What We Are Reading Today: Founded in Fiction; The Uses of Fiction in the Early United States

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Updated 16 June 2021
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What We Are Reading Today: Founded in Fiction; The Uses of Fiction in the Early United States

Author: Thomas Koenigs

What is the use of fiction? This question preoccupied writers in the early United States, where many cultural authorities insisted that fiction reading would mislead readers about reality. Founded in Fiction argues that this suspicion made early American writers especially attuned to one of fiction’s defining but often overlooked features—its fictionality. Thomas Koenigs shows how these writers explored the unique types of speculative knowledge that fiction could create as they sought to harness different varieties of fiction for a range of social and political projects.

Spanning the years 1789–1861, Founded in Fiction challenges the “rise of novel” narrative that has long dominated the study of American fiction by highlighting how many of the texts that have often been considered the earliest American novels actually defined themselves in contrast to the novel. 

Their writers developed self-consciously extranovelistic varieties of fiction, as they attempted to reform political discourse, shape women’s behavior, reconstruct a national past, and advance social criticism. Ambitious in scope, Founded in Fiction features original discussions of a wide range of canonical and lesser-known writers, including Hugh Henry Brackenridge, Royall Tyler, Charles Brockden Brown, Leonora Sansay, Catharine Maria Sedgwick, Edgar Allan Poe, Robert Montgomery Bird, George Lippard, Harriet Beecher Stowe, Frederick Douglass, and Harriet Jacobs.


Book Review: ‘Small Things Like These’ by Claire Keegan

Updated 19 February 2026
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Book Review: ‘Small Things Like These’ by Claire Keegan

In “Small Things Like These,” Irish writer Claire Keegan delivers a quietly devastating meditation on conscience, courage and compassion.

Set in a small Irish town in 1985, the novella follows Bill Furlong, a coal merchant and devoted father whose steady routine is disrupted when he uncovers disturbing secrets within a local convent’s Magdalene laundry, institutions known for placing women in harsh working conditions under the guise of care. 

What unfolds is not a story of grand heroics but of moral awakening and quiet bravery. Keegan’s writing is economical yet deeply expressive, her sentences carrying a stillness that mirrors the winter atmosphere and the emotional restraint of her characters.

Furlong’s dilemma, whether to remain silent or act, reflects a broader question about how ordinary people respond to injustice when it happens in plain sight and when society prefers to look away. 

Keegan’s restraint is one of her greatest strengths. The novella avoids overt judgment or sentimentality, relying instead on nuance, rhythm and suggestion.

Everyday details, a gesture or a silence, reveal the quiet conflicts of conscience. Furlong’s character embodies the tension between comfort and conviction, reminding readers that doing nothing is itself a choice and that small decencies can carry immense moral weight. 

The book’s impact lies in its understatement. Within its brief length, Keegan captures the weight of an entire community’s silence and the redemptive power of individual decency. Her prose feels timeless in its precision, emotional intelligence and empathy. 

“Small Things Like These” is a beautiful, haunting work that lingers long after it ends.

It asks readers to consider how goodness survives in a world inclined toward indifference and how small acts can illuminate even the darkest corners of collective memory.