Houthi attack on Saudi Arabia’s Abha Airport sets passenger plane on fire

Saudi state television shows an airplane damaged in the attack by Yemen's Houthi militants at Abha Airport. (AP)
Short Url
Updated 10 February 2021
Follow

Houthi attack on Saudi Arabia’s Abha Airport sets passenger plane on fire

  • Arab Coalition says attack threatened civilian travelers
  • Kingdom intercepted and destroyed two armed drones

DUBAI: The Saudi-led Arab coalition said on Wednesday that it had controlled a fire in a civilian plane at Abha airport as a result of a Houthi attack.

The coaliton said that the attempt to target Abha airport and threaten civilian travelers is a war crime.

"We are taking the necessary measures to protect civilians from the threats of the Houthis," the coalition spokesperson Turki Al-Malki said.

Earlier on Wednesday Saudi state TV reported that the coalition had intercepted and destroyed two armed drones launched by the Iran-aligned group toward southern Saudi Arabia.

Al-Malki said in a statement that the attack had targeted civilians and civilian infrastructure.

“This is not the first terrorist attack from the Houthis, because we know the Houthis are not looking for peace,” political analyst, Hamdan Al-Shehri told Arab News.

Shehri noted that the attack comes just days after the United Nations Special envoy Martin Griffiths visited Tehran with hopes to reach a political solution to the crisis in Yemen.

The political analyst believes it is not possible to reach any solution when engaging with Iran and instead views it as the pushing force behind this Houthi attack “because Tehran is not looking for any solution to the crisis.”

It was the third day this week that the coalition said it had intercepted Houthi drones fired toward a southern region of the kingdom that borders Yemen.

“There is no point in negotiation (with the Houthis) and we also ask the Biden administration to keep them listed as a terrorist organization,” Shehri said, claiming that removing them from the list was “catastrophic”

The attack cames just days after President Joe Biden declasified the Houthis as a terrorist organization. Former President Donald Trump designated the Houthis a terrorist organization shortly before the end of his term

It also follows a warning from the State Department that the Houthis must stop attacks on civilian targets.

“It would be very strange if the Biden administration keeps the Houthis off the terror list after what happened because over the past three weeks, we have seen many attacks from the Houthi side towards Saudi Arabia and also in Yemen, using ballistic missiles and drones,” he explained.

Shehri stated that attacking a civilian airport is an example of terrorist activity of the militia.

The Saudi-led military alliance intervened in Yemen in 2015 after the Houthis ousted the internationally recognized government from power in the capital, Sanaa.

The Houthis hold northern Yemen, from where they have often launched missiles and drones toward Saudi cities.


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
Follow

Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”