A coffee table book narrates history of Pakistan through fashion

A Bawany Violin Textile Mills advertisement in 1963, right, and a 1965 advertisement for Jamea Cloth Market, depicting bouffant hair and sarees that were fashionable in Pakistan in the 1960s. (Photo courtesy of Mehr F. Husain and Saad Sarfraz Sheikh via AN)
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Updated 29 August 2020
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A coffee table book narrates history of Pakistan through fashion

  • Book by Mehr F. Husain and Saad Sarfraz Sheikh explores the evolution of fashion in Pakistan from its independence in 1947
  • Those behind the scenes — makeup artists, hair stylists, models — were the real movers and shakers of the fashion industry

RAWALPINDI: "Pakistan: A Fashionable History" by journalists Mehr F. Husain and Saad Sarfraz Sheikh is a chronological telling of the country's history through its sartorial past.
What started as an investigation into the fashion industry became a visual book, on the evolution of fashion in Pakistan from its independence in 1947.In 2017, bleary-eyed Husain was dropping her child off school when noticed a fellow mom dressed to the nines in a three-piece lawn outfit, but looking as miserable as Husain felt at 7 a.m.
“I stared at her, slouched in my car, thinking why is she dressed like that and who is telling us to dress this way?"
That day, she approached Sheikh, a photojournalist, to embark on a project to document Pakistan’s fashion industry, the first of its kind.
“We wanted to do something historical and anecdotal,” Sheikh said.

 

When they started to interview veteran designers, they realized that the stories they were looking for should also be told by makeup artists, models and decades-old magazine prints.
"We discovered there was an entirely different story, the people behind the scenes were the real movers and shakers of the industry," said Husain said.
Sheikh’s task to build their image archive took him to Karachi, into old bazaars and bookstores, to find fashion magazines such the Herald and Newsline that helped propel the industry. Sheikh was able to access Newsline’s archive before the legendary journal shuttered last year.

"I spent seven hours in their basement photographing old photos one by one,” he said, “This allowed me to develop an amazing set of archives that is not just time capsules of fashion but culture as well."

The book was two years in the making and faced a number of setbacks. It was originally going to be printed by an Indian publishing house, but in August 2019, when India revoked Kashmir's autonomy, Pakistan stopped imports from the neighbor. The ban included books. The pair decided to publish the book on their own.
The coffee table book is packed with first-person accounts from photographers, models, hair and makeup artists, magazine editors and legendary Pakistani designers such as Maheen Khan and Rizwan Beyg, all of whom played key roles in building the industry as we know it today.




Atiya Khan wears Maheen Khan on Herald's first-ever fashion cover shot in Karachi in June 1987, left, and artist Meera featured on the cover of the revolutionary fashion magazine Men's Club in the 1990s. (Photo courtesy of Mehr F. Husain and Saad Sarfraz Sheikh via AN)

Although it started with a quest to learn more about the history of fashion, the book is also a narrative of the history of Pakistan. “The fashion industry of yesteryear has contributed a lot,” Husain said.
“If you look at what people were consuming back then and at the history this country has had, you would understand Pakistan’s impact on South Asia."

 


Pakistan’s Mahnoor Omer named among TIME’s ‘Women of the Year’ for 2026

Updated 01 March 2026
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Pakistan’s Mahnoor Omer named among TIME’s ‘Women of the Year’ for 2026

  • Omer moved a Pakistani court against the so-called ‘period tax’ in Sept. 2025 which has since sparked a national debate
  • Taxes on sanitary pads in Pakistan can add up to 40 percent to retail price, UNICEF says only around 12 percent women use such products

ISLAMABAD: Pakistani women’s rights activist Mahnoor Omer, who fought against taxes on menstrual products, has been named among the TIME magazine’s ‘Women of the Year’ for 2026.

Omer’s efforts have been recognized alongside 16 activists, artists, athletes and businesswomen in the TIME’s Women of the Year 2026 list, including Olympic gold medalist Sydney McLaughlin-Levrone and Oscar-nominated filmmaker Chloe Zhao.

Dissatisfied with the efforts to educate Pakistani girls about sexual violence, Omer founded the Noor Foundation at the age of 14 and held her own workshops with village girls about everything from climate change to menstruation, according to the TIME magazine.

Two years later, a conversation with a domestic worker about the price of pads made her realize that not everyone could afford these essentials. She moved a court against the so-called “period tax” in Sept. 2025 and the case has sparked a national debate on the subject, considered a taboo by many in Pakistan, since its first hearing late last year.

“A decade and one law degree after her interest in activism was sparked, Omer, now 25, is putting her passion and expertise to work in the name of gender equity,” TIME wrote about Omer on its website.

Taxes imposed on sanitary products in Pakistan can add up to 40 percent to the retail price. UNICEF estimates just 12 percent of women in the country use commercially produced pads or tampons. The alternative, using cloth, risks health impacts including rashes and infections, and can make it impossible for girls to attend school while menstruating.

Omer’s suit, which awaits the government response, has sparked a national discussion. She says she spoke about menstruation to her father and male cousins, who thanked her for standing up for their daughters.
The 25-year-old, who is currently enrolled in a master’s degree in gender, peace, and security at the London School of Economics, sees this case as just the first of many.

“I’m not free until every woman is free,” she was quoted as saying by TIME. “I want to leave no stones unturned in terms of what I can do with the next few decades, as a lawyer for the women in my country and gender minorities in general.”