Focus: Europe’s new stimulus package and US investment grade bonds

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Updated 29 May 2020
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Focus: Europe’s new stimulus package and US investment grade bonds

What happened:

Global stock markets were torn between two forces: Firstly, the reopening of the economies in Europe as well as more gradually in certain US states; and secondly the fear of a flaring up of US-China tensions over the National People’s Congress (NPC) waiving through a controversial new security law for Hong Kong against subversion, separatism and treason.

Markets were up through Thursday with reopening optimism prevailing. On Friday futures turned negative in Europe and the US as the anti-China sentiment in Washington turned up a notch.

US first-time jobless claims came in at 2.1 million for the week ending May 22, pushing the overall claims number for the last 10 weeks up to more than 40 million. Consensus estimates for May’s unemployment rate (to be published next week) are around 20 percent, which is the highest since the Great Depression when it was 25.6 percent.

Employment news was grim around the globe. On Thursday, US low-cost airline JetBlue announced it could let go of 30 percent of its workforce and the British budget carrier easyJet earlier made a similar announcement. French motor manufacturer Peugeot announced a cut 14,600 jobs.

In its Beige book, an assessment of economic conditions, the US Federal Reserve pointed out that economic activity continued to fall sharply into May in most of America. Declines were particularly steep in the leisure and hospitality industries amid the coronavirus disease (COVID-19) lockdown. Manufacturing activity was down too with auto, aerospace, and energy-related plants particularly hard hit.

On Thursday, credit rating agency Standard and Poor’s withdrew its investment grade rating from aero engine maker Rolls-Royce after 20 years. Last week the company had announced it would cut 9,000 jobs. Fitch and Moody’s still have Rolls-Royce at BBB+ (two notches above junk) and Baa3 (one notch above junk), respectively.

US President Donald Trump was irritated by Twitter attaching a fact-checking link to two of his tweets, one of them relating to the accuracy of mail-in ballots. He issued an executive order instructing federal regulators to remove the liability shield social media companies enjoy from users’ posts, if said companies engage in censoring or any political conduct. Twitter shares fell 4.4 percent during the regular session on Thursday but recovered some after.

The Lufthansa board has not accepted the 9 billion-euro rescue package it was offered by the German government. The sticking points were the 20 percent equity stake and board representation by the government and the EU directive that the airline give up slots in Frankfurt. The EU’s decision has to be seen in the context of ensuring competition in the sector in light of government intervention.

Focus

EU Package:

President of the European Commission Ursula von der Leyen announced a 750 billion euros package to be processed through the EU’s seven-year budget, the multiannual financial framework (MFF).

It envisages for the commission to issue bonds taking advantage of its AAA rating and all 27 member states to stand behind the bonds, as they do behind the budget. The bonds would have durations of up to 38 years.

The proposal is significant not only in size, but also in structure: Germany and northern states had so far also been opposed to the mutualization of debt while France and southern states had demanded it, especially since the pandemic spread through the continent. It was a controversy which threatened the cohesion of the union.

French President Emmanuel Macron and German Chancellor Angela Merkel had proposed a similar package worth 500 billion euros last week. The European Commission proposal will consist of 250 billion euros in loans and the rest in grants.

Discussions about the MFF (2021-2028) will be heated, with the “frugal four” (Netherlands, Austria, Demark and Sweden) opposing mutualization of debt and demanding that the funds be tied to COVID-19-related expenditure.

Meanwhile von der Leyen has asked for a carbon tax, digital tax, and a border adjustment mechanism for carbon.

US Investment Grade Bonds:

In the US, the investment grade bonds hit a significant milestone surpassing the $1 trillion mark much earlier than in previous years.

This showed two things: On the supply side, even well-capitalized companies wanted to shore up their cash reserves to weather the COVID-19 crisis. On the demand side, there were the Fed’s corona-related bond buying packages and investors who felt safe following the Fed’s policies.

The importance of maintaining liquidity and access to debt markets is important to avoid falling into the insolvency trap. There were more corporate bankruptcies in the US during May than in any other month since the Great Depression.

Where we go from here:

Merkel has proposed another 100 billion-euro package to support the economy coming out of lockdown. The package faces opposition by her own Christian Democratic Union party which does not want to incur more debt.

Later Friday, Trump will announce how he wants to respond to the NPC’s Hong Kong security law.

The US has the legislative framework to do so: The Hong Kong Human Rights and Democracy Act allows it to put Hong Kong’s special trading status under tighter scrutiny over Hong Kong’s autonomy from Beijing. This potentially endangers billions of dollars-worth of trade.

Other sanctions could consist of visa restrictions for targeted individuals or freezing their US assets, and restrictions of visas for Chinese students.

Meanwhile, the UK is considering extending the visa rights of 300,000 British national (overseas) passport holders to fast-track them for UK citizenship.

 

— Cornelia Meyer is a Ph.D.-level economist with 30 years of experience in investment banking and industry. She is chairperson and CEO of business consultancy Meyer Resources.

Twitter: @MeyerResources


Saudi opera star Sawsan Albahiti: ‘I’m a playful person, I love to have fun’ 

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Saudi opera star Sawsan Albahiti: ‘I’m a playful person, I love to have fun’ 

  • The Kingdom’s first professional opera singer talks teaching, travel, and time off 

RIYADH: Sawsan Albahiti is one of the most recognizable voices in Saudi Arabia’s cultural renaissance. Recognized as the Kingdom’s first professional opera singer, Albahiti has performed in London and Berlin, as well as Riyadh and AlUla, among other cities, carving a path once unimaginable for Saudi artists, especially women. 

Albahiti began her operatic journey in 2008 and has since mastered singing in Italian, French, German, and English, giving her access to a rich repertoire of classical works. Her mix of perseverance and talent continues to inspire young Saudi women, and Albahiti is eager to ensure that she uses her standing to help the next generation of Saudi singers realize their potential. 

Sawsan Albahiti performing in Riyadh in May this year, accompanied by Najd Choir. (Getty Images)

“I love to train singers, whether they’re opera singers, pop singers or singers (in) different Arabic genres,” she tells Arab News. “I love to see those singers shaping their voices and polishing their skills. It’s a passion of mine to be a part of that.”  

And she has found that working with students enriches her own development. “I learn from every singer that I train by reflecting on my own capabilities,” she says. “Understanding how to inspire other singers and (aid) their artistic development helps me grow as an artist and as a leader.”  

She reveals that she will soon publish an Arabic-language book about vocal training, having noted that “content in Arabic — with books about singing — is not sufficient yet. I saw that it’s my place, as a vocal coach and an opera singer, to write a book about such an important topic.” 

Albahiti performing the national anthem at the Tareq Abdulhakim Center for this year's National Day celebrations. (Instagram)

Travel has also shaped her artistic evolution, with certain cities leaving lasting impressions, particularly Rome, where she lived for almost a year.  

“That city is so rich in history and arts, specifically music, and specifically opera,” she says. “Walking where (legends of opera) walked, learning in the same institutes where they learned, understanding their stories, and seeing their belongings changed my connection with the opera world forever.”  

Closer to home, AlUla has been a huge inspiration for Albahiti. “AlUla is such a strong representation of Saudi culture, it’s very artistic,” she says. “Its blend of culture and art, heritage and modernity, has really impacted my view of art in general.”  

Her serene stage presence, she says, gives people the impression that she is “very serious, like, calm and composed.” However, that persona is somewhat misleading, according to Albahiti.  

Albahiti performing the national anthem at the Tareq Abdulhakim Center for this year's National Day celebrations. (Instagram)

“I want people to know that I’m just (like) any other young Saudi woman,” she says. “I’m a playful person. I love to have fun. I love to dance. 

“A perfect day for me, outside of performing or rehearsing, is enjoying quality time with people I love — spending time with my family, going out with friends, walking my dog… my dog’s a sweet Maltese Shih Tzu called Lucky.” 

And she has a lot of family to spend time with, she adds. “I come from a big family. I’m the youngest of seven siblings.” Some of those siblings were early musical inspirations too. “I can say I’m the most artistic in my family, but one of my sisters and one of my brothers also have musical skills. And I learned from them. They pursued other fields in life, but I continued in music.” 

That decision is certainly paying off now, as Saudi Arabia’s leaders continue to place great emphasis on the development of a homegrown cultural scene, in which Albahiti is increasingly being acknowledged as a major player. The most recent recognition of this was her collaboration with the Tareq Abdulhakim Center for Saudi National Day, in which she performed the national anthem in the center’s courtyard in her hometown of Jeddah’s historic Al-Balad district.  

AlUla has been a huge inspiration for Albahiti. (Supplied)

“That was special because Tariq Abdulhakim was one of the pioneers of Saudi music,” she says. “To be able to have a collaboration with such a name was a big deal for me.” 

One of the most exciting of the Kingdom’s upcoming cultural projects, for Albahiti, is the Royal Opera House in King Salman Park. “I haven’t been involved yet, because the project is still under construction,” she says, adding that she is eagerly anticipating the opening “as (are) so many people around the world.”  

She continues: “I heard the great news about the collaboration with the Metropolitan Opera in New York, where (the Met) will perform their programs in the opera house once it opens.”  

The significance of the Royal Opera House will be far-reaching, Albahiti believes. “It will be a very important center for arts and culture,” she says. “It will not only bring a new form of arts — opera — (to the Kingdom), it will also be the hub for so many artists and so many art forms, introduce new arts to society, and give a platform for upcoming artists to showcase their art regardless (of what) new kind of genres they want to bring forward.”