Ithra exhibition set to showcase life during lockdown

Ithra will showcase personal objects belonging to individuals around the world that symbolize this turbulent period. (Supplied)
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Updated 10 July 2020
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Ithra exhibition set to showcase life during lockdown

  • The exhibition, which launches digitally in July, focuses on memories, thoughts and reflections in the form of objects

DUBAI: As countries reopen their borders and economies following months of lockdown, many are contemplating their experiences during the pandemic.

A new exhibition at the King Abdul Aziz Center for World Culture (Ithra), in Dahran, Saudi Arabia, titled the “COVID-19 Exhibit,” will showcase personal objects belonging to individuals around the world that symbolize this turbulent period.

Exhibits will include new works of art, a pen, photos of loved ones and relatives, musical instruments and fitness gear.




Bland Corona. (Supplied)

“While this is an unprecedented time, it is also an unprecedented moment of global solidarity,” said Ithra’s Head of Museums, Laila Faddagh.

She added: “The ‘COVID-19 Exhibit’ is an opportunity for the global community to tell our stories during this complicated and difficult time. Art is about connecting people through culture – and culture is based on the exchange of ideas and identities – but we connect maybe even more easily through common objects.

“We can all understand the personal value of family photos, a special mug, a note from an important friend, a musical instrument, a favorite painting, your camera, the pen you use to write in your diary… just as we understand Charlie Browns’ friend Linus and his security blanket. The exhibition is a platform where you can express yourself and explain your pandemic experience so you can connect with people around the world – and they can connect with you,” Faddagh said.




Keystrokes. (Supplied)

Submissions are now open to people from around the world. Ithra hopes to obtain about 700 submissions and select up to 300 objects for display.

In 2021, objects selected by the museum’s curators from online submissions will be on display at Ithra.

The exhibition also serves to build a sense of community.

“When people see the physical exhibition, we want them to connect with the objects and remember how it was to be in lockdown,” said Farah Abushullaih, the exhibition’s curator.




Passion of Sourdough. (Supplied)

“The idea is that these objects will relate not just to one person’s experience but to many — to a larger global collective,” she added.

“Each object holds meaning to its owner and their particular lockdown story. I want people to tackle the personal side of things through these objects,” Abushullaih said.

The objects that will be shown are those that are taken for granted in everyday life. Under lockdown, these everyday items have taken on a new significance and meaning.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 57 min 44 sec ago
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.