British-Moroccan catwalker Nora Attal joins models on Dior runway in Paris

Dior hosted two live shows. (AFP)
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Updated 06 July 2021
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British-Moroccan catwalker Nora Attal joins models on Dior runway in Paris

DUBAI: Dior ventured back into the real world Monday after more than a year away, with an in-person show for its Fall/Winter 2021-22 Haute Couture collection in Paris.

Moroccan-British catwalk star Nora Attal was among the models who walked the runway for the French luxury fashion house.  

The 22-year-old fashion star stomped down the runway wearing a feminine flowy mustard-yellow dress with a deep neckline. 




Attal stomped down the runway wearing a feminine flowy mustard-yellow dress with a deep neckline. (AFP)

Other models wore modernized versions of the house’s iconic Bar jacket paired with pleated wraparound skirts and tailored trousers. Outerwear was a major theme, such as a cashmere coat with patchwork embroidery. For evening, models wore ethereal long silk plissé dresses in soft shades of yellow, plaster, or Dior gray.

Attal, who made her runway debut in 2017, is a catwalk fixture at the house of Dior. She has walked in plenty of shows for the Parisian maison, including the Fall 2021 ready-to-wear, spring 2019 couture, spring 2018 ready-to-wear, and Fall 2018 couture shows.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Most fashion houses opted to continue with digital shows and presentations as the couture season got under way, but Dior hosted two live shows.

In a way, it felt like an earlier time, before anyone had ever used the term “social distancing” or wore a surgical mask with Louboutin heels.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

The shows took place at Dior’s favorite venue, a temporary structure in the garden of the Musée Rodin. Street photographers jostled one another outside the front gate, while invited photographers massed at the photo call within. 

Guests greeted one another with air kisses. Several international accents were proof of a return to overseas travel. There were stars like US actresses Jessica Chastain and Jennifer Lawrence, Italian actress Monica Bellucci, British model Cara Delevingne and many more.


Book Review: ‘Padma’s All American’ Cookbook

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Book Review: ‘Padma’s All American’ Cookbook

  • For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity

Closing out 2025 is “Padma’s All American: Tales, Travels, and Recipes from Taste the Nation and Beyond: A Cookbook,” a reminder that in these polarizing times within a seemingly un-united US, breaking bread really might be our only human connection left. Each page serves as a heaping — and healing — helping of hope.

“The book you have before you is a personal one, a record of my last seven years of eating, traveling and exploring. Much of this time was spent in cities and towns all over America, eating my way through our country as I filmed the shows ‘Top Chef’ and ‘Taste the Nation’,” the introduction states.

“Top Chef,” the Emmy, James Beard and Critics Choice Award-winning series, which began in 2006, is what really got Padma Lakshmi on the food map.

“Taste the Nation,” of course, is “a show for immigrants to tell their own stories, as they saw fit, and its success owes everything to the people who invited us into their communities, their homes, and their lives,” she writes.

Working with producer David Shadrack Smith, she began developing a television series that explored American immigration through cuisine, revealing how deeply immigrant food traditions shaped what people considered American today.

She was the consistent face and voice of reason — curious and encouraging to those she encountered.

Lakshmi notes that Americans now buy more salsa and sriracha than ketchup, and dishes like pad Thai, sushi, bubble tea, burritos and bagels are as American as apple pie — which, ironically, contains no ingredients indigenous to North America. Even the apples in the apple pie came from immigrants.

For her, the true story of American food proves that immigration is not an outside influence but the foundation of the country’s culinary identity.

“If I think about what’s really American … it’s the Appalachian ramp salt that I now sprinkle on top of my Indian plum chaat,” she writes.

In this book Lakshmi tells the tale of how her mother arrived in the US as an immigrant from India in 1972 to seek “a better life.”

Her mother, a nurse in New York, worked for two years before Lakshmi was brought to the US from India. At 4 years old, Lakshmi journeyed alone on the 19-hour flight.

America became home.

Now, with visibility as a model and with a noticeable scar on her arm (following a horrific car accident), she is using her platform for good once again.

Lakshmi is merging her immigrant advocacy with her long career in food media.

The photo of her on the cover, joined by a large American flag, is loud, proud and intentional.

The book contains pages dedicated to ingredients and their uses, actual recipes and, most deliciously, the stories of how those cooks came to be.