Saudi Arabia’s first philosophy journal breaks new ground

The Saudi Journal of Philosophical Studies (SJPS) was launched by the cultural platform Mana, which was set up two years ago. (Supplied)
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Updated 14 April 2021
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Saudi Arabia’s first philosophy journal breaks new ground

  • Philosophers from outside the Arab world contributed to the first issue, specifically from Germany and the US

JEDDAH: Saudi Arabia’s first philosophy journal has been issued, with its editor-in-chief saying that the country was witnessing a “tangible philosophical renaissance.”
The Saudi Journal of Philosophical Studies (SJPS) was launched by the cultural platform Mana, which was set up two years ago.
According to its editor in chief, Sarah Al-Rajhi, the principal aim of the journal was to help researchers in the Kingdom, the Arab world and the West to publish their work without any financial cost and in line with accurate scientific standards.
“Philosophy indicates the position of knowledge within any culture,” she told Arab News. “It is no secret that Saudi Arabia is currently witnessing a tangible philosophical renaissance that should have culminated in the launch of a refereed academic philosophical journal. At Mana, we aim to train researchers in philosophical writing and create a kind of accumulation in this regard. We do this on our online platform, and more systematically in our peer-reviewed journal.”
She said that the SJPS advisory board included 12 leading thinkers and philosophers from the Arab world and the West, and that this number was appropriate because each member represented an orientation and school of thought.
The scholars were chosen on the basis of precise criteria, the most important of which were their research, their recognition by the scientific research community, their “abundant philosophical production” and their geographical distribution.
The advisory board includes members from Saudi Arabia, the US, Australia, the UK, Senegal, Egypt, Tunisia, Libya and Algeria.
Al-Rajhi said that the SJPS had received a large number of research papers in different languages from many countries since its launch.
“We subjected this research to close referees as the journal has a list of highly qualified referees. We apologized to some researchers whose research did not meet the required publishing standards, and we provided them with the referees’ reports that include important notes and instructions in order to help them address the deficiencies in their research and develop them.”

FASTFACTS

• The Saudi Journal of Philosophical Studies (SJPS) was launched by the cultural platform Mana, which was set up two years ago.

• The SJPS advisory board includes 12 leading thinkers and philosophers from the Arab world and the West.

• Among the open access articles are a paper from the US-Lebanese philosopher Raja Halwani.

• Another article is from Mohamed Mohamed Madian, philosophy professor at the University of Cairo.

Philosophers from outside the Arab world contributed to the first issue, specifically from Germany and the US.
The first edition of the SJPS was applauded by elite cultural figures and entities, including Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah bin Farhan. He tweeted the issue announcement, adding: “Such a great step to enrich Saudi philosophical content.”




Such a great step to enrich Saudi philosophical content. Prince Badr bin Abdullah bin Farhan
Saudi culture minister

Al-Rajhi, in turn, expressed her gratitude for the support that the Saudi cultural community received from the ministry.
“With your continuing encouragement and support to the knowledge and cultural movement in Saudi Arabia, the future will even be brighter with more and more steps,” she replied.
She said that some of the journal’s articles were free to access for readers on the Mana platform and that issues would also be sent to Saudi and Arab universities.
Al-Rajhi, who is the co-founder of Mana, said the journal could contribute to strengthening the Kingdom’s philosophical movement and that the encouragement of academic publishing in the field of philosophy was the pinnacle of this movement.
“To write a philosophical paper in a systematic way that adheres to the accuracy and academic standards in writing, and for the scientific community to read what you write, is a great thing and a beginning that can be both built and expanded upon. Moreover, we believe that the international character of the SJPS allows Saudi researchers to learn about the research output of their colleagues around the world.”
Al-Rajhi explained what distinguished the SJPS from other Arab and international refereed journals. It did not just present research papers, but a variety of content.
“This content included an introductory essay on a philosophical topic, an introductory essay about a philosopher, an introduction to a research project, translations of two valuable texts from English into Arabic, and finally a statistical analysis of the publications of the most important international publishing houses in the second half of 2020.”
She said there was a clear philosophical activity in Saudi Arabia that nobody could ignore and that it was part of the country’s general cultural activity, adding that had it not been for the “official institutions’ support of this activity, it would not have appeared this way.”
The next desired step within the Saudi philosophy community was to teach the subject in the country’s universities as an independent academic discipline, she said.
“We have tried to create a kind of intersection between philosophy and academia, and we are hopeful that it will be a step that paves the way toward establishing the first departments of philosophical studies in Saudi universities.”
Among the open access articles are a paper from the US-Lebanese philosopher Raja Halwani, who is a philosophy professor at the School of the Art Institute of Chicago.
In his abstract for the “Virtue of Integrity,” Halwani writes there is a powerful argument that integrity is not a virtue because it would be a redundant virtue, or what he calls the “redundancy objection.”
He said that integrity was usually tested when the agent was under pressure or tempted to act against their values. A virtuous person was someone who had virtues, including wisdom, and was able to act properly whenever the situation called for it.
Another article is from Mohamed Mohamed Madian, philosophy professor at the University of Cairo’s Faculty of Art.
He discusses Cornel Ronald West, a prominent left-wing African-American thinker, and his writing focuses on three levels expressing the West’s philosophy: Prophetic pragmatism, the philosopher’s concept of democracy, and the problem of racial discrimination.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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