TikTok signs music deal with UnitedMasters

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Updated 17 August 2020
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TikTok signs music deal with UnitedMasters

  • TikTok — which is not available in China — has sought to distance itself from its Chinese owners

MOSCOW: TikTok is partnering with US music distribution company UnitedMasters, a deal that will allow creators on the Chinese video sharing app to directly distribute their music to streaming platforms like Spotify and Apple Music.

Meanwhile, China on Monday slammed Washington for using “digital gunboat diplomacy” after President Donald Trump ordered TikTok’s Chinese owner ByteDance to sell its interest in the Musical.ly app it bought and merged with TikTok.

As tensions soar between the world’s two biggest economies, Trump has claimed TikTok could be used by China to track the locations of federal employees, build dossiers on people for blackmail, and conduct corporate espionage.

The order issued late Friday builds on sweeping restrictions issued last week by Trump that TikTok and WeChat end all operations in the US.

Chinese Foreign Ministry spokesman Zhao Lijian on Monday said “freedom and security are merely excuses for some US politicians to pursue digital gunboat diplomacy” — referring to vessels used by Western imperial powers during the nineteenth century, which China considers a deeply humiliating period in its history.

TikTok — which is not available in China — has sought to distance itself from its Chinese owners.

Zhao said TikTok had done everything required by the US, including hiring only Americans as its top executives, hosting its servers in the US and making public its source code.

But the app has been “unable to escape the robbery through trickery undertaken by some people in the US based on bandit logic and political self-interest,” Zhao said at a regular press conference.

ByteDance bought karaoke video app Musical.y from a Chinese rival about three years ago in a deal valued at nearly a billion dollars. It was incorporated into TikTok, which became a global sensation — particularly among younger users. The order, set to take effect in 90 days, retroactively prohibits the acquisition and bars ByteDance from having any interest in Musical.ly.

Trump ordered that any sale of interest in Musical.ly in the US had to be signed off on by the Committee on Foreign Investment, which is to be given access to ByteDance books.

TikTok appointed former Disney executive Kevin Mayer, an American, as its new chief executive in May, and also withdrew from Hong Kong shortly after China imposed a controversial new security law on the city.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.