'Love and Truth': Pakistani filmmakers present country’s first made-for-Instagram drama parody

The collage shows stills from the episodes of "Pyar Aur Sach". (Photo courtesy: @pyaaraursach/Instagram)
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Updated 03 April 2021
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'Love and Truth': Pakistani filmmakers present country’s first made-for-Instagram drama parody

  • Launched in March, "Pyar Aur Sach" on IGTV has already amassed over 8,000 views
  • The drama is a parody of popular TV shows with exaggerated marriage-focused plotlines

RAWALPINDI: When filmmaker Nadir Shahzad and musician Syed Misbah Uddin started talking to each other in the style of TV dramas and recorded it for fun, little did they know that it would become Pakistan's first drama parody on IGTV.

IGTV is Instagram’s long format video posting feature that allows users to upload videos of up to 60 minutes and has become a popular medium for brands, influencers and TV networks.

With its first episode screened on IGTV on March 2, Shahzad and Uddin's "Pyar Aur Sach" ("Love and Truth") has already amassed over 8,000 views.

“We kind of found it funny, one of those things that friends do together, we didn't really expect other people to laugh at it as well,” Shahzad told Arab News in a Zoom call on Saturday. “But now we're doing this and it's enjoyable just genuinely to do it.”

“We took out the phone and started recording that episode laughing insanely hard," Uddin said. "Once it was up and other people started laughing Nadir was pumped to make more.”

Actor Mariam Saleem soon joined them, and the trio has since produced six episodes.

The series is shot on a cell phone with the style of shooting lending another layer of humor to the show.

Pyaar Aur Sach follows the story of Nadir played by Shahzad, Misbah played by Misbah, and Mariam who is sometimes Sakina and sometimes Shaista. They play the same characters Pakistani viewers know from their popular TV dramas: helpless male leads and vindictive wives entangled in exaggerated marriage-focused plotlines.

"In one episode you can clearly see my feet and socks in the frame of a shot, but I didn’t care," Saleem laughed. "It’s working in the way that we are not too serious about it."

The trio is unsure how many episodes their drama will have. But viewers in their comments are hoping for more, as they appreciate the humor and the evident joy that the creators are having while shooting the series.

"We will continue to make episodes," Shahzad said, "As long as we are friends, and we don't get bored with the concept."


Pakistan launches digital fisheries traceability system to curb illegal fishing, boost exports

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Pakistan launches digital fisheries traceability system to curb illegal fishing, boost exports

  • New “Mahi Dost” app aims to meet EU and US seafood traceability standards, ministry says
  • Fishing Technology Museum positioned as policy and research hub under blue economy push

ISLAMABAD: Pakistan has launched a digital fisheries traceability system alongside its first Fishing Technology Museum as part of efforts to curb illegal fishing, improve regulatory compliance and strengthen access to international seafood markets, the maritime affairs ministry said this week.

Pakistan’s fisheries sector has long struggled with illegal, unreported and unregulated (IUU) fishing, weak monitoring systems and limited traceability, factors that have constrained exports despite the country’s extensive coastline and exclusive economic zone in the Arabian Sea. Compliance with international regulations, particularly those of the European Union and the United States, has increasingly become a prerequisite for market access.

On Monday, Federal Minister for Maritime Affairs Muhammad Junaid Anwar Chaudhry inaugurated the fishing museum in Karachi and soft-launched the “Mahi Dost” app, a digital catch-to-consumer tracking system designed to help Pakistani seafood exporters meet stringent international certification requirements.

Addressing fishermen, academics and members of the business community, Chaudhry said the two new initiatives together would strengthen monitoring, control and surveillance in the fisheries sector and help curb regional losses from illegal fishing, estimated at around $1 billion. He said they were aligned with Pakistan’s Blue Economy Policy and the United Nations’ Sustainable Development Goal 14, which focuses on protecting marine ecosystems.

“The government is committed to aligning with global best practices by combining heritage and innovation to secure a sustainable maritime future,” Chaudhry said.

The minister said the new museum was intended to serve as more than a cultural exhibition space.

“The museum was not merely an exhibition space but a strategic asset for the country’s blue economy,” he said.

“By bringing together indigenous knowledge and modern innovations such as AI-enabled sonar and environmentally friendly nets, the initiative would support informed policymaking to counter overfishing and climate-related risks.”

The newly launched Mahi Dost app introduces digital tracking of seafood from catch to consumer using blockchain, GPS and QR-code technology. Fishermen can log catch data in real time, enabling verification of origin, fishing methods and supply chains, which are requirements increasingly enforced by importing countries.

According to the ministry, the system is designed to comply with international frameworks including EU Catch Certification rules, regulations targeting IUU fishing, the US Marine Mammal Protection Act and standards set by the Indian Ocean Tuna Commission.

Chaudhry described the app as a tool to safeguard legal fishing practices and strengthen exports.

“The app would verify dolphin-safe fishing and transparent supply chains, directly strengthening Pakistan’s seafood exports,” he said, noting exports were currently valued at around $500 million annually.

Chaudhry added that early pilot projects had already reduced approval times for European markets and enabled small-scale fishermen to access higher-value international buyers.