BeIN Sports chairman Nasser Al-Khelaifi goes on trial over TV rights corruption

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Paris Saint-Germain chief Nasser Al-Khelaifi arrives at the Swiss Federal Criminal Court for his corruption trial. (AFP)
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FIFA's former secretary general Jerome Valcke arrives at the Swiss Federal Criminal Court prior to the opening of a corruption trial against him and PSG president Nasser Al-Khelaifi. (AFP)
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Updated 15 September 2020
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BeIN Sports chairman Nasser Al-Khelaifi goes on trial over TV rights corruption

  • Former FIFA secretary general Jerome Valcke also on trial over World Cup rights
  • Al-Khelaifi, who is also PSG's president, charged with inciting Valcke to commit 'aggravated criminal mismanagement'

BELLINZONA, Switzerland: Paris Saint-Germain president Nasser Al-Khelaifi and FIFA’s former secretary general Jerome Valcke went on trial in Switzerland on Monday accused of corruption in the attribution of World Cup TV rights.
The two men, who each face up to five years in prison if found guilty, are expected to give evidence Tuesday from 10:30 am (0830 GMT) at the Federal Court of Bellinzona, providing the three judges decide to continue the hearing.
The trial opened under another cloud as the defense claims suspicions of collusion between the Swiss prosecution and FIFA undermine its credibility.
On Monday, the defense opened by claiming the trial was “muddied” by the revelation of informal meetings between former Swiss attorney general Michael Lauber and current FIFA president Gianni Infantino.
Lauber resigned from his post in July and both men are under investigation for “obstructing criminal proceedings.”




FIFA's former secretary general Jerome Valcke arrives at the Swiss Federal Criminal Court prior to the opening of a corruption trial against him and PSG president Nasser Al-Khelaifi. (AFP)

Cristina Castellote, one of the prosecutors, said the complaints “have no influence on the validity” of the evidence in the trial in Bellinzona.
Al-Khelaifi, who is also chairman of Qatar-owned broadcaster beIN Media, is charged with inciting Valcke to commit “aggravated criminal mismanagement.”
The trial, which has already been delayed because of the coronavirus pandemic, is scheduled to last until Sept. 25.
If the trial runs its course, it will be the first judgment handed down in Switzerland, the seat of most international sports organizations, on the 20 or so proceedings opened in the last five years surrounding FIFA.
Valcke, who until 2015 was the right-hand man of now ousted FIFA president Sepp Blatter, faces the bulk of the charges linked to two separate cases of television rights corruption.
The 59-year-old Frenchman stands accused of wanting to transfer the Middle East and North Africa rights for screening the 2026 and 2030 World Cups to beIN Media, in exchange for “unwarranted benefits” from Al-Khelaifi.
According to the prosecution, the case relates to a meeting on October 24, 2013 at the French headquarters of beIN, when Al-Khelaifi allegedly promised to buy a villa in Sardinia for five million euros ($5.9 million), granting its exclusive use to Valcke.
Al-Khelaifi, who has denied the charges, was then to hand the property over to the Frenchman two years later under certain conditions.
In return, the prosecution claims, Valcke committed to “do what was in his power” to ensure beIN would become the regional broadcaster for the two World Cups, something which happened on April 29, 2014, in an agreement that FIFA has never since contested.
Legally, however, it is no longer a question of “private corruption.” The prosecution had to drop that qualification because of an “amicable agreement” reached at the end of January between FIFA and Al-Khelaifi, the contents of which have not been made public.
So Valcke must now justify having “kept for himself” advantages “which should have gone to FIFA.”
Al-Khelaifi, who as president of this year’s beaten Champions League finalists PSG is one of the most influential men in world football, faces a charge of “inciting Valcke to commit aggravated criminal mismanagement.”
“The major part of this file does not concern our client,” Khelaifi’s lawyers have told AFP, describing the charges against him as “clearly artificial.”
Al-Khelaifi denies buying the property in question or promising it to Valcke.
Valcke also stands accused of exploiting his position at FIFA between 2013 and 2015 to influence the awarding of media rights for Italy and Greece for various World Cup and other tournaments scheduled between 2018 and 2030 “in order to favor media partners that he preferred” in exchange for payments from Greek businessman Dinos Deris, who has also been charged.
Valcke, who allegedly stood to receive 1.25 million euros ($1.5 million) in exchange, “disputes the charges,” his lawyer Patrick Hunziker says.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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