Fire-scarred Notre-Dame to broadcast Christmas concert

The Paris Fire Brigade tackles the flames as Notre-Dame Cathedral burns in Paris, April 15, 2019. (Reuters)
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Updated 30 November 2020
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Fire-scarred Notre-Dame to broadcast Christmas concert

  • An organ will be rented for the occasion, since Notre-Dame’s majestic pipe organ is being carefully dismantled for cleaning and restoration
  • Restoration has reached a milestone with the removal of the last portions of metal scaffolding on the roof that melted into a tangled mess in the fire

PARIS: Notre-Dame cathedral in Paris will echo with song on Christmas Eve as it holds its first choir concert since the massive fire that nearly destroyed the gothic masterpiece last year.
An organ will be rented for the occasion, since Notre-Dame’s majestic pipe organ is being carefully dismantled for cleaning and restoration after the devastating blaze that struck on April 15, 2019.
Since then only two events have been held in the 13th-century landmark — a small mass celebrated in June 2019, and a prayer ceremony last April to mark Holy Friday.
The church remains closed to the public during the renovations.
Michel Aupetit, the archbishop of Paris, said Monday that two soloists would lead the choir and that the concert would be broadcast on radio.
Last week, the restoration reached a milestone with the removal of the last portions of metal scaffolding on the roof that melted into a tangled mess in the fire and threatened to crash to the floor.
That will allow crucial stabilization and protective work to proceed ahead of rebuilding the destroyed roof and spire.
Officials are racing to meet President Emmanuel Macron’s goal of having the cathedral restored within five years.


The difference between European and Gulf weddings — from a photographer’s point of view

Updated 21 January 2026
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The difference between European and Gulf weddings — from a photographer’s point of view

DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.

Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day. 

Christina said weddings in the region required a shift in both perspective and technique. (Supplied)

“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session. (Supplied)

A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.

Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.

For Christina, the most meaningful aspect extends beyond the wedding day itself. (Supplied)

“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.

She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”

From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”

Christina is drawn to candid moments. (Supplied)

She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.

While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.

For Christina, the most meaningful aspect extends beyond the wedding day itself.

“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”