‘The Office’: A bingeworthy TV show

John Krasinski and Jenna Fischer in 'The Office.' (NBC)
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Updated 02 May 2020
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‘The Office’: A bingeworthy TV show

AMMAN: When NBC commissioned an American version of the much-loved UK mockumentary “The Office,” many were skeptical. John Krasinski, who ended up playing Jim, famously told showrunner Greg Daniels (without realizing it was Daniels) before his audition that, whether he got the part or not, he hoped they didn’t “screw this show up and ruin it for me.”

His sentiments were understandable. Ricky Gervais’ cringe-comedy was pretty much perfect. So why bother? But nine seasons and more than 200 episodes later, Daniels was more than vindicated. The US version became very much its own show. And a huge success.




Steve Carrell as Michael Scott in 'The Office.' (NBC)

It followed the lives of employees at paper company Dunder Mifflin. Regional manager Michael Scott (Steve Carrell) was the equivalent of Gervais’ David Brent. Like Brent, he sees himself primarily as “an entertainer” rather than a boss. He is constantly trying to convince his workers (and himself) that (a) he’s a young, hip ‘buddy,’ not a corporate suit, and that (b) their jobs are way more entertaining than they actually are. His social ineptitude is obvious to everyone but himself. However, unlike Brent, Michael Scott is actually surprisingly good at selling paper. He is also a far more sympathetic character. Michael’s clumsy, forced bonhomie is down to his desperate need for love and companionship. Without family and friends to provide it, he turns to his co-workers. 

The US version of “The Office” offers plenty of inappropriate cringe moments, but at its heart the show is a romantic comedy — the story of the slow-burn relationship between receptionist Pam (Jenna Fischer) and Krasinski’s salesman, Jim. It’s a beautifully pitched and honest story arc. There are few scenes of high passion between them, just wonderfully observed small intimacies that can be joyful or heartbreaking, depending on the circumstances. 




At its heart, 'The Office' is a romantic comedy. (NBC)

“The Office” is a brilliant comedy, with a multitude of laugh-out-loud lines, characters whose depth is gradually revealed thanks to fantastic writing, and a group of actors who were perfectly cast.

The obvious joy taken in making the show translates to the audience. The old cliché about a cast being a ‘family’ really does ring true here. “The Office” is a great re-watch, particularly in these times of high anxiety. No matter how much you enjoyed it the first time, it’s even better the second.

That’s what she said.


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

Updated 39 min 2 sec ago
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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.