Year 2020 sees the revival and growth of Arabic calligraphy

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Several Saudi cities are offering sessions for both men and women, allowing participants to reconnect with the heritage of Arabic calligraphy. (Photos/Supplied)
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Updated 21 December 2020
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Year 2020 sees the revival and growth of Arabic calligraphy

  • Artists stress importance of learning the art form to boost pride in Arab culture

MAKKAH: With the Kingdom’s declaration of 2020 as the Year of Arabic Calligraphy, the art form is seeing a revival.

Several Saudi cities are offering sessions for both men and women, allowing participants to reconnect with the heritage of Arabic calligraphy, which continues to gain popularity among art enthusiasts. Other platforms to receive and support ideas and submissions have also been launched.

Arabic calligraphy:
Ancient craft,
modern art
For the Saudi Ministry of Culture's Year of Arabic Calligraphy in 2020/21, we take an in-depth look at how the craft has developed from ancient to modern times.

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When asked about the reason why many women are currently interested in reviving Arabic calligraphy, calligrapher Reem Al-Qahtani told Arab News: “It is due to their love for beauty.”
Aesthetics, however, were not the sole motivation. Those who take up calligraphy soon learn that it is “characterized by order, balance and proportions” and that it requires patience to execute.

It is a priority for us, the people of the Two Holy Mosques, to preserve this great heritage.

Reem Al-Qahtani

Interaction between men and women has increased during the Year of Arabic Calligraphy initiative, Al-Qahtani said, especially due to the diverse activities that were made available to all segments of society.

“This passion will surely remain with all those who had the honor of learning about Arabic calligraphy and Islamic patterning,” she told Arab News.
On how to preserve this heritage among young people, Al-Qahtani pointed out that Arabic calligraphy is historically related to writing revelations.
Before becoming a form of art on its own, calligraphy was a tool of documentation, she explained.
“It is a priority for us, the people of the Two Holy Mosques, to preserve this great heritage. We should learn it and pass it down to younger generations so that they may take pride in our long-standing Islamic values,” said the calligrapher.
She called on all government and private institutions to launch various activities and initiatives in order to boost the role of Arabic calligraphy.

Grand Mosque calligrapher Ibrahim Al-Rafei told Arab News that “in light of modern technological development, the importance of Arabic calligraphy resides in the fact that it is considered a means of communication that an increasing number of people are learning despite all the rapid advancements.”

FASTFACT

The art of Arabic calligraphy developed from two major styles: Naskh and Kufic. Originating in the Iraqi city of Kufa in or around the 7th century CE, Kufic is the earliest example of a universal calligraphic style.

Al-Rafei added that no matter how old the calligrapher’s tools are, he can integrate them with computer technology.
While computer letters are standardized, however, the calligrapher’s letters are his alone. “The calligrapher has his own imprint. His lines express his identity, personality, uniqueness and pride as he mixes classical writing with the era’s spirit and aesthetics.”
Writing in Arabic preserves the language and continuity of its usage as a means of communication, said Al-Rafei, adding that one of the language’s most important tools, aesthetically and visually, is Arabic calligraphy, which even catches the eyes of non-Arabic speakers.
He stressed the importance of teaching Arabic calligraphy to younger generations, as it boosts their confidence and pride in Arab culture.
“Throughout my 32 years of experience in learning Arabic calligraphy, starting from the Grand Mosque, where I have been learning for the past 17 years, all segments of society have demonstrated a passion for learning the different styles of Arabic calligraphy,” he said.

Aesthetically, Arabic calligraphy develops the student’s artistic taste.

Ibrahim Al-Rafei

He added that some of the students are highly determined, and this gives them great writing skills as well as the discipline necessary to pursue the art form.
“Aesthetically, Arabic calligraphy develops the student’s artistic taste,” the calligrapher added.
Calligraphy is a social experience, Al-Rafei explained, as the art brings people together, with many asking the artist to write out their names or expressions of their choice.
“This is what connects a calligrapher to others; the more he masters his craft, the more he becomes connected to all groups in society,” he added.


Digital wellbeing summit at Ithra to confront technology’s dangers, advantages

Updated 20 May 2024
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Digital wellbeing summit at Ithra to confront technology’s dangers, advantages

  • Event at Ithra will have over 110 digital experts, 70 speakers from 20 countries

DHAHRAN: After a two-year hiatus, the second Sync Digital Wellbeing Summit 2024 returns to the King Abdulaziz Center for World Culture, or Ithra, this week for discussions and debates by world-leading experts.

Scheduled for May 22 and 23, Ithra will be buzzing with all things that merge technology and wellness, and will feature 110 digital experts and 70 speakers from 20 countries.

The second Sync Summit is scheduled for may 22 and 23, and Ithra will be buzzing with all things that merge technology and wellness. (Supplied)

“The Sync Summit 2024 is not just another conference. It’s a platform for meaningful discussions, critical reflections, and collective actions for a better digital future,” said Wadha Al-Nafjan, head of digital wellbeing at Sync. “As we navigate the digital paradox, it is vital to recognize our responsibility in shaping the world we want to live in.”

Topics including algorithmic homogenization and identity loss, AI’s impact on the creative industries, and misinformation will be tackled under the theme “Confronting the Digital Paradox.”

The second Sync Summit is scheduled for may 22 and 23, and Ithra will be buzzing with all things that merge technology and wellness. (Supplied)

The summit will be held at the Ithra headquarters in Dhahran, with a live stream available.

Day one, organized around the sub-theme “Cuts Both Ways: Wrestling with the Tensions of the Digital Era,” includes seven panels, two fireside chats and two keynote talks.

It’s a platform for meaningful discussions, critical reflections, and collective actions for a better digital future.

Wadha Al-Nafjan, Head of digital wellbeing at Sync

Day two, centering on the sub-theme “A Digital Renaissance: Shaping Our Relationship with Digital for a Better Future,” will have eight panels and three keynotes. In addition, it will have the Sync Spotlight series finale, for which creative influencer Omar Farooq will screen his new documentary, “The Dark Side of Japan.”

Although there was no summit last year at Ithra, the Sync team conducted extensive research globally that led to some compelling findings.

Wadha Al-Nafjan, Head of digital wellbeing at Sync

According to their research, 81 percent of those surveyed are concerned about the unsolicited collection of their personal data, 53 percent struggle to maintain boundaries between their work and personal lives, while 66 percent believe that the internet needs more regulation. About 73 percent of participants think social media was designed to be addictive.

Furthermore, the average time spent online daily has gone down, compared with 2021. About 68 percent claim to understand AI, 87 percent think technology is allowing people to work and study more flexibly, and 91 percent use digital devices to access resources including books and tutorials.

The second Sync Summit is scheduled for may 22 and 23, and Ithra will be buzzing with all things that merge technology and wellness. (Supplied)

“Never before has the world been so connected to everything and everyone. We know technology has improved our lives, but it also has the painful potential to distract and harm,” Ithra said in a statement to Arab News. The summit’s activities are geared toward “ensuring that we as humans come together to keep digital technology in check and working towards the greater good, safeguarding its future, and our own.”

The event will bridge the gap between academic research, industry practices, and end-users regarding digital wellbeing through a variety of sessions.

Sync Spotlight

A series of sessions will run in parallel to the two-day Sync Summit stage program, offering greater interaction between speakers and audience members.

Sync Action Forum

The worldwide Gen Alpha Forum, an initiative developed by Sync Research with McCann Worldgroup, will see the community expand to include Saudi Arabia parents of Gen Alpha children, as well as educators, and other Gen Alpha stakeholders.

Majlis

In partnership with Johns Hopkins, which has a local hospital at Aramco, the Majlis will host three sessions exploring digital wellbeing with educators, researchers and students.

The Plaza

The gamified experience will dive into the findings compiled by the Sync Research team through the lens of three projects which were developed with partners Horizon Group, PSB and McCann Worldgroup.

Sync Immersive

In this interactive journey, the organizers promise to provide a three-step experience designed to impact participants’ emotions and understanding, while guiding them into navigating the complexities of digital ethics.

Podcast

The booth experience will serve both as a studio to record live podcast episodes hosted by Mo Gawdat, formerly of Google, and as a multi-functional space for hosting media interviews. Saudi Arabia’s Mohammed Islam, host of the English-language podcast, The Mo Show, will also be present.

Other notable speakers this year include US data scientist and AI specialist Rumman Chowdhury; Saudi Arabia athlete, FIFA World Champion and owner of an esports team, Abdulaziz Alshehri; and Apple Inc. co-founder Steve Wozniak.

One May 21, Ithra will host the Global Digital Wellbeing Assembly, a gathering of experts from across the Kingdom and the globe to discuss the guiding objectives and roadmap for a new digital wellbeing society.

Registration is now open and attendance is free.

 


Saudi artistry blooms in floral sculptures

Sara Abdullah’s two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower.
Updated 20 May 2024
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Saudi artistry blooms in floral sculptures

  • To the artist, nature signifies creativity, inspiration and deep magical meaning, she told Arab News

RIYADH: Saudi artist Sara Abdullah’s delicate floral sculptures find inspiration in the nuances and harmony between humanity and nature.

To the artist, nature signifies creativity, inspiration and deep magical meaning, she told Arab News.

“Both (art and nature) are means of exploring the deeper aspects of the human existence. As artists, we can capture and express the intangible aspects of our lives that defy simple verbal descriptions,” she said.

Sara Abdullah’s two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower. (Supplied)

Abdullah credits her artistry to her role model, her father, who introduced her to a multifaceted world of art at a young age.

“My story is like my dad’s — we started by painting characters and self-portraits but eventually transitioned to creating nature artwork,” she said.

“My father’s deep love for art and trying to convey his artistic message to the world is what makes me continue to search more for the deep meaning between art and nature and how to transform my ideas into a valuable work of art that includes a purposeful message that touches people.”

Sara Abdullah’s two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower. (Supplied)

Her two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower.

In the Alstroemeria collection, her sculptures begin with the design of the wood base, which is curved to reflect the feeling of containment and support.

She handcrafts pieces of the flower with twisted and connected edges, representing the petals from the beginning of their life until their flowering.

“Its distinction lies in its longevity among the flowers, and this is what adds to the true meaning of the artwork, which is connection, stability, love, friendship … feelings and bonds that are established after a long period of relationship,” the artist explained.

The message of the artwork is the “close connections and depth of feelings between people and the ability to support and contain each other as we go through life’s experiences.”

Abdullah describes her Anemone collection as “nature embodied in abstract sculptures … a harmonious dance between light and shadow.”

The wildflower has long inspired artists and storytellers, appearing in various works of Arabic literature, including in poems, stories and folk tales.

Anemone flowers generally grow open and wide, with a dark center.

Through this collection of sculptural works, Abdullah embodies the feeling of joy accompanied with dancing.

“When something happy happens in your life, then you start dancing as if you seem to be dancing lightly in the open air and you feel that you are open to the world due to the influence of this happiness. This simile reflects when you see the cold and light wind between the flowers, making them sway between each other lightly,” she said.

“When I prepare to create an art collection, I always try to choose pastel colors that are calm and comfortable to look at as natural colors, in addition to using materials to highlight some pieces or lines in the painting, which adds a three-dimensional touch to the artwork.”

Abdullah also described her outlook on life: “Try to deal with life as if you are like a flower that grows in its beautiful shape … and no matter how the wind blows on her at the end, she blooms beautifully again. Be always like flowers bloom.”

 

 


Saudi FM expresses Kingdom’s solidarity with Iran after helicopter crash

Saudi Foreign Minister Prince Faisal bin Farhan spoke with Iran’s acting Foreign Minister Ali Bagheri Kani on Monday.
Updated 20 May 2024
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Saudi FM expresses Kingdom’s solidarity with Iran after helicopter crash

  • Iranian president, foreign minister and seven others died when the aircraft they were traveling in went down on Sunday in a remote area of northwestern Iran

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan expressed the Kingdom’s solidarity with Iran and its people following the death of President Ebrahim Raisi and Foreign Minister Hossein Amir-Abdollahian in a helicopter crash on Sunday. 

During a phone call with Iran’s acting Foreign Minister Ali Bagheri Kani on Monday, Prince Faisal expressed his condolences over the deaths of the president and his accompanying delegation.

Raisi, 63, his foreign minister and seven others died when the aircraft he was traveling in went down on Sunday in a remote area of northwestern Iran, where the wreckage was only found on Monday morning.


267,657 pilgrims have arrived so far in Saudi Arabia ahead of Hajj

Updated 20 May 2024
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267,657 pilgrims have arrived so far in Saudi Arabia ahead of Hajj

  • This year’s Hajj, for the Hijri year 1445, is expected to begin on June 14 and conclude on June 19

RIYADH: As of May 19, 267,657 pilgrims had arrived in Saudi Arabia via air, land and sea ahead of Hajj, according to the General Directorate of Passports.
The directorate said it is using all of its resources to ensure entry procedures for pilgrims at all arrival points run as smoothly as possible by providing platforms that use the latest technical advances and fully trained staff proficient in many languages, the Saudi Press Agency reported.
This year’s Hajj, for the Hijri year 1445, is expected to begin on June 14 and conclude on June 19. Flights carrying pilgrims began to arrive in the Kingdom on May 9.


Saudi Libraries Commission expands Culture House network to Asir region

Updated 20 May 2024
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Saudi Libraries Commission expands Culture House network to Asir region

  • Culture Houses are part of the Quality of Life Program, an initiative under Saudi Arabia’s Vision 2030

RIYADH: The Libraries Commission recently inaugurated a Culture House in the Ahad Rafidah Governorate, Asir region.

This follows a comprehensive renovation and upgrade of the public library, transforming it into a cultural hub for the area. The launch event was attended by the commission’s CEO, Dr. Abdulrahman Al-Asim.

The program aims to develop cultural infrastructure, enhance cultural sites, and improve public libraries. (SPA)

Al-Asim told the Saudi Press Agency that the project aims to fulfill the needs and aspirations of visitors, from its architectural design and facilities to the annual schedule of events. He noted that each Culture House in the Kingdom has a clear plan for sustainability and activation, offering acultural activities for all community segments, including children, adolescents, writers, intellectuals and artists.

According to SPA, since its soft opening four months ago, the Culture House in Ahad Rafidah has attracted nearly 30,000 visitors.

The Culture House has learning spaces, a children’s theater, a main theater, and a library with designated reading areas. It also includes spaces for innovation and technology. The facility offers several amenities, such as prayer rooms for men and women, meeting rooms, a printing and computer center, a cafe, and a shop.

Culture Houses are part of the Quality of Life Program, an initiative under Saudi Arabia’s Vision 2030. The program aims to develop cultural infrastructure, enhance cultural sites, and improve public libraries, thereby contributing to the Kingdom’s cultural and artistic advancement in line with the goals of Vision 2030.