Netflix releases trailer for ‘Al-Rawabi School for Girls’

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Netflix has released the trailer of “Al-Rawabi School for Girls,” a young adult series. (Screenshot)
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Netflix has released the trailer of “Al-Rawabi School for Girls,” a young adult series. (Screenshot)
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Netflix has released the trailer of “Al-Rawabi School for Girls,” a young adult series. (Screenshot)
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Netflix has released the trailer of “Al-Rawabi School for Girls,” a young adult series. (Screenshot)
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Updated 30 July 2021
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Netflix releases trailer for ‘Al-Rawabi School for Girls’

  • The Arabic Original series will premiere on Aug. 12 exclusively on Netflix

DUBAI: Netflix has released the trailer of its Arabic production, “Al-Rawabi School for Girls,” which is the first-of-its-kind young adult series in the region.

                            
“Al-Rawabi School for Girls” tells the story of a bullied highschool girl who gathers together a group of outcasts to plot the perfect revenge on their tormentors.
The six-episode series was created and written by Tima Shomali and Shirin Kamal in collaboration with Islam Al-Shomali and directed by Shomali.
Premiering on Aug. 12, the show will be released in 190 countries and available in more than 32 languages. It will also have audio and written descriptions for disabled audiences.
For Shomali, “Al-Rawabi School For Girls” is the result of a lifelong project. “What started out as scribbles on a blackboard is now an original show on Netflix,” she wrote in a blog post.
Shomali and co-creator Kamal set out to make a series that resonated with young adults while highlighting the challenges that young women experience in high school.
“The one thing I always found lacking in most shows that talk about women is the female perception on their issues,” Shomali said. This meant it was integral that female talent formed a significant part of the team working on all elements of the show, from the script to the set design and music.
The crew includes Farah Karouta as costume designer, Rand Abdulnour as production designer, Nour Halawani as sound mixer, Magda Jamil as post-production supervisor, and Rachelle Aoun and Ahmad Jalboush as directors of photography, among others.
“We collaborated with talented individuals who were solely chosen based on their artistic and creative abilities. And for that, I could not have been more proud to have worked with such an amazing cast and crew, the men and women alike, whose passion and dedication were the main force behind delivering the show’s vision,” Shomali said.
“Al-Rawabi School For Girls” is reflective of Netflix’s investment in the region. Last year, Netflix signed a five-year exclusive partnership with Saudi Arabian animation studio Myrkott to produce Saudi-focused shows and films along with a similar period first-look option on the company’s upcoming projects. It is also expanding its library of Arabic content, investing in more original Arabic productions, localizing content via subbing and dubbing efforts, partnering with businesses, and hiring people from the region to further fuel its growth in the Arab world.
The streaming giant is also committed to providing a platform for more female talent. Earlier this year, on International Women’s Day, Netflix pledged $5 million globally toward programs that help to identify, train and provide work placements for female talent around the world.
The investment is part of Netflix’s Fund for Creative Equity, which will result in the company investing $20 million a year for the next five years in building more inclusive pipelines behind the camera.
In the Arab world, this means working with creators such as Shomali. Later this year, it will launch “Finding Ola,” in which Egyptian Tunisian actress Hend Sabry will take the role of executive producer for the first time in her career.
Currently, the platform features several Arab female talents from the entertainment industry through shows and films including “Nappily Ever After” and “Whispers,” directed by Haifa Al-Mansour and Hana Al-Omair from Saudi Arabia; “The Kite” and “Solitaire,” directed by Randa Chahal Sabag and Sophie Boutros from Lebanon; and “Wajib,” directed by Anne Marie Jacir from Palestine.

 


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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