Saudi street style book ‘Under the Abaya’ celebrates women’s empowerment

Fatima Al-Banawi photographed by Pano Studio. Supplied
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Updated 29 June 2020
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Saudi street style book ‘Under the Abaya’ celebrates women’s empowerment

  • Launched on the anniversary of the landmark decision to allow women to drive in Saudi Arabia, the book sheds light on the Kingdom’s unique fashion scene

DUBAI: Saudi Arabia’s first-ever street style book launched by Saudi entrepreneur and industry leader Marriam Mossalli, “Under the Abaya: Street Style from Saudi Arabia,” is groundbreaking in its exposure of the Kingdom’s unique fashion scene, still little-known outside the country. While the first edition offered an introduction to progressive Saudi women, the second sheds light on their challenges and aspirations through the lens of fashion.

The book launched June 24, the same day Saudi Arabia lifted the ban on women driving one year prior.

“What better day to launch our book than on the anniversary of this historic move toward gender equality,” said Mossalli. “It is a celebration of female empowerment in its purest form, as it allows the women of Saudi Arabia the opportunity to narrate their own stories through authentic representations of themselves.”




Fatima Al-Bloushi photographed by Essa El-Dobisi. Supplied

Since founding Niche Arabia in 2011, a luxury consultancy firm based in Saudi Arabia, Mossalli has become one of the Kingdom’s most recognized female voices in fashion and luxury.

“What I love most about ‘Under the Abaya’ is that it is the definition of women supporting women,” Mossalli said. “A hundred percent of the proceeds will go toward granting scholarships so that young women can pursue their dreams of higher education.”

LUX, one of Unilever’s largest beauty and personal care brands, is the exclusive sponsor of the book.

“LUX is honored to partner with ‘Under the Abaya’ to shine a spotlight on inspiring Saudi women,” said Severine Vauleon, global brand vice president, LUX. “We believe in the undying spirit of women everywhere who take pride and pleasure in their beauty and never let judgments hold them back; a woman’s beauty is also an expression of her spirit, of who she is, of what she thinks, does and accomplishes.”




Marriam Mossalli and Mariam Zahid. Supplied

Saudia Arabia’s first female Ambassador to the United States, Princess Reema bint Bandar Al-Saud, authored the forward of the book. Princess Reema has long been dedicated to women’s empowerment in the Kingdom.

In 2013, she founded Alf Khair, a social enterprise dedicated to providing access to opportunities for Saudi women by offering them professional guidance. She also co-founded the Zahra Breast Cancer Awareness Association.

“‘Under the Abaya’ encapsulates a desire to tell stories, and access or create opportunities,” writes Princess Reema in the foreword. “The project’s principles are an example of women supporting women.”




Jory Al-Maimam shot by Ekleel Al Faris courtesy of Hindamme. Supplied

The role of women has become a key feature of Saudi Vision 2030. The plan aims to have women play a greater role in society and seeks to raise female participation in the workforce from 22 percent to 30 percent.

“Young women are under a lot of pressure due to social media and expectations,” said Haya Sawan, a Saudi fitness trainer and healthy lifestyle enthusiast who is profiled in the book. “We as women should ensure that we raise our daughters in a way so as to encourage their inner beauty and cultivate their skills. We need to embrace the younger generations and accept them for who they are and not for what is required or expected of them. Be strong and beautiful.”

Saudi actress, director and writer Fatima Al-Banawi, who also features in the "Under the Abaya," spoke about the judgments placed on women: "I believe we need to talk about these things and be aware of them because these experiences shape us, whether we are the ones judging or receiving judgement. Judgments come from incomplete stories and as humans, we love making stories." 

 


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 13 sec ago
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”