Art as resistance — inspirational Palestinian works on display in Dubai

‘Hasan’ is an artwork by Khaled Hourani. (Supplied)
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Updated 03 September 2020
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Art as resistance — inspirational Palestinian works on display in Dubai

  • Highlights from the group exhibition ‘Palestinian Art: Resilience and Inspiration’

DUBAI: The Ramallah-based Zawyeh Gallery is currently showing a group exhibition of Palestinian artists at its space in Alserkal Avenue, Dubai. “Palestinian Art: Resilience and Inspiration” runs until September 30. It contains works by a number of Palestine’s most influential artists. The press release states: “In a time of defiance and instability in the region, the artworks deliver a message of resilience in the face of all odds.”

“We understand the importance of initiating new platforms for Palestinian art and exposing it to a variety of audiences,” Zawyeh’s director Ziad Anani told Arab News. “We know that there is a growing demand for Palestinian art in the UAE. It is very important for us to get the world to know about Palestinian artists. In Ramallah, there is barely a market. People are not interested in buying artworks because financially they are not capable — although they love the works we exhibit.”

Anani added that he recently launched an online store selling prints from a number of Palestinian artists. “They got very excited because their works can reach more people and more homes across the globe,” he said. “We believe in investing in creativity and in supporting Palestinian artists as well as projecting the spirit of artistic production in Palestine to the wider world.”

The current exhibition, Anani explained, is deliberately eclectic in terms of mediums — “mud, leather, wood, concrete, glass, straw, charcoal, henna and more” — but while the medium may vary, they all share that message stressed in the press release: “resilience.” It’s tough making a living from art anywhere in the world, of course, but in Palestine the odds are even less in your favor. Nevertheless, as “Palestinian Art: Resilience and Inspiration” shows, there is some dazzling work coming out of the country.

Here, we highlight a few selected works from the show.

KHALED HOURANI

‘Hasan’ and ‘Zeina’

Hourani is a prominent figure in the Palestinian scene not just as an artist, but as a curator and critic too. These two works are taken from a series on show in Dubai. Each image from the series shows a child jumping over the Israeli apartheid wall in the West Bank. “Hourani focuses on the young generation, who take upon themselves to challenge occupation regardless of what happens in the political arena,” reads the exhibition brochure. “These are the same kids who are seen in demonstrations on the streets challenging heavy Israeli artillery. The children of the future.”

SLIMAN MANSOUR

‘Revolution Was The Beginning’

Mansour is one of Palestine’s most respected artists. Alongside fellow members of the ‘New Vision’ art movement, he boycotted Israeli art supplies during the first Initifada in the 1980s, instead using mud, henna and other local materials to create his work. He was born in 1947, so — unsurprisingly — his work is centered on life under occupation and the concept of ‘land.’ This masterful piece tells the story of Palesting since the Nakba of 1948 (it should be ‘read’ from right to left, beginning with a refugee camp threatened by a storm and ending with a young couple marching under the Palestinian flag. The Dome of the Rock and olive groves are two crucial elements of the painting, which also incorporates “several direct symbols reflecting the right of return, imprisonment, the Apartheid Wall, and martyrdom.”

TAYSEER BARAKAT

‘Light in the Dark’ 

One of two works from this series of Barakat’s that feature in the exhibition. The Gaza-born, Ramallah-based artist is one of the most prolific in Palestine, and has said the dark colors that dominate his work “reflect the hardships of our time and our present life.” His abstract “Light in the Dark” works “tell the story of people in confinement yearning for freedom,” according to the brochure. Each consists of several windows featuring mainly black-and-white images and depicting a different detail of life under occupation. “One can notice a competition between the black and the white, a fight for domination in each square, as if the artist is redeeming the ‘white’ from a well of lost memory (black) in an attempt at documentation for future generations.”

WAFA HOURANI

Multi-disciplinary artist Wafa Hourani studied experimental cinema in Tunisia and has gone on to work with music, poetry, performance, sculpture, photography, installation, and film, among other media. This piece — a mirror set in a slab of concrete taken from the Israeli apartheid wall, predicts “the emergence of a Palestinian political party who places a large mirror along the Apartheid Wall making it disappear.” It is not simply a criticism of Israeli policy, either, but also of “the Palestinian internal political situation, and raises questions about the beautification of the wall as opposed to confronting the political reality.”

NABIL ANANI

"Demonstration #2"

One of the founders of Palestine’s contemporary art movement, Anani is a painter, sculptor and ceramicist who, like Mansour, turned to local materials including leather, henna, wood, beads and copper rather than use art supplies from Israel. In this painting — one of a series — the Ramallah-based artist “reflects the centrality of protest against the occupation in the lives of Palestinians.” He does so by presenting the demonstration as spontaneous, and by including everyday moments — kids on their parents’ shoulders, couples hugging — as well as a glimpse of a domestic animal (in this case, a dog). It is, the brochure says, “as if the artist is trying to include various elements of daily life in these communal actions.”


British-Pakistani opera singer receives royal honor for recording national anthem post-coronation

Updated 25 May 2024
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British-Pakistani opera singer receives royal honor for recording national anthem post-coronation

  • Saira Peter says she is privileged to contribute her voice to British government’s public events, citizenship ceremonies
  • She also recorded ‘God Save the Queen’ in 2018 and received acknowledgement and gratitude of Queen Elizabeth II

ISLAMABAD: A British-Pakistani Sufi Opera singer, Saira Peter, announced in a video message circulated on Saturday she received a letter of appreciation from Buckingham Palace for recording the British national anthem, “God Save the King,” following the coronation of King Charles III.
The British king’s coronation took place last May at Westminster Abbey in London. The event brought leaders and high-profile personalities from around the world and marked his official accession to the throne after the passing of Queen Elizabeth II in September 2022.
Upon receiving the recording, performed in the soprano vocal range, the highest of the female voice types in classical singing, the king sent Peter a letter conveying his good wishes and sincere thanks for her public services.
She also received a signed photo card from him and Queen Camilla.
“I want to share with all my followers how excited I am to receive a letter and card of appreciation and gratitude from His Majesty King Charles the Third,” Peter said in the video, where she mentioned she was Pakistan’s first opera singer. “This arrived in response to my civic service of recording the British national anthem, ‘God Save the King.’”
“Being British-Pakistani, I feel so privileged to contribute my skill and voice to the British government’s public events and citizenship ceremonies,” she added.
Peter informed the British national anthem was recorded at the request of UK Government offices at Hastings Town Hall in East Sussex. The recording is now used across her adopted country for official government events.
Previously, she recorded “God Save the Queen” in 2018, making her the first Asian and the only Pakistani officially invited to undertake the task. Peter also received acknowledgment and gratitude from the late queen.
Born in Karachi, the opera singer told Arab News during her visit to Pakistan last year she used to sing in church choirs and began her Western classical journey, learning from Paul Knight, a disciple of Benjamin Britten, in London in the early 2000s after her family moved there.
Peter’s father, Zafar Francis, pioneered the Noor Jehan Arts Center in London, which was opened by British superstar Sir Cliff Richard in 1998.
She is the director of the performing arts center and teaches both Western and Pakistani classical music there.
She said her work in Britain was projecting “a positive image of Pakistan.”


UK literary festival cancels sponsor after pro-Palestine boycott

Updated 25 May 2024
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UK literary festival cancels sponsor after pro-Palestine boycott

  • Speakers, performers pull out from scheduled appearances in protest over Baillie Gifford sponsorship
  • Boycott organizer: Hay must shun future sponsorship by companies with links to ‘Israeli occupation, apartheid or genocide’

LONDON: The UK’s Hay literary festival has dropped its main sponsor over a boycott criticizing its links to Israel and fossil fuel companies.

Speakers and performers at the festival pulled out from scheduled appearances in protest over investment firm Baillie Gifford’s sponsorship of the event, The Guardian reported.

On Friday, the festival said it was canceling its sponsorship deal with the firm.

Singer Charlotte Church and comedian Nish Kumar had earlier pulled out of appearing at the event.

In a statement on her social media channels, Church said she had taken part in the boycott “in solidarity with the people in Palestine and in protest of the artwashing and greenwashing that is apparent in this sponsorship.”

Fossil Free Books, the group that has led the campaign against Baillie Gifford’s sponsorship of the event, has demanded that the firm divest from companies “that profit from Israeli apartheid, occupation and genocide.”

More than 700 writers and publishing professionals have signed a statement by FFB concerning the Hay festival campaign.

Kumar shared the statement online in announcing the cancelation of his appearance.

An FFB organizer said: “Hay festival is right to listen to the concerns of hundreds of book workers who are working to create fossil-free and genocide-free festivals.

“Hay must now develop a fundraising policy that rules out any future sponsorship by companies that invest or profit from the fossil fuel industry, Israeli occupation, apartheid or genocide, and any other human rights abuses.”

Hay CEO Julie Finch said the festival’s decision to cancel the sponsorship deal with the firm was taken “in light of claims raised by campaigners and intense pressure on artists to withdraw.”

She added: “Our first priority is to our audience and our artists. Above all else, we must preserve the freedom of our stages and spaces for open debate and discussion, where audiences can hear a range of perspectives.”

Baillie Gifford began its relationship with the festival in 2016 as a principal sponsor. A spokesperson said: “It is regrettable our sponsorship with the festival cannot continue.”


Saudi’s ‘Norah’ receives the Special Mention accolade at Cannes

Updated 25 May 2024
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Saudi’s ‘Norah’ receives the Special Mention accolade at Cannes

DUBAI: Saudi film “Norah,” starring actress Maria Bahrawi, this week received the Special Mention accolade, which recognizes films for outstanding achievements, at the 77th Cannes Film Festival’s Un Certain Regard awards.

The cast and crew, accompanied by director Tawfik Al-Zaidi, stepped onto the stage to accept the accolade in front of a full house.

The film, shot entirely in AlUla, is set in 1990s Saudi Arabia when conservatism ruled and the professional pursuit of all art, including painting, was frowned upon. Besides Bahrawi, the movie also stars Yaqoub Al-Farhan and Abdullah Al-Satian. It follows the story of Norah and failed artist Nader as they encourage each other to realize their artistic potential in rural Saudi Arabia.

“Norah” had its official screening at the festival on Thursday, becoming the first film from the Kingdom to screen as part of the official calendar at the event.

The movie was backed by the Red Sea Fund — one of the Red Sea Film Foundation’s programs — and was filmed entirely in AlUla in northwest Saudi Arabia with an all-Saudi cast and a 40 percent Saudi crew.

Un Certain Regard’s mission is to highlight new trends in cinema and encourage innovative cinematic works.

Chaired by Canadian actor, director, screenwriter and producer Xavier Dolan, the jury included French Senegalese screenwriter and director Maimouna Doucoure, Moroccan director, screenwriter and producer Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic, director and writer Todd McCarthy.

Chinese director Guan Hu’s “Black Dog” won the top prize in the Un Certain Regard section.

Marking Guan’s debut at Cannes, the film follows a former convict who forms an unexpected bond with the titular animal while clearing stray dogs in his remote hometown on the edge of the Gobi Desert.

The jury prize was awarded to “The Story of Souleymane,” directed by Boris Lojkine, marking his return to the festival after a decade since his 2014 feature “Hope.”

The film portrays the journey of a Guinean food delivery man who must create a compelling narrative for his asylum application interview in Lyon within a two-day timeframe.


Hollywood’s Will Smith and Martin Lawrence hit ‘Bad Boys’ red carpet in Riyadh

Updated 25 May 2024
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Hollywood’s Will Smith and Martin Lawrence hit ‘Bad Boys’ red carpet in Riyadh

RIYADH: Cameras flashed and crowds cheered as Will Smith and Martin Lawrence hit the red carpet at Roshn Front’s VOX Cinema in Riyadh on Friday night to mark the fourth installment of the “Bad Boys” film franchise.

“Bad Boys: Ride or Die” arrives 30 years after Mike Lowrey and Marcus Burnett, played by Smith and Lawrence, respectively, teamed up as the infamous buddy cops.

The latest film, exclusively in cinemas on June 6, shows how the characters have changed over the years.

“Their backs have gotten weaker, and their knees hurt more,” Smith said jokingly.

“Part of what we wanted to do with the franchise is to have the characters grow in an age-appropriate way,” he told Arab News.

“We are trusting that the audience wants to grow with us, wants to go with us, and wants to follow the natural progression of life and what these characters would be going through.”

The film continues to mix action, drama and comedy, but also allows the characters to grow and develop spiritually.

“The core of the movie is about friendship, love, and family,” Smith said.

“And would you ride or die for your partner?” Lawrence added.

The film builds on the success of the third installment, “Bad Boys For Life,” released in 2020, with the directorial duo for the latest production, Bilall Fallah and Adil El-Arbi,  reportedly inspired by video games.

Lawrence said the “top notch” directors were great to work with, and inspired the actors to “come up with magic.”

Smith added: “It’s interesting working with non-American directors; there’s such a different perspective… You know, they were (young) when the first movie came out, so there’s such a reverence for the original films. They’re bringing that energy, but they also want to put their signature on it. Energetically, it was fun to work with them, and also their openness to the spirituality of the film was also refreshing.”

Action films, whether “Mission Impossible” or the more recent “Monkey Man,” have enjoyed a revival in recent years, and both actors believe the genre will always have a place in the industry.

“The physical wars of humanity represent the inner wars that we go through. So, I think human beings are always going to like watching a good visualized external battle that they can relate to,” Smith said.

“We all know internally that life is kind of a series of ordeals. How do you manage these ordeals and put things back together? And I think that this movie is a comedic look at two people trying to be friends, surviving ordeals together, which changes them without life breaking their relationship. It’s like a standard bromance.”

With the film premiere taking place in Saudi Arabia’s capital, both stars expressed their excitement over initiatives underway in the Kingdom.

Smith said: “I performed at Soundstorm and everything is brand new. The energy of 40 and 50-year-old people in Saudi is like the energy of 20 and 30-year-old people in America.

“It’s like there is this powerful sense of being on the cusp of the future. It’s showing up in music, it’s showing up in art, it’s showing up in architecture, and hopefully shows up at the cinema tonight.”


Dave Chappell says support for Gaza war is result of ‘antisemitism in the West’ at Abu Dhabi show 

Updated 24 May 2024
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Dave Chappell says support for Gaza war is result of ‘antisemitism in the West’ at Abu Dhabi show 

DUBAI: US comedian Dave Chappelle performed to a packed audience at Abu Dhabi’s Etihad Arena on Thursday as part of Abu Dhabi Comedy Week, where he also addressed the war in Gaza.

“What is happening in Gaza is a direct result of antisemitism in the West,” he said on stage.

“If you are in America, the best thing you can do is to make American Jews feel safe, feel loved and supported so they can know they don’t have to support a country that is committing genocide just to feel safe,” he added. 

Chappelle previously slammed the Israeli bombing of Gaza, as well as the US support for it, at a show in Boston in October.

According to people in attendance, an audience member asked Chappelle to shut up, which sparked a heated response from the comedian.  

“You can’t take tens of billions from my country and go kill innocent women and children and tell me to shut the f--- up,” he said, according to the Wall Street Journal.  

Some members of the crowd began chanting “free Palestine,” to which Chappelle replied: “You are damn right, free Palestine.”