sushi, bubble tea, burritos and bagels are as American as apple pie — which, ironically, contains no ingredients indigenous to North America. Even the apples in the apple pie came from immigrants.

For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity.

“If I think about what’s really American … it’s the Appalachian ramp salt that I now sprinkle on top of my Indian plum chaat,” she writes.

In this book Lakshmi tells the tale of how her mother arrived in the US as an immigrant from India in 1972 to seek “a better life.”

Her mother, a nurse in New York, worked for two years before Lakshmi was brought to the US from India. At 4 years old, Lakshmi journeyed alone on the 19-hour flight.

America became home.

Now, with visibility as a model and with a noticeable scar on her arm (following a horrific car accident), she is using her platform for good once again.

Lakshmi is merging her immigrant advocacy with her long career in food media.

The photo of her on the cover, joined by a large American flag, is loud, proud and intentional.

The book contains pages dedicated to ingredients and their uses, actual recipes and, most deliciously, the stories of how those cooks came to be.