REVIEW: In the Cullinan, Rolls-Royce has made a gem of a car

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Updated 02 July 2021
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REVIEW: In the Cullinan, Rolls-Royce has made a gem of a car

  • Long-awaited Cullinan SUV from legendary manufacturer has been global hit

DUBAI: There is only one word to describe the Rolls-Royce Cullinan: Magnificent.

In an era when car makers are all desperately dialing down their ambitions – smaller engines, hybrid variants, all-electric vehicles – the Cullinan comes out fighting for the enduring attractions of the internal combustion engine (ICE).

You should grab a chance to drive one (or own one, if you are rich enough) if and when you can, because this car is likely to be the last big hurrah from the ICE age. Even Rolls-Royce, the master motor builder, is talking about an all-electric vehicle, the Silent Shadow, in the near future.

When it does take that leap, it will undoubtedly be a success, because – judging by the Cullinan – Rolls-Royce takes its time thinking about a new product, aiming to get it just right.

The German-owned but British-manufactured product took a long time preparing its first move into the super-SUV (sport utility vehicle), all-terrain space, but the result, the Cullinan, is about as close to motoring perfection as it is possible to conceive.

Named after the largest rough diamond ever mined, the Cullinan is a gem of a car, equally at home in the sands of the Arabian desert as it is in the urban jungle.

Although it is selling like hot cakes from California to Shanghai, it seems especially designed for the Middle East, and is fast becoming the car of choice for wealthy Arabs, who have always had a thing about Rolls. Head to the Dubai International Financial Center – the epicenter of the UAE’s glittering nightlife – any weekend and count the Cullinans lining up for valet parking, to judge the appeal of the car.

The attraction lies in marrying the traditional Middle East appetite for off-road with the equally traditional desire for motoring glamour.

With the Cullinan you can imagine driving straight off the swanky boulevards of Dubai or Jeddah and heading up a vertiginous sand dune, or a steep-sided canyon. The car would look great in the stunning scenery of Saudi Arabia’s AlUla.

Just getting behind the wheel of the car gives you a sense of self-confidence, even entitlement. You are immediately enveloped in all that luxury and elegance and surrounded by the best technology motoring minds have ever devised.

With a 6.7-liter V-12 engine beneath the bonnet, you have enough power to take on virtually any task. Even with that massive engine, speed is not what draws you to the Cullinan. It can reach 100 kph in around 4.5 seconds and give you a top speed of around 250 kph, but speed is not why you want to drive one of these vehicles.

Instead, it is the classic Rolls-Royce “magic carpet” ride, in which steering and suspension are in such perfect harmony that you barely know you are in motion. In-car noise – engine, air, or tire – is imperceptible as even the biggest bump seems miraculously absorbed.

All the classic bits of luxury for which Rolls-Royce is famed are there – umbrellas/parasols discreetly hidden in the bodywork, self-closing doors, the star-light roof display, the illuminated Spirit of Ecstasy. But bear in mind that Rolls-Royce can customize virtually anything inside or out, which can add significantly to the basic price of around AED2 million ($544,000).

And once you have driven off the highway, up the side of the mountain range, and come to a well-deserved rest, what do you need? Well, a spot of refreshment, of course. And the Cullinan provides that with a picnic table and chairs that slide from the rear door at the touch of a button.

Sheer perfection. There may be a better car in the Middle East than the Rolls-Royce Cullinan, but I have yet to drive it.


Stars flaunt Arab looks at music’s biggest industry events

Updated 4 sec ago
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Stars flaunt Arab looks at music’s biggest industry events

DUBAI/ LOS ANGELES: The Grammys are a night of rule-breaking looks and memorable fashion statements where artists shed the traditional playbook of red carpet dressing and take style risks.

Some artists at Sunday night’s Grammy Awards in Los Angeles looked to the past for inspiration, with British girl group Flo, a first-time nominee, paying homage to Destiny’s Child with their matching sets.

Jorja Douglas, Stella Quaresma and Renée Downer each wore coordinated beaded black and royal blue ensembles. Destiny’s Child famously wore matching green lace cut-out looks at the 2001 Grammys where the group won two awards for “Say My Name.”

Former Destiny Child member Michelle Williams arrived on the carpet in a black sheer gown embellished with gold leaves and a black satin train from Lebanese designer Jean-Louis Sabaji.

It was one of a few Arab looks on the Grammy Awards red carpet, with other stars opting for Middle Eastern designs at pre-Grammy events instead.

On Saturday night, Dove Cameron posed for portraits on the red carpet during the 68th Grammy Awards Pre-Grammy Gala in a pale blue Georges Hobeika gown from the Lebanese designer’s Spring/Summer 2026 ready-to-wear collection.

On the Grammys red carpet, British rising stars Lola Young and PinkPantheress who are shaking up the music industry with their individual sounds both opted for vastly different Vivienne Westwood looks Sunday. Best new artist nominee Young, who is back after taking a brief hiatus last year, sported an army green sweatsuit printed with children’s toys on the carpet. PinkPantheress opted for a signature corseted off-the-shoulder gown draped with the Union Jack symbol.

Zara Larsson glowed on the carpet in her sunny yellow bra top and maxi skirt sequined set. The “Midnight Sun” singer made reference to the song with her radiating look. In keeping with her theme, the Swedish singer wore a circular ray around her skirt while performing at the Grammy’s Premiere Ceremony before removing the rays for her walk down the carpet.

Unlike the tuxedos at other award shows, male Grammy nominees often shake things up. Singer-songwriter Darren Criss was one of the first to arrive shortly after the carpet opened. Criss, who hosted the Grammys premiere ceremony, donned a shimmering lace suit from Tanner Fletcher with an off-white silk cravat shaped into a bow.