Saudi Research & Media Group announces global partnership with leading Japanese publishing houses for Manga Arabia

Short Url
Updated 04 October 2021
Follow

Saudi Research & Media Group announces global partnership with leading Japanese publishing houses for Manga Arabia

Riyadh, Kingdom of Saudi Arabia – 26 August 2021: Saudi Research & Media Group (SRMG), leading integrated publishing company in the Middle East that owns more than 30 major media outlets, today announced a content licensing agreement with renowned Japanese publishing houses for Manga Arabia. The strategic partnership enables SRMG to establish official channels with Shogakukan, Shueisha, and Kadokawa to adapt and localize global content for Arab audiences.

In line with the growing demand for manga art in Saudi Arabia, the agreement will see specialists from across the four entities pool together resources and share expertise to ensure Manga Arabia’s imaginative new Arabic content is purposeful, safe, and inspired by Arab cultural values – ready to be consumed by all members of Arab families, across diverse age groups.

Commenting on the partnership, Jomana Al-Rashid, CEO of Saudi Research & Media Group, said: “This groundbreaking partnership today marks a significant milestone not only for SRMG but also for Saudi Arabia and the Arab world. For the first time in the region, an Arab entity owns the copyright to localize, adapt and translate global manga for regional audiences. Manga Arabia’s innovative content will undoubtedly enrich our local and regional entertainment landscape, with dynamic narratives that are truly reflective of our cultural and societal values.”

Dr. Essam Bukhary, Editor-in-Chief of Manga Arabia, said: “Our strategic partnership with prominent Japanese publishers empowers Manga Arabia with tremendous flexibility and diversity to ensure local and regional audiences can access global manga content produced with the highest industry standards. This landmark agreement cements our vision to bridge the gap between an increasing appetite for manga in the Arab world and the lack of official channels to promote the artform’s cultural creativity.”




Manga Arabia & Shogakukan Signing. (Supplied)

Masato Hayashi, Board Member and Director of the Digital Administration Department at Shogakukan, said: “Our partnership with SRMG will deliver the first-ever Arabic translation of our manga publications, enabling us to bring fun, informative edutainment to audiences across Saudi Arabia and the wider region. The collaboration is as a true testament to the strengthening relations between Japan and the Kingdom, and we hope to inspire audiences across the Arab world to connect with the manga artform.”




Manga Arabia & Shogakukan Signing. (Supplied)

 




Manga Arabia & Shueisha Signing. (Supplied)

Masahiko Ibaraki, Senior Managing Director at Shueisha, said: “We congratulate SRMG on the launch of Manga Arabia and are delighted to issue our Arabic-translated digital comic as a result of this distinguished partnership. Moreover, we aim to spread the Japanese manga around the Arab world and to create a joyful environment in a legal way. We look forward to our partnership with SRMG to establish a new era of cultural exchange.”




Manga Arabia & Shueisha Signing. (Supplied)

 




Manga Arabia & Kadokawa Signing. (Supplied)

Masayuki Aoyagi, Executive Officer & Chief Publishing Officer at Kadokawa, said: “We are thrilled at the opportunity to publish our works in the inaugural issue of Manga Arabia, underscoring the graphic artform’s enduring appeal across Saudi Arabia and the Arab region. Our partnership with SRMG not only serves to bolster cultural exchange between Japan and Saudi Arabia, but also plays a key role in expanding the scale, range and reach of Japanese works to global audiences.”




Manga Arabia & Kadokawa Signing. (Supplied)

The content licensing agreement follows the recent announcement of the launch of Manga Arabia, marking an ambitious step towards stimulating and fostering the imagination and creativity of the Arab community. In addition to the original, high-quality, and authentic content inspired by the culture and values of the Arab region, the project will champion local creatives while spotlighting Japanese and international partners for both regional and global audiences.

With an aim to target 180 million Arabs and instill a love for recreational reading, SRMG will launch two offerings for Manga Arabia: “Manga Arabia Kids” with content catering to 10–15-year-olds, and a second title targeting those 16 and above. Both offerings will be available free of charge in digital formats and monthly printed copies.


Saudi Media Forum urges ethical coverage as crises redefine Arab journalism

Updated 04 February 2026
Follow

Saudi Media Forum urges ethical coverage as crises redefine Arab journalism

  • Raw news without context can mislead audiences and distort credibility, experts say

RIYADH: Arab media was born in crisis and shaped by conflict rather than stability, Malik Al-Rougi, general manager of Thaqafeyah Channel, said during the Saudi Media Forum in Riyadh on Wednesday.

Al-Rougi was speaking during a panel titled “Media and Crises: The Battle for Awareness and the Challenges of Responsible Coverage,” which examined how news organizations across the region navigated credibility and professional standards amid fast-moving regional developments.

“Today, when you build a media organization and invest in it for many years, a single crisis can destroy it,” he said.

Referring to recent events, Al-Rougi said that he had witnessed news channels whose credibility “collapsed overnight.”

“In journalistic and political terms, this is not a process of news production. It is a process of propaganda production,” he said. “The damage caused by such a post … is enormous for an institution in which millions, perhaps billions, have been invested.”

When a media outlet shifts from professionalism and credibility toward “propaganda,” he added, it moves away from its core role. 

Saudi media leaders, journalists, and experts gathered at the Saudi Media Forum in Riyadh to discuss credibility, ethics, and innovation. (AN photo by Huda Bashatah/Supplied)

“A crisis can work for you or against you,” Al-Rougi added. “When, in the heart of a crisis, you demonstrate high credibility and composure, you move light-years ahead. When you fail to adhere to ethical standards, you lose light-years as well.”

Abdullah Al-Assaf, professor of political media studies at Imam Muhammad bin Saud Islamic University, said that in many crises across the Arab world, agendas and directives had often prevailed over professionalism.

“Credibility was buried,” he added.

Hasan Al-Mustafa, writer and researcher at Al-Arabiya channel, said that raw information could be subject to multiple interpretations if not placed within a proper political, security, historical or geographical context.

He added that such an approach was urgently needed during periods of political and security volatility in the Middle East. 

When, in the heart of a crisis, you demonstrate high credibility and composure, you move light-years ahead. When you fail to adhere to ethical standards, you lose light-years as well.

Malik Al-Rougi Thaqafeyah, Channel general manager

“This objectivity, or this reliability, is a great responsibility,” Al-Mustafa said. “It is reflected not only in its impact on the audience, but also on the credibility of the content creator.”

Al-Mustafa warned against populism and haste in coverage, saying that they risked deepening crises rather than providing informed public perspectives.

He also said that competition with social media influencers had pushed some traditional outlets to imitate influencer-driven models instead of strengthening their own professional standards.

“Our media has been crisis-driven for decades,” he said, describing much of the region’s coverage as reactive rather than proactive.

During a separate panel titled “The Official Voice in the Digital Age: Strategies of Influence,” speakers discussed how rapid technological and social changes were reshaping the role of institutional spokespersons.

Abdulrahman Alhusain, official spokesperson of the Saudi Ministry of Commerce, said that the role was no longer limited to delivering statements or reacting to events.

“Today, the spokesperson must be the director of the scene — the director of the media narrative,” he said.

Audiences, he added, no longer accept isolated pieces of information unless they were presented within a clear narrative and structure.

“In the past, a spokesperson was expected to deliver formal presentations. Today, what is required is dialogue. The role may once required defense, but now it must involve discussion, the exchange of views, and open, candid conversation aimed at development — regardless of how harsh the criticism may be.”

He said that spokespersons must also be guided by data, digital indicators and artificial intelligence to understand public opinion before speaking.

“You must choose the right timing, the right method and the right vocabulary. You must anticipate a crisis before it happens. That is your role.”

Abdullah Aloraij, general manager of media at the Riyadh Region Municipality, said that the most important skill for a spokesperson today was the ability to analyze and monitor public discourse.

“The challenge is not in transferring words, but in transferring understanding and impact in the right way,” he said.