Asharq News wins BroadcastPro ME’s Innovative Project of the Year award

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Updated 03 February 2021
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Asharq News wins BroadcastPro ME’s Innovative Project of the Year award

  • The 24/7 multiplatform channel is home to business and finance news

DUBAI: BroadcastPro ME, a Middle Eastern TV, radio and broadcasting publication, has announced the winners of the annual Arab States Broadcasting Union (ASBU) BroadcastPro Summit and Awards 2020.

The program is a partnership between ASBU and BroadcastPro ME.

This year, the Innovative Project of the Year prized was awarded to Asharq News, which launched in November 2020 as a collaboration between Bloomberg News and the Saudi Research and Marketing Group (SRMG), publishers of Arab News and the world’s largest Arabic news outlet, Asharq Al-Awsat.

The 24/7 multiplatform channel is home to business and finance news as well as including a weekly health segment hosted by Egyptian doctor and satirist Bassem Youssef; “The Link,” which will explain to viewers how political events are affecting business and economics; and “East Circle,” which will take a deep dive into areas such as politics, economics and technology.

Asharq News is headquartered in Riyadh with central offices in DIFC, Dubai and Washington D.C.

Nabeel Al-Khatib is leading the charge at Asharq News as general manager, bringing with him decades of experience at news organizations including Al Arabiya and MBC.

One of the ways Asharq is aiming to set itself apart from the many other channels in the region is by catering to untapped audiences. “The first group is the main business leaders, entrepreneurs and political leaders who need to be aware of economic developments around the world, and how that might affect the Middle East and their respective countries,” Al-Khatib told Arab News.

The channel is also addressing the young Arab population through its multichannel approach. “Everybody sees them, but nobody is catering for them. They are not being catered for by any mainstream media. We thought we should appeal to them and tackle their issues and concerns, and we will do that via lots of digital platforms, because this is the way they like to consume content,” Al-Khatib said.

Asharq News’ slogan, “Connecting the Dots,” is what drives its journalistic work and sets its ultimate goal, Al-Khatib said.

“The dots at Asharq News connect the news to its context, geographical setting, historical dimension, political depth, economic impact and social reality,” he said.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.