Saudi minister says 2021 Hajj plans to be announced 'in coming days'

A handout picture provided by the Saudi Ministry of Hajj and Umrah on October 4, 2020, shows people circumambulating the Kaaba (Tawaf) in the Grand Mosque complex in the holy city of Makkah, Saudi Arabia. (AFP/ File)
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Updated 07 June 2021
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Saudi minister says 2021 Hajj plans to be announced 'in coming days'

  • The ministers of health and Hajj will clarify what Hajj 2021 will look like in light of the pandemic
  • Last year, only a limited amount of Hajj pilgrims from within the Kingdom were able to perform the pilgrimage

JEDDAH: Announcements about this year’s Hajj could be made in the coming days as the Kingdom completes its assessments of the challenges caused by the COVID-19 pandemic, said the acting Saudi minister of media, Dr. Majid Al-Qasabi.

At a press conference held in Riyadh on Sunday, Al-Qasabi said the Saudi authorities are following up on (the pandemic) updates and the ministers of Hajj and Umrah and health will soon announce a decision.

He said that, due to COVID variants, it was important to evaluate the damage from the spread of the virus carefully and correctly: “We don’t want this year’s Hajj to be an epicenter for the spread of the disease in the Kingdom or the Muslim world.”

The Ministry of Hajj and Umrah has worked hard to improve the services provided in the Hajj and Umrah sector, amid the exceptional circumstances of the pandemic.

Last year’s Hajj and the gradual return of Umrah in October was permitted after a safe model had been developed, focusing on modern technology and digitizing the procedures to provide pilgrims with the services they needed through different options provided by the ministry.

These tech-focused models included the Eatmarna application, which allowed users to request permits (praying permits, Umrah permits and Rawdah praying permits) in Makkah and Madinah’s mosques. More than 20 million people have benefitted from the app and more than 30,000 have used the services provided by Inaya (care) centers in Makkah and Madinah, established to serve pilgrims coming from outside the Kingdom.

The ministry of Hajj and Umrah also provided safe transportation services by setting up four sites to transport worshippers and pilgrims to and from the Grand Mosque in Makkah.

The Assistant Undersecretary of the Ministry of Hajj and Umrah Services for Hajj and Umrah performers, Eng. Hesham Abdulmonem Saeed, told the press conference that the safe Umrah model aims to protect people by managing the crowds going to the Grand Mosque through booked time slots and improving the services provided for pilgrims through the application of the most modern techniques to meet their personal needs.

He noted that the Eatmarna app developed by the Saudi Data and Artificial Intelligence Authority (SDAIA) also verifies the health of permit applicants.

He said that the work to serve the pilgrims was a joint operation involving the public, private and voluntary sectors.

He said: “There is continued cooperation between the Ministry of Hajj and Umrah, the Ministry of Interior, the Ministry of Health, the General Presidency of the Two Holy Mosques and all relevant authorities to help pilgrims and visitors perform Hajj and Umrah with ease.”


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”