‘Army of the Dead’ stars talk zombie heist flick now on Netflix

Dave Bautista stars in ‘Army of the Dead.’ (Supplied)
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Updated 25 May 2021
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‘Army of the Dead’ stars talk zombie heist flick now on Netflix

LOS ANGELES: After his film debut remaking of “Dawn of the Dead” in 2004, director Zack Snyder is returning to the world of zombies with Netflix’s “Army of the Dead” and he’s putting a new spin on the genre by combining it with a heist movie.

After a zombie outbreak in Las Vegas, a group of mercenaries takes the ultimate gamble by venturing into the quarantine zone for the greatest heist ever in this flick starring former wrestler Dave Bautista and Indian actress Huma Qureshi.

“I had one of the best times making this movie than I’ve ever had making a film,” Snyder told Arab News. “It was just such an immersive experience and such a great intimate experience with me operating the camera and having the actors just right there with me.”

The film, which is streaming now, sees a former mercenary hired to rob a casino that’s been quarantined after zombies overran the Vegas strip. Wrestler turned “Guardians of the Galaxy” star Bautista delivers gory action fun, as well as sentimental moments through a subplot dealing with his character’s estranged daughter.

“What’s really challenging is when I’m involved in scenes that have a varying range of emotions where I have to change emotions very fast,” Bautista said of his performance as Scott Ward. “There’s one scene in particular in this film where I go through like 10 different emotions within the span of maybe a minute.”

Snyder highlighted the film’s opening as a scene that was particularly tricky to shoot. Not content to use practical or digital effects to get the proper lighting for the scene which took place at dusk, Snyder decided to actually film at dusk, which ended up being anything but simple.

“We’d wait for the sun to go down and then shoot for the 30 minutes before it’s dark and you know use that time to shoot the movie,” he explained. “Of course, that sequence you can’t do in one day so we ended up shooting it in over five weeks of dusks.”

The painstaking process of filming was worth it, however, as fans can expect a popcorn-worthy zombie-filled romp with just the right amount of action, laughs and emotional notes to make staying at home worth it. 


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.