Fear and loathing in Hollywood at streamers’ stranglehold

Cate Blanchett. (AP)
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Updated 08 September 2020
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Fear and loathing in Hollywood at streamers’ stranglehold

  • Several expressed unease at the dominance streamers established during the pandemic at the Venice film festival

VENICE: Hollywood stars and top directors are getting increasingly anxious about the hold streaming giants Netflix and Amazon are exerting over cinema.

Several expressed unease at the dominance streamers established during the pandemic at the Venice film festival — the first major industry gathering since the coronavirus struck. With many cinemas still closed and studios wary of releasing movies with social distancing in force, the two big US giants have virtually had the film-going public to themselves.

Oscar-winner Cate Blanchett, who is chairing the jury at Venice, said cinema needed support and warned it could be tricky “moving from a monoculture of streaming over the last six months to how we open cinemas.

“I think it will be a very important conversation to have. It’s a global issue,” said the actress, who admitted spending lockdown watching animated movies by the Japanese master Hayao Miyazaki with her family.

Legendary Spanish director Pedro Almodovar, who has argued for the regulation of all-powerful tech firms, painted a grim future where towns and cities could lose their cultural hearts, with cinemas and theaters going dark.

“The platforms have had an essential role in this period, but it’s nevertheless also negative and reason for concern,” he told reporters.

He pleaded for a return to shared experience, saying cinemas and theaters were the antidote to the “forced reclusion and imprisonment.”

“The Greeks talk of catharsis, so you find yourself crying or rejoicing with other people you don’t know, and it’s essential in our lives as humans,” Almodovar said. “If a film of mine is shown in a cinema I can hear the audience breathe, it gives me the pulse of to what extent my film excites people.

“If I put my film on a platform like Netflix, I lose that contact with the spectator,” Almodovar said.

Even those who have embraced the streamers, like Venice’s departing director Alberto Barbera — who premiered three Netflix films including “Marriage Story” last year — now have reservations.

“We are tired of seeing films in streaming,” he told AFP.

“Watching them online helped us get through the lockdown, but we cannot lose the experiences of seeing them on a big screen,” he said. But “one of the consequences of confinement is that the streamers now have enormous sway,” Barbera added.

Rising American director Gia Coppola, whose sharp new satire on online culture, “Mainstream,” is showing at Venice, told AFP that lockdowns may have only hastened the inevitable.


Eurovision Sport, Camb.ai to provide live subtitling for Paralympic Winter Games

Updated 06 March 2026
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Eurovision Sport, Camb.ai to provide live subtitling for Paralympic Winter Games

  • Partnership aims to increase accessibility for all audiences
  • Milano Cortina Games run from Friday to March 15

LONDON: Eurovision Sport, the European Broadcasting Union’s free-to-air streaming platform, will provide live and on-demand subtitling for coverage of the Milano Cortina 2026 Paralympic Winter Games in partnership with AI language company Camb.ai

The service will run across all competition days, allowing viewers to stream all six Paralympic Winter Games sports on Eurovision Sport with real-time subtitles. The Games open on Friday and run through March 15.

Camb.ai will supply contextual speech-to-text transcription for both live and catch-up coverage, which the organizers said would support accessibility without altering the editorial integrity of broadcasts.

Eurovision Sport Managing Director Alan Fagan said the aim was to make the Games available to “the widest possible audience,” by scaling up digital accessibility across every event on the platform.

The initiative forms part of the EBU’s most extensive digital coverage of a Paralympic Winter Games to date and complements member broadcasters’ linear output.

It also reflects a wider industry push to make live sport easier to follow for viewers watching without sound, people with hearing impairments and audiences consuming content on demand.

Camb.ai’s Chief Technology Officer Akshat Prakash said the company was proud to deepen its partnership with Eurovision Sport, describing the platform as a leader in applying new technology to sports coverage.

The two organizations began working together in 2024, when they delivered what they described as Europe’s first AI-powered real-time translated sports commentary during European Athletics events.