In valley in Pakistan’s north, an ancient stoneware art on brink of extinction

Artisan Ghulam Haider is seen at this workshop in Chorbat Valley, Gilgit-Baltistan, Pakistan, on June 23, 2021. (AN photo by Nisar Ali)
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Updated 06 July 2021
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In valley in Pakistan’s north, an ancient stoneware art on brink of extinction

  • Only a few still practice the craft in Chorbat Valley, carving hard, granite-like stones known as “koro” into dinnerware
  • Most have learnt the technique from 71-year-old Ghulam Haider who historians say is the last stoneware master in Gilgit-Baltistan 

KHAPLU, GILGIT-BALTISTAN: Chorbat Valley, which stretches between the mountainous northern areas of Pakistan’s Gilgit-Baltistan and the mainly Buddhist Indian region of Ladakh, was once known as home to practitioners of an ancient art of stoneware that local historians say dates back to the Stone Ages.
Today, only a few people practice the craft in the valley, carving hard, granite-like stones known as “koro” into dinnerware. Most have learnt the technique from Ghulam Haider, a 71-year-old craftsman that many historians say is the last living master of the artform.
“I learnt these skills from my father.” Haider told Arab News. “When I started to work in my childhood, there were over 30 artisans in my village. Now, many have died, and many have left this work.”
It was a “very tough job,” Haider said, to find and cut the special stone from the valley’s mountains and then carve it into pots. But the technique had long been practiced in Gilgit-Baltistan, he said, where people preferred pots of stone over the more common pottery made from clay or mud that was found in other parts of Pakistan.
Yusuf Hussain Abadi, a historian of the Baltistan region and collector of traditional pottery, said Haider was the last stoneware master in the region.




Stone pots on display in Ghanche district, Gilgit-Baltistan, Pakistan, July 1, 2021. (AN photo by Nisar Ali)

“According to my knowledge, Ghulam Haider is the only artist who is still associated with this profession in Gilgit-Baltistan. Earlier, one or two more people of Chorbat valley made stone items,” he said.
While little is known about the origin of the art, it is likely a continuation of a craft developed in the Stone Ages, Abadi said.
“We can’t say when the stoneware industry started, there is no history of this art in the written form,” the historian said. “It was the need of people to use stone pots and other utensils in the region before the discovery of bronze and metal.”




Stone pots on display in Ghanche district, Gilgit-Baltistan, Pakistan, July 1, 2021. (AN photo by Nisar Ali)

Though the pots, known as “gorkon” or “kwat” in the local Bali and Shina languages, have mostly disappeared from the region’s kitchens, some still use them as decorative items in their homes or prepare and serve food in them on special occasions like the Eid festivals.
“We make special dishes in these pots on special occasions,” Babar Ali, a resident of Gilgit-Baltistan’s Ghanche district, said.




Stone pots on display in Ghanche district, Gilgit-Baltistan, Pakistan, July 1, 2021. (AN photo by Nisar Ali)

Food cooked in stone pots tasted much better, said hotelier Syed Israr Shah from Nagar district who is trying to revive the tradition at his guesthouse.




Tourists enjoy food cooked in stone pots at Syed Israr Shah's guesthouse in Nagar district, Gilgit-Baltistan, Pakistan. (Photo courtesy: Syed Israr Shah)

“We collected over two dozen stone pots from different old homes,” he told Arab News, saying mutton or biryani rice cooked in stoneware had a “much richer” flavor.
“Every guest now prefers dishes made in stone pots,” Shah said. “Foods cooked in stone-pots become tastier and remain hot for long hours.”


Pakistan’s Mahnoor Omer named among TIME’s ‘Women of the Year’ for 2026

Updated 01 March 2026
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Pakistan’s Mahnoor Omer named among TIME’s ‘Women of the Year’ for 2026

  • Omer moved a Pakistani court against the so-called ‘period tax’ in Sept. 2025 which has since sparked a national debate
  • Taxes on sanitary pads in Pakistan can add up to 40 percent to retail price, UNICEF says only around 12 percent women use such products

ISLAMABAD: Pakistani women’s rights activist Mahnoor Omer, who fought against taxes on menstrual products, has been named among the TIME magazine’s ‘Women of the Year’ for 2026.

Omer’s efforts have been recognized alongside 16 activists, artists, athletes and businesswomen in the TIME’s Women of the Year 2026 list, including Olympic gold medalist Sydney McLaughlin-Levrone and Oscar-nominated filmmaker Chloe Zhao.

Dissatisfied with the efforts to educate Pakistani girls about sexual violence, Omer founded the Noor Foundation at the age of 14 and held her own workshops with village girls about everything from climate change to menstruation, according to the TIME magazine.

Two years later, a conversation with a domestic worker about the price of pads made her realize that not everyone could afford these essentials. She moved a court against the so-called “period tax” in Sept. 2025 and the case has sparked a national debate on the subject, considered a taboo by many in Pakistan, since its first hearing late last year.

“A decade and one law degree after her interest in activism was sparked, Omer, now 25, is putting her passion and expertise to work in the name of gender equity,” TIME wrote about Omer on its website.

Taxes imposed on sanitary products in Pakistan can add up to 40 percent to the retail price. UNICEF estimates just 12 percent of women in the country use commercially produced pads or tampons. The alternative, using cloth, risks health impacts including rashes and infections, and can make it impossible for girls to attend school while menstruating.

Omer’s suit, which awaits the government response, has sparked a national discussion. She says she spoke about menstruation to her father and male cousins, who thanked her for standing up for their daughters.
The 25-year-old, who is currently enrolled in a master’s degree in gender, peace, and security at the London School of Economics, sees this case as just the first of many.

“I’m not free until every woman is free,” she was quoted as saying by TIME. “I want to leave no stones unturned in terms of what I can do with the next few decades, as a lawyer for the women in my country and gender minorities in general.”