Bestselling new book tells story of Europe’s forgotten Muslims

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“Minarets in the Mountains” traces the roots of Europe’s little-known native Muslim populations. (Supplied)
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“Minarets in the Mountains” traces the roots of Europe’s little-known native Muslim populations. (Supplied)
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Updated 19 February 2021
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Bestselling new book tells story of Europe’s forgotten Muslims

  • “Minarets in the Mountains” highlights continent’s “indigenous Muslim heritage,” Hussain said
  • It is among Amazon’s bestselling travel books on pre-sales alone

LONDON: “Minarets in the Mountains” traces the roots of Europe’s little-known native Muslim populations, and in telling their story cuts to the heart of what it means to be a European and a Muslim in the 21st century.
Acclaimed travel writer Tharik Hussain made a name for himself covering Saudi Arabia’s hidden touristic treasures and tracing Britain’s ancient Islamic heritage, but his latest book tells a very different story.
He told Arab News that his new book is the very human tale of his family holiday across the Balkans — a fun and light-hearted trip taken with his wife and children, but one that prompts readers to contemplate and confront longstanding myths about European and Muslim identity, and the relationship between the two.
“I wanted to bring to the attention of the mainstream the idea that Europe has an indigenous Muslim heritage,” Hussain said.
He and his family toured Serbia, Albania, North Macedonia, Montenegro, Bosnia and Kosovo, meeting locals and exploring the roots of Muslim populations that date back centuries.
But unlike his previous European trips, such as to the south of Spain to write about the long-lost Islamic civilization of what was then called Al-Andalus, this trip was very different — it explored a Muslim culture “that’s alive and thriving today,” Hussain said.


“The common, accepted wisdom is that Europe is Judeo-Christian with pagan elements. That’s a fallacy. Islam has been here in Europe since the very first century of Islam.”
He said indigenous Muslims in the Balkans have been “kept at arm’s length” by being labeled East European and thus excluded from the accepted European mainstream.
“Eastern Europe,” to Hussain, is nearly synonymous with “Other Europe.” This, he said, has contributed to the misconception that the continent does not have native and indigenous Muslim populations. Ultimately, his book dispels that myth.
“As a British Muslim, I’ve had to listen to political opportunists in veiled and sometimes explicit ways saying that Muslims aren’t a part of the European landscape and that there’s an ongoing invasion of Muslim refugees. That’s just utter nonsense. There have been Muslims in Europe since the seventh century,” he said.
“Minarets in the Mountains” will be released on June 21, but in pre-sales alone it has already become a bestselling travel book on Amazon.
Hussain attributes this success to a combination of public hunger for travel writers outside the mainstream, white, middle-class and male-dominated field, as well as an appetite for work that provides an insight into untold stories and novel takes on the continent’s history.
“I’m not denying that there’s a Judeo-Christian heritage, nor that there’s a pagan heritage. I’m saying this is also a history that needs to be brought forward and understood,” he said. “The book’s success shows that people are responding to that.”


What We Are Reading Today: ‘The Bell Jar’

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Updated 20 December 2025
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What We Are Reading Today: ‘The Bell Jar’

  • The bell jar — clear, enclosing, and distorting the air she breathes — becomes the perfect image of Greenwood’s entrapment. Just as telling is the fig tree she imagines, with each fig representing a possible future: writer, traveler, mother, lover

Author: Sylvia Plath

Sylvia Plath’s “The Bell Jar” (1963) is a raw and luminous portrait of a young woman standing at the edge of adulthood, grappling with ambition, doubt, and the suffocating weight of expectation. 

Through the eyes of the novel’s troubled protagonist Esther Greenwood, Plath reveals the loneliness that can lie hidden beneath achievement and the unease brought on by future expectations.  

The novel opens in New York, where Greenwood’s magazine internship seems the gateway to success. Yet the city’s glamor soon feels hollow, and the confidence around her thin and brittle. 

Her sense of direction begins to fade, and the life laid out before her starts to feel both too small and impossibly distant.  

The bell jar — clear, enclosing, and distorting the air she breathes — becomes the perfect image of Greenwood’s entrapment. Just as telling is the fig tree she imagines, with each fig representing a possible future: writer, traveler, mother, lover. 

Torn between these possibilities, she hesitates until the figs shrivel and drop. This image, perhaps more than any other, reveals how fear of choice can quietly undo a person.   

Plath’s writing is sharp and deeply humane. She exposes the subtle pressures shaping women’s lives at that time without sentiment or complaint. 

The narrative’s erratic rhythm mirrors the character’s disoriented state of mind, where thought and memory blur at the edges. 

“The Bell Jar” speaks to anyone who has felt caught between possibility and paralysis, between who they are and who they are expected to be. 

Plath writes with precision and compassion, turning confusion into clarity and despair into something almost inspiring.