Exploring the traditional flavors of Ramadan in Saudi Arabia

Ramadan is not only a month of prayers, as Muslims make special arrangements to celebrate the holy month by preparing special foods and decorating their surroundings. (Shutterstock/SPA)
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Updated 20 April 2021
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Exploring the traditional flavors of Ramadan in Saudi Arabia

  • Decorations are also becoming an integral part of preparations for the holy month in Saudi Arabia

JEDDAH: Ramadan is a special time for Muslims to get together with family and loved ones. These gatherings in Saudi culture result in a diverse menu of delicious dishes, with many being made exclusively during the holy month.

Muslims worldwide fast from dawn to sunset. Therefore, among all the aspects of local culture, food-related traditions are the most significant, distinguished and diverse. However, there are also shared meals and components of the Saudi iftar table featured in the holy month across the Kingdom.
Dates are an essential dish that Muslims use to break their fasts, following in the tradition of the Prophet Muhammad (peace be upon him). For Saudis, an assortment of dates is normally consumed, along with Arabic coffee, soup, and fried or baked stuffed pastry (samboosa and other dishes). For sugar-hungry people, the soft drink Vimto is often the go-to liquid to quench thirst.
To top it off, Arabian deserts most commonly found on Saudi tables include kunafa (a sugar-soaked pastry stuffed with cheese or cream) and logaimat (small round balls of fried dough covered in sweet syrup), while qatayef, pancakes filled with cream or nuts, are the cherry on top.
Despite these common foods, each region in the Kingdom favors specific dishes. In the central region, hanini is what many Najdis place on their tables when breaking their fasts. The porridge-like dish is made of dates, wheat flour, ghee and sugar. You will also find jarish, another famous savory dish made from ground wheat, lamb stew and vegetables, with a side of whole-wheat mini pancake-like discs known as matazeez and margoog.
In the western region of the Kingdom, there is the signature dish of foul and tamees, which is a combination of fava bean stew and tamees bread, a soft, tender creation baked in traditional open ovens believed to have originated in Afghanistan. The region’s signature drink is sobia, a thirst-quenching Ramadan brew made from wheat and malt flours.
In the Eastern Province, you will most likely break your fast with a meat and vegetable stew known as saloona. It is served with a side of balaleet, made either sweet or savory from flavored vermicelli noodles and topped with a layer of eggs. The province’s desert of choice is sago, which is made from a form of starch taken from the pith of the sago palm.

HIGHLIGHTS

• Dates are an essential dish that Muslims use to break their fasts.

• Arabian deserts most commonly found on Saudi tables include kunafa and logaimat, while qatayef, pancakes filled with cream or nuts, are the cherry on top.

• Despite these common foods, each region in the Kingdom favors specific dishes.

Though it might seem that food is the focus of Ramadan, many special traditions significant to the holy month are also celebrated across the Kingdom.
“Although we have a very diverse cuisine, I think the components of our Ramadan table are similar, as most popular dishes in this month are rich in carbs, protein, and fat, but they’re also easy to eat with little effort,” traditional food enthusiast Lujain Ahmad told Arab News.
She added: “Our Ramadan table also welcomes new dishes and drinks every year thanks to the influence of social media, which always brings us trends with new meals and dessert recipes, as well as presentation ideas”
Ramadan fashion and decorations are also another way to celebrate the holy month, and are becoming an integral part of preparations for families in Saudi Arabia.
Popular Ramadan lanterns and accessories painted with colorful traditional red-themed patterns also provide an oriental theme to celebrations in the Kingdom.
Ramadan attire is traditionally modest. It is a month in which many women opt for long dresses, such as the jallabiya, which has evolved in recent years through designs inspired by patterns from across the Arab and Muslim worlds.

Old and new traditions are beautiful, and give a special taste to the holy month.

Manal Saleh

The growing popularity of these dresses has created a lucrative market for local fashion designers, markets and social media platforms.
“Although I’m not that old, I can say for sure that these are newly adopted Ramadan traditions, which were not as popular 10 years ago,” Manal Saleh from Jeddah told Arab News.
She added that social media has had a major influence on people’s behaviors and Saudi culture, even in relation to religious events and practices. “New practices adopted through social media trends are increasingly becoming more important and even powerful enough to replace inherited traditions.”
However, she said that both old and new traditions are “beautiful, and give a special taste to the holy month.”
Modern life means that regional differences are in decline, while people increasingly live similar lives and become more interested in following trends and imitating one another.
“We are acting alike, and we like it. There is no problem with that. It gives a beautiful sense of unity on the national and regional level,” Lama Sharif told Arab News.
This year’s Ramadan will not include many popular traditions due to the coronavirus disease (COVID-19) pandemic.
Saudi mosques used to hold daily iftar gatherings for expat workers and the poor, usually paid for by local residents or wealthy donors. The same used to happen at the Two Holy Mosques. But this tradition stopped in 2020 and has not returned this year due to the ongoing pandemic.
Other charitable activities have also been halted. Some Saudis used to prepare small iftar meals and cold water for free distribution around sunset, when people stop at traffic lights and may miss out on breaking their fast on time. These activities were carried out by young men and women, families, or volunteering groups on the main roads of the Kingdom’s cities, but have since stopped.
Saudi families also used to exchange and share dishes with neighbors, a well-known practice across Saudi Arabia. No dishes ever returned empty, but the pandemic has halted this tradition, too.
“As young kids, we used to prepare iftar meals as a family and distribute them among pilgrims in the mosque yards. That was a beautiful experience I’ll always cherish,” said Sharif.
“The pandemic has deprived us of many beautiful social traditions, not to mention prayers and warm gatherings at mosques. I’m glad we are having a real Ramadan this year, but we miss so many things, and I’m afraid they may never come back,” she added.


Saudi deputy FM receives US deputy assistant secretary of state

Waleed Elkhereiji holds talks with Daniel Benaim in Riyadh. (Twitter @KSAmofaEN)
Updated 17 sec ago
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Saudi deputy FM receives US deputy assistant secretary of state

  • The two sides discussed strengthening relations between the two friendly countries and ways to enhance cooperation

RIYADH: Saudi Deputy Minister of Foreign Affairs Waleed Elkhereiji received US Deputy Assistant Secretary of State for Arabian Peninsula Affairs, Daniel Benaim in Riyadh on Sunday.

The two sides discussed strengthening relations between the two friendly countries and ways to enhance cooperation, the Saudi Press Agency reported.

The most prominent regional and international developments were also discussed, as well as the efforts put forth in these areas.

 


Jeddah Historic District, Cruise Saudi team up to boost visitor numbers, economy

Updated 12 May 2024
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Jeddah Historic District, Cruise Saudi team up to boost visitor numbers, economy

  • Sides sign memorandum of understanding to ‘drive economic growth’
  • Partnership ‘pivotal’ in regeneration of district, Cruise Saudi CEO says

JEDDAH: The Jeddah Historic District Program and Cruise Saudi have agreed to work together to increase the number of international cruise visitors to the city while preserving its cultural and historical integrity.

The program, established in 2018 under the auspices of the Ministry of Culture, oversees various initiatives within the so-called Historic Jeddah region with the aim of promoting it as a cultural center.

Cruise Saudi is owned by the Public Investment Fund and manages cruise-related services and infrastructure, including the development of terminals and operation of shore excursions.

Since its creation it has welcomed more than 300,000 cruise passengers.

The two sides signed a memorandum of understanding to boost economic activity and promote the region, using private sector expertise to improve the visitor experience.

The initiative is expected to create jobs, support small businesses and promote long-term economic activities that benefit the entire community.

“The tourism sector is experiencing growth and prosperity, which contributes to enhance the Kingdom’s presence on the global tourism map in line with Saudi Vision 2030,” Abdulaziz bin Ibrahim Al-Issa, director general of the Jeddah Historic District Program, said.

“Our strategic partnership with Cruise Saudi is not only to drive economic growth but also to actively engage in the regeneration of the district. We are committed to protecting both the tangible and intangible heritage that earned the district its UNESCO status.”

Cruise Saudi CEO Lars Clasen said: “This partnership is pivotal in the strategic regeneration and sustainability of the district. With this alliance, we are dedicated to presenting Cruise Saudi tourists with an experience that inspires the visitors with the district's enriched heritage.

“Jeddah’s Historic District is one of our most popular Shorex destinations and we continue to witness just how much international passengers enjoy exploring its unique historic sites through the tours and experiences we offer.

“This MOU represents our shared vision and marks an exciting new chapter, paving the way for collaborative efforts to draw even more visitors to this enchanting destination while protecting its heritage and authenticity.”
 


Riyadh to host Global AI Summit in September

Updated 12 May 2024
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Riyadh to host Global AI Summit in September

  • The summit will bring together international ministers, organization heads, CEOs of major tech companies, and AI experts
  • Topics at the conference will include AI innovation, industry trends, and fostering human talent in AI and other key areas

RIYADH: The Saudi Data and Artificial Intelligence Authority will host the third Global AI Summit from Sept. 10 to 12 at the King Abdulaziz International Conference Center in Riyadh, the Saudi Press Agency reported on Sunday. 

Abdullah Al-Ghamdi, president of SDAIA, highlighted Crown Prince Mohammed bin Salman’s dedication to advancing the national data and artificial intelligence agenda, aiming to bolster the Kingdom’s global presence in these fields.

The summit will bring together international ministers, organization heads, CEOs of major tech companies, and AI experts to discuss global AI developments and announce initiatives and agreements, advancing international efforts in data and AI under the Kingdom’s banner.

Topics at the conference include AI innovation, industry trends, shaping a better future with AI, fostering human talent in the field, and other key areas.

This summit, under the crown prince’s leadership, is a testament to the successes of Vision 2030, which position Riyadh as a global hub for cutting-edge AI developments, the SPA said. 


Swiss artist pays homage to heritage in Riyadh show

Updated 12 May 2024
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Swiss artist pays homage to heritage in Riyadh show

  • ‘From Roots to Vision’ by Vlad Pocol is inspired by Saudi Vision 2030 and his own personal journey

RIYADH: In Ahlam Gallery’s latest solo exhibition, Swiss painter Vlad Pocol examines the ties that link past, present and future — with Saudi Arabia’s Vision 2030 as a reference point.

“If you could explain your artworks in one word, what would it be?” one listener asked. “Intuition,” Pocol replied, explaining the basis of his first show in the Kingdom.

The artist relied on intuition when he decided only a few months ago that Saudi Arabia would be his new home, leading him to create an exhibition based around three ideas: heritage, transition, and vision.

The immersive exhibition titled “From Roots to Vision: A Migration” urges observers to think about heritage, and challenge the possibilities of the future as we weave our past legacy for generations to come.  

Ambassador of Switzerland to the Kingdom Yasmine Chatila and Pocol discussing a patched installation made of discarded materials salvaged from artwork waste. (Supplied/AN photo by Huda Bashatah)

Pocol told Arab News: “It’s great to evolve, but it’s also important to stay rooted in our own heritage. I’ve taken Saudi Arabia as an example. Everyone is so excited with what’s happening with the Vision (2030), but everyone is still so rooted and respectful and inspiring in a collective way … that can also inspire us in an individual way.”

Within the “Heritage” collection, “Identites” delves into the themes of self-reflection and outsider perceptions. Four papier mache panels woven together by rope encourage the viewer to see alternative versions of themselves as they are layered in complexity with oil paint.

It is great to evolve, but it is also important to stay rooted in our own heritage.

Vlad Pocol, Swiss artist

“Legacite” is a series of six artworks that explores the themes of circularity, continuity, and generational cycles. In a single dot, each painting prompts a reflection on the viewer’s part within these continuous loops.  

Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)

The highlight of the show, “Sans Fin,” is a mirage of moving images constructed by strokes of paint. The piece is inviting, yet mysterious, prompting us to question our capability to grow using the metaphor of a black hole — you never know what may lie in the unknown.  

In 2018, when Pocol was a lawyer, he was invited by a colleague to a workshop centered around recreating the work of a contemporary artist. After an accident that resulted in a damaged painting, he developed a technique to repair the artwork.

Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)

“My technique gives structural movement. When you see my paintings, you enter a world … it’s moving. My energy also comes up in the artwork,” he said.

In “Transition,” the works invite viewers to consider what lies beneath the surface, with more sculptural works coming into play.

Another installation is made of discarded materials salvaged from artwork waste. What we deem as undesirable is turned into something valuable, and even beautiful, challenging us to reconsider sustainability practices and our role in global consumption.  

In the “Vision” collection, the artist’s optimism about the future is linked to the promise of Saudi Arabia’s Vision 2030.

His work “Dessen” is based on a childhood memory of winning his first drawing contest, and celebrates the impact of early creative expressions on future artistic development.  

While “Elles” is a tribute to femininity and the women in his family, nearby twin works are inspired by the artist’s migration from Romania to Switzerland.  

Pocol describes the green-colored “Ja Deu Tu Certo” as “one of the most personal” works in the collection.

“Any pieces I’ve offered to my mom have been green because I really believe in the power of healing and the green (color). My mother has been fighting metastatic cancer for two years now,” he said. The work conveys his belief that “she will be well.”

He said the color also holds significant meaning in Saudi culture, as it stands for pride and patriotism.

Reflecting on showcasing his works in the Kingdom, Pocol said: “It’s so significant to have my exhibition here. While I have roots from Romania, 30 percent of my genes are Middle Eastern. Being here in Saudi Arabia is very subconscious. I feel at peace, like I’m coming back to something.  

“I’ve traveled a lot in my life and it’s the first time I’m able to find a new home outside of Switzerland … once you follow your intuition, it gets you to whatever is meant for you. That’s why I’m here in Saudi Arabia. It’s meant to be.”

The exhibition will run until June 2.

 


Saudi commission explores impact of biennales on artists

Biennales are large-scale exhibitions held every two years that provide a platform for artists to engage with specific themes. (
Updated 12 May 2024
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Saudi commission explores impact of biennales on artists

  • Shahad Al-Blihed analyzed Manal Al-Dowayan’s work “Shifting Sands: A Battle Song,” emphasizing its reflection of Saudi women amid cultural shifts

RIYADH: Various experts recently took part in a virtual meeting to consider the role of biennales in visual art.

The event was organized by the Visual Arts Commission as part of its ongoing review of the sector, the Saudi Press Agency reported on Sunday.

Biennales are large-scale exhibitions held every two years that provide a platform for artists to engage with specific themes. The meeting outlined the criteria for artist participation, focusing on career robustness and foundational achievements.

Shahad Al-Blihed gave her insights into curating the Saudi pavilion at the 60th Venice Biennale.

She analyzed Manal Al-Dowayan’s work “Shifting Sands: A Battle Song,” emphasizing its reflection of Saudi women amid cultural shifts.

The Venice event demonstrated the commission’s commitment to boosting local artists internationally, the report said.