LONDON: After revolutionizing the world of blockbuster moviemaking with their “Avengers” movies, the Russo brothers had little choice but to go slightly smaller scale with their next project —the Apple TV+ crime drama “Cherry.” Their ambition, however, is undiluted. The pair seek to carve out a decades-spanning story of young love, brutal warfare, failing support systems and a descent into criminality, with Marvel alumnus Tom Holland in the title role. Based on veteran Nico Walker’s memoir, “Cherry” follows a young man who drops out of college to serve as an army medic in Iraq, returning home with undiagnosed PTSD and no clue how to manage the trauma he endured. As he and his young wife Emily (played by Ciara Bravo) struggle to realize the life their young love promised, Cherry winds up robbing banks to keep them safe from shady figures.

“Cherry” follows a young man who drops out of college to serve as an army medic in Iraq. (Supplied)
If nothing else, “Cherry” acts as a showcase for what a terrific actor Tom Holland has become. The young Brit displays a depth of feeling and visceral, emotional torment that is beyond his years. Unfortunately, while the Russo brothers’ ambition is commendable, the meandering narrative is riddled with tropes and largely predictable story spirals, and the tendency towards style over substance undermines much of the movie’s potential emotional heft.
There are some clever sequences, some stinging rebukes of the attitude towards war veterans, and some barbed jabs at corporate America as a whole, but an overreliance on voiceovers (which simply tell audiences, rather than show them) becomes repetitive, and a schmaltzy Hollywood ending undoes some of the character building by removing most of the story’s consequences.
Holland is great, though Bravo gets less to do than her brief appearances suggest she’s capable of. There’s a feeling of unfocused potential embedded in this (very long) movie. Perhaps it’s an ode to, or a reflection of, Cherry’s crippling lack of agency and direction. Or perhaps there’s simply too much here, a book’s worth of content crammed into a movie that doesn’t feel like quite the right fit.










