Saudi Ministry of Culture releases mini-documentary on Tuwaiq Palace

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Updated 16 November 2020
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Saudi Ministry of Culture releases mini-documentary on Tuwaiq Palace

  • “The wall” refers to the 800-meter-long “Living Wall,” which winds on itself and wraps around the palace’s lush garden

RIYADH: Continuing their efforts to preserve significant aspects of Saudi heritage, the Ministry of Culture has released a short documentary film highlighting the beauty and architectural prowess of one of the country’s most incredible buildings, Tuwaiq Palace.
The 10-minute video, which can be viewed on the ministry’s Twitter account, features a look at the history of the palace, insights into the design process and sweeping views of the building that will mesmerize those who have never seen the palace’s interior before.
The building has long been considered an architectural marvel and a city landmark. Built in 1985 and located in the Diplomatic Quarter of Riyadh, Tuwaiq Palace is the award-winning lovechild of a collaboration between Saudi design company Omrania, German architect Frei Otto (Germany), and British services firm Buro Happold.
Basem Al-Shihabi, Omrania’s managing director since 1973, talks in the film about the history of the design process and explains why the building stands out from others in its category.
“The appeal of Tuwaiq Palace lies in its design — the harmony between the interior and the exterior. The dimensions, and the way the materials juxtapose and come together. And the variations in the height of the ceilings versus the depth of the floors from one section to another,” he said.
The 24,000-square-meter building is equipped for recreational, social, dining, banqueting, conference, and accommodation functions, a favorite of ambassadors and foreign dignitaries for the celebration of their countries’ national and independence day celebrations, and is even available for weddings.
Saudi architect Mai Alkhaldi told Arab News that the building is “visually stunning,” and that no other Saudi architectural landmark has quite the same visual appeal.
“It’s not an ordinary building; it’s extraordinary. The shapes, the structure, and of course, the wall. Over three decades old and the structure is still as amazing as ever,” she said.

HIGHLIGHT

The 10-minute video, which can be viewed on the ministry’s Twitter account, features a look at the history of the palace.

“The wall” refers to the 800-meter-long “Living Wall,” which winds on itself and wraps around the palace’s lush garden. Five tensile structure “tents” cover sports facilities and distinct landscaping in the inner gardens and outer spaces generated by the winding wall, giving the palace its unique shape and structure.
According to the co-designers at Omrania, the palace was designed to touch on two local archetypes, the fortress and the tent, and incorporate the natural phenomenon of the oasis.
“Much of development in Saudi Arabia during the 1980s was based on glossy western building models. Tuwaiq Palace is a bold departure from that trend, touching instead upon easily understood signals from past desert civilizations. This reinterpretation is a daring confrontation with and successful marriage of tradition and high tech,” says the company’s website.
As the building turns 35 years old this year, many Saudis consider Tuwaiq Palace to be unmatched among Saudi landmarks. Alkhaldi is no exception to this.
“Tuwaiq is such a unique building. Every part of it is different, yet all of it comes together so beautifully. Nothing else can really compare. Not truly,” she said.


Balad Beast brings global beats to historic streets

Updated 31 January 2026
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Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”