Saudi, Arab winners of $500k film production grants revealed

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Updated 26 September 2020
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Saudi, Arab winners of $500k film production grants revealed

  • The award for an Arab project was given to Hammad’s “Bullets and Bread,” produced by Kholoud Saad and Mohamed Hefzy

JEDDAH: Saudi film festival judges have revealed the winners of two $500,000 production grants.

“Sharshaf,” directed by Saudi filmmaker Hind Al-Fahhad, and Egyptian producer Mohammed Hammad’s “Bullets and Bread” scooped the Red Sea International Film Festival awards.

They were among 12 movie projects selected to take part in the first edition of the Red Sea Lodge script and feature development lab.

A jury composed of Russian producer and actress Nadia Turincev, German director, writer, and production manager Meinolf Zurhorst, and Egyptian filmmaker Yousry Nasrallah picked the winners.

The Red Sea Lodge grant for a Saudi project went to Al-Fahhad’s “Sharshaf,” which was written by Saudi film director Hana Alomair and produced by Talal Ayel.

Jury members said they had been enamored by the “touching and strong female character, and the bonds in a relationship that can bring us together and tear us apart,” adding that it had been intriguingly set in “a period (1978) of Saudi Arabia’s history the world knows so little about, unveiled to us by Hind Al-Fahhad.”

The romantic drama tells the story of Haila, the daughter of a conservative imam who marries Mosa’ed, the son of a rich and well-known fabric-store owner. The young couple spend their honeymoon in Cairo and the film focuses on Haila as she discovers the magic of cinema only to see it challenged by extremism.

The award for an Arab project was given to Hammad’s “Bullets and Bread,” produced by Kholoud Saad and Mohamed Hefzy.

The movie follows Youssef, a conscript serving his compulsory military service on the Egyptian eastern desert border, who dreams of becoming a writer. When by chance he meets Awad, a dangerous bandit from a nomadic desert tribe looking to find a better life for his family in Cairo, an unlikely friendship develops between them.

The jury enjoyed the dynamic at the film’s heart which it described as, “soldier and gypsy; Laurel and Hardy; friendship and adversity. We can’t wait to be part of this road trip, this cinematic voyage.”

Special mention was made to the Saudi project “Four Acts of Disruption” directed by Hussam Al-Hulwah and produced by Mohammed Al-Hamoud, which will receive $25,000 for further development.

The story is set in the 1930s as the newly formed Kingdom of Saudi Arabia adjusts to the arrival of American oil prospectors. “The film has huge potential and we hope that Hussam Al-Hulwah and Mohammed Al-Hamoud can continue to develop the project and bring it to fruition,” the judges said.

The six Saudi projects selected for the inaugural Red Sea Lodge were “Basma” written by Fatima Al-Banawi and directed by Ali Al-Sumayin, “Practicing Polygamy” directed by Malak Qouta, “When the Star Goes Down” directed by Mohammed Salman, “Hejj to Disney” directed by Maha Al-Saati, “Sharshaf,” and “Four Acts of Disruption.”

The six Arab projects were “Scheherazade Goes Silent” directed by Amira Diab, “Inshallah It’s A Boy” directed by Amjad Al-Rasheed, “The Arabic Interpreter” directed by Ali Kareem, “The Basement Notes” directed by Hadi Ghandour, “I Am Arze” directed by Mira Shaib, and “Bullets and Bread.”

In collaboration with the TorinoFilmLab, the Red Sea Lodge hand-picked 12 emerging filmmakers, pairing each with an experienced mentor to support and enhance their work throughout the creative process.

The program was aimed at honing the visions of directors and producers, along with scriptwriters. Every stage of filmmaking was explored, from script consultations to working with experts in the fields of directing, cinematography, and sound, through to post-production as well as a commercial focus on financing, sales, and audience engagement.

Meanwhile, director Al-Saati’s “Hejj to Disney” was selected for the TIFF Filmmaker Lab talent development scheme, and for similar upcoming programs at the Malmo Arab Film Festival and El-Gouna Film Festival. Saudi director Al-Saati will also participate in the Hollywood Foreign Press Association residency program in 2021.

 

 


Rooted in memory: How Rola Daftardar turns Saudi heritage into living art

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Rooted in memory: How Rola Daftardar turns Saudi heritage into living art

  • Ma Maison by Rola curates, produces home accessories
  • Aim to reflect Kingdom as ‘authentic, layered and artistic’

RIYADH: For Rola Daftardar, creativity is not simply about design — it is about memory, emotion and belonging.

Saudi by birth, originally from Madinah and raised in Jeddah, Daftardar carries a layered identity shaped further by her Lebanese mother. That blend of cultures, she says, taught her early on to see beauty in contrast and turn it into strength.

“My identity has always been a mix,” she said during a recent interview. “It taught me how to appreciate detail, emotion and storytelling through objects.”

From childhood, she was drawn to art and pieces with soul — objects that feel lived with rather than merely displayed. She went on to study arts, history and media, developing a philosophy that creativity is not only aesthetic but deeply emotional.

“Design is a way of sharing parts of myself,” she explained. “It’s storytelling through material, color and scent.”

Four years ago, that philosophy became Ma Maison by Rola — a brand that began as a personal creative outlet and gradually grew, season by season, into a carefully curated world of home accessories and tablescaping pieces.

Each year, she approaches her collections as chapters. “Every season has its own breath,” she said. “Every year carries a new intention.”

Her work comes most alive during Ramadan and national occasions, when gatherings take center stage and homes become spaces of shared ritual. Between winter and summer, ideas quietly bloom. But this year’s message feels especially personal.

Daftardar’s latest collection is deeply rooted in Saudi heritage, inspired by cities including Jeddah, Riyadh, AlUla and Taif — places she sees as emotional landscapes as much as geographic ones.

“With Saudi Arabia opening to the world, I felt a responsibility to present my country as I see it — authentic, layered and artistic,” she said.

Candles became the starting point of that story. More than fragrance, they are tributes to memory. Musk reflects the warmth of Jeddah, rose captures the calm elegance of Taif, and oud represents the depth and strength of Riyadh.

Hand-painted details and carefully chosen colors complete the sensory narrative.

The idea for her foldable side tables emerged during a walk along Jeddah’s corniche. Watching families gather spontaneously by the sea reminded her of the informal spaces that connect people — a feeling she also associates with historic Al-Balad.

“I wanted to create something simple and functional that carries that spirit of gathering,” she said.

The concept expanded to Diriyah — old and new — and to AlUla, where history and futurism coexist.

Yet it is tablescaping that remains closest to her heart. “I never choose pieces randomly,” she said. “I imagine the people around the table, the dishes being served, the conversations happening.”

For Daftardar, every bowl, riser and glass element forms part of a complete narrative. Every table tells a story.

Her ultimate aim is clear: to reflect Saudi Arabia as she feels it — warm, generous and deeply rooted. A place where modernity meets origin, and tradition evolves without losing its soul.

That is where Ma Maison by Rola lives — in the space between memory and modernity — and it is a story she is proud to tell.