King Salman imposes curfew across Saudi Arabia to contain COVID-19

King Salman on Sunday imposed a 21-day curfew order starting Monday evening to control the spread of COVID-19. (AN photo/Bandar Aljaloud)
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Updated 24 March 2020
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King Salman imposes curfew across Saudi Arabia to contain COVID-19

  • People cannot leave their homes from 7 p.m. to 6 a.m.
  • Curfew to last for 21 days, starting Monday evening

RIYADH: King Salman on Sunday issued an order imposing a curfew across Saudi Arabia from Monday evening to control the spread of the COVID-19 disease.

A royal court statement carried by the Saudi Press Agency (SPA) said the curfew will start at 7 p.m. until 6 a.m. every day for 21 days from the evening of March 23, 2020.

King Salman's order followed an announcement by the health ministry of 119 new coronavirus cases on Sunday, raising the total number in the Kingdom to 511.

The order requires all people to stay in their homes during the curfew hours for their own safety.

The statement said the Ministry of Interior will undertake the necessary measures to implement the curfew, and all civil and military authorities are ordered to cooperate fully.

Exclusions

A subsequent statement issued by the Ministry of Interior and carried by SPA said those excluded from the curfew are workers from the following vital industries and government services:

• Food sector (points of sale) such as catering and supermarkets, poultry and vegetable shops, meat, bakeries, food factories and laboratories;

• Health sector, such as pharmacies and the like, medical clinics (dispensaries), hospitals, laboratories, factories, factories and materials and medical devices;

• Media sector in its various means;

• Transportation sector, such as those transporting goods, parcels, customs clearance, warehouses, warehouses, logistics services, supply chains for the health sector, the food sector, and port operations;

• E-commerce activities such as those working in the electronic procurement applications for the excluded activities and those working in the delivery applications of the excluded activities;

• Accommodation services activities such as hotels and furnished apartments;

• Energy sector such as gas stations and emergency services for the electric company;

• Financial services and insurance sector, such as direct accidents (Najm), urgent health insurance services (approvals), and other insurance services;

• Telecom sector as Internet and communication network operators;

• Water sector, such as the water company emergency services and home drinking water delivery service (graying).

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Additional exclusions

The interior ministry statement added security, military and healthcare vehicles, government regulatory services vehicles, and activity vehicles excluded in the vital industries and services mentioned above will be allowed to continue operating during the curfew hours.

Delivery services through smart device applications (express delivery services) during the curfew will be allowed for food and drug needs and other essential goods and services that are excluded and delivered to homes. Excluded activities can be known by calling the toll-free number in all regions of the Kingdom 999, except for the Makkah Al-Mukarramah region, which is called at 911.

Muezzins will be allowed to access mosques to lift the call to prayer at the time of the curfew.

Workers in diplomatic missions and international organizations and the like residing in the Diplomatic Quarter will be allowed to move during the curfew period to and from their business headquarters in the neighborhood.

 

World toll rising

Numerous countries have adopted more stringent rules as the highly contagious coronavirus, that originated from Wuhan, China, has become a pandemic.

As of Sunday, the total number of cases since December 2019 has reached 324,291, including 14,396 deaths.

Italy’s world-topping toll from the pandemic approached 5,500 as the Mediterranean country reported another 651 deaths, a day after it overtook China for the highest number of fatalities.


Art is ‘translating feelings,’ says 16-year-old Saudi artist

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Art is ‘translating feelings,’ says 16-year-old Saudi artist

  • Jawad Al-Omair has established himself as a painter, drawing inspiration from the beauty and pain surrounding him

RIYADH: While his classmates took part in sports activities, Saudi teenage artist Jawad Al-Omair daydreamed about the next time he would pick up a paintbrush or pencil to draw again.

At only 16 years of age, Al-Omair has established himself as an artist, drawing inspiration from the beauty and pain surrounding him.

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

He told Arab News that his breakthrough moment came when he discovered his artistic abilities in the third grade.

“All the kids used to go to play. I always found myself opening my notebook and just drawing. I remember one day, I drew something at school, and when I got home, I showed it to everyone. I told myself, ‘I should do this more often.’”

HIGHLIGHT

Jawad Al-Omair views color as an arsenal to communicate emotion in his artworks.

He uses acrylic paint to portray his vivid ideas on canvas.

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

“With every painting I do, I usually have a vision of what the color palette is going to be and the composition, and most importantly what message and feeling I am trying to deliver through the painting.”

The young artist views color as an arsenal to communicate emotion in his artworks. “If I wanted to paint something that conveys the feeling of being lost, I would usually use cool toned colors like greys and blues.”

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

Al-Omair said that he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks.

“Dana Almasoud is one of my best friends who has helped me so much. Three years ago, I used to be a completely different artist. I used to be unable to draw small portraits, but she taught me how to. I can’t picture how my life would be if I had not met them,” he said.

Jawad Al-Omair said he noticed a dramatic change in his artistic abilities after being introduced to a group of local artists who taught him painting techniques to implement in his artworks. (Supplied)

In a recent artwork, Al-Omair painted a large-scale self-portrait inspired by the style of John Singer Sargent, an American artist renowned for his portrait paintings in the late 19th and early 20th centuries.

He described Sargent as one of his favorite artists. “If you see his self-portrait, It is similar to mine. I was looking at his artwork while I was painting so I could capture that same vibe.”

It took Al-Omair about 12 hours to complete the self-portrait, which emphasizes his prominent features.

“I get commented on my nose a lot, so I painted it in the center. I wanted to immortalize my 16-year-old self, because who knows what I will look like five years from now?”

The young artist aims to turn all sorts of experiences — even those of friends or family members — into art.

“How would life be if we did not have music or anything beautiful to look at? When you think of an artist, people usually imagine someone with a brush, but it is much bigger than that.

“Art is translating feelings with a certain skill. Movies taught humanity so much because you get to learn about people. Writing, songs and music are emotional things that we share. Art is one of the most important parts of life. Everyone has an artistic side to them that they may have not found yet,” he said.

 


Saudi development fund agrees $50m loan deal with St. Vincent and the Grenadines

Updated 33 min 9 sec ago
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Saudi development fund agrees $50m loan deal with St. Vincent and the Grenadines

  • Funding will help rebuild and repair facilities damaged by natural disasters in the Caribbean island nation

RIYADH: The Saudi Fund for Development signed a $50 million loan agreement with St. Vincent and the Grenadines on Friday to assist communities affected by natural disasters, Saudi Press Agency reported.

The deal was signed by SFD CEO Sultan Abdulrahman Al-Marshad and Camillo Gonsalves, finance minister of St. Vincent and the Grenadines, during the 2024 spring meetings of the World Bank and the International Monetary Fund in Washington.

According to the World Bank, the southern Caribbean nation faces a host of natural threats, including floods, hurricanes, droughts, landslides, and volcanic eruptions.

The agreement will fund a project to rebuild and repair buildings and facilities damaged by natural disasters in the island nation.

This initiative includes the restoration and construction of essential infrastructure, such as housing, healthcare, educational, and sports facilities, aimed at boosting their durability and resilience against future disasters and climate change impacts.

The project will also include establishing four healthcare centers, building primary and secondary schools, renovating government buildings, and restoring homes damaged by volcanic activity.

The loan is in line with the SFD’s commitment to supporting vulnerable communities around the globe.

Since its inception in 1975, the Saudi fund has financed over 800 development projects and programs worldwide, with total funding exceeding $20 billion.
 


Art Jameel announces open call for Hayy Jameel Facade Commission

Updated 19 April 2024
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Art Jameel announces open call for Hayy Jameel Facade Commission

  • Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life

JEDDAH: The Hayy Jameel Facade Commission is inviting new and established artists in Saudi Arabia to reimagine the facade of the Hayy Jameel art building in Jeddah.

In its fourth year and third open call process, the commission will select a winning artwork that serves as conversation starter between the complex, the community it serves and the broader public.

Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life.

“Through this annual commission which positions the facade as the first point of contact with the Hayy Jameel community, we are providing a platform that propels mid-career artists forward and challenges them to produce a large-scale, highly imaginative work that remains in-situ, front and center in Jeddah, for around 10 months.”

The commission encourages artists to consider the site-specific nature of the project and the technical requirements of a public work.

Sustainability considerations are also appreciated in managing the carbon footprint of the artwork and its installation.

Eligibility is open to all Saudi and Saudi-based artists and collectives, with at least one member required to be a Saudi citizen or resident if applying as a collective.

The commissioned artists will receive a work fee and a production budget managed by Art Jameel.

The jury, consisting of local and international art professionals, curators, artists and museum directors, will select a single work for production.

Applicants are required to submit a concept statement (200-500 words), up to four sketches and diagrams, and an estimated production schedule through the application portal.

The deadline for the facade submission has been extended to May 1, with the launch scheduled for October. Following the unveiling, there will be a public viewing period from October 2024 to September 2025.

Previous works displayed on the building have showcased the talent of artists such as Nasser Al-Mulhim, Tamara Kalo, Mohammad Al-Faraj and Dr. Zahrah Al-Ghamdi.

 


Saudi universities participate in Geneva’s International Exhibition of Inventions

Mohammed Al-Sudairi
Updated 19 April 2024
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Saudi universities participate in Geneva’s International Exhibition of Inventions

  • More than 1,000 inventions from over 40 countries showcased at event

RIYADH: Mohammed Al-Sudairi, the Saudi deputy minister of education for universities, research and innovation, opened the Kingdom’s pavilion at the 49th Geneva International Exhibition of Inventions.

Some 26 Saudi Arabian universities are taking part at the event — including 19 government universities, two independents and five private bodies — and a total of 113 inventions have been produced, in scientific, theoretical, medical, and biological specializations, the Saudi Press Agency reported.

Among the universities taking part is Qassim University, which is showcasing a display that highlights innovations and several inventions.

Abdulaziz bin Bani Alharbi, a faculty member at Qassim’s College of Agriculture and Food, said that the college was showcasing a patent registered with the Saudi Authority for Intellectual Property: a method for desalinating salt water using a halophyte plant.

He said the invention involved introducing water and placing the plant in a closed system that allowed the collection of water from the plant after the transpiration process.

Alharbi added that gas exchange followed and then desalination to obtain salt-free water.

Fahad Alminderej, a faculty member at the College of Science, said his group had obtained a patent for extracting materials from date waste, and was then using them in pharmaceutical manufacturing in an innovative manner. This patent had also been registered with the Saudi Authority for Intellectual Property.

Abdullah Almohaimeed, the head of the Innovation Center and Intellectual Property at the university, said that Qassim was participating in the exhibition as part of the Ministry of Education’s initiative to enhance the international presence of Saudi universities, in line with national objectives.

He added that the university’s participation aimed to highlight its role in supporting the innovation system and entrepreneurship, as well as showcase many inventions.

The exhibition, which is taking place until April 21, is displaying more than 1,000 inventions from over 40 countries. Some 800 exhibitors are featured at the event and 30,000 visitors are expected to attend, in addition to 650 journalists.

It is the world’s largest annual event devoted exclusively to invention.

 


Al-Baha’s monuments: A pivotal testament to civilizational advancement

Updated 19 April 2024
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Al-Baha’s monuments: A pivotal testament to civilizational advancement

  • Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance

RIYADH: Nestled in Al-Baha region in southwestern Saudi Arabia lies a treasure trove of ancient architecture in the quaint villages that dot its landscape.

Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance.

Crafted with precision, these structures seamlessly integrate with the rugged terrain and fluctuating climate, while also paying homage to the long-standing customs and traditions of ancient Arab society.

Seventy-three-year-old Mohammed bin Salem Al-Ghamdi told Saudi Press Agency: “For decades, I have dedicated myself to the craft of stone house construction.”

Currently, he and his companions are diligently crafting a stone room, employing stones as their primary building material. Together, as a cohesive team of builders, craftsmen, and eager participants, they collaborate harmoniously to bring their vision to life. He described it as both a hobby and inheritance passed down through generations.

“In every construction endeavor, we rely on what’s known as the cornerstone, strategically positioned at the room’s corners. Additionally, a lengthy stone, referred to as the ‘link,’ is essential for connecting each stone within the structure. We also use sturdy stones known as ‘Al-Mateen’ or ‘Al-Daher’ to fortify the room’s foundation.

“Moreover, we meticulously place ‘Al-Lazza’ stones, tiny yet significant, within the larger stones, ensuring a seamless fit without any gaps or openings in the room’s structure,” he added.

“Once the corners are meticulously stacked and leveled, I proceed to roof the room with wood. This involves utilizing a series of wooden beams cut to specific lengths to interconnect all corners of the room. Next, I scatter small plants across the wooden framework to fully cover the ceiling, upon which clay is applied to secure the structure. This method ensures durability against erosion and rainfall, further reinforced by specific paving techniques.”

Al-Ghamdi emphasized the importance of post-construction plastering with clay, which not only gives the interior an earthy tone but also regulates the temperature — ensuring warmth in winter and coolness in summer.

He mentioned the practical use of juniper trees for doors and windows, facilitating easy replacement and serving a dual purpose in construction.

Dr. Abdulaziz bin Ahmed Hanash, professor of urban design at Al-Baha University, highlighted the profound significance of human construction in Al-Baha region, portraying it as a living chronicle of urban civilization’s evolution over time.

He underscored the traditional architecture and urban legacy of Al-Baha as foundational elements, inherently distinguishing the region. With its wealth of historical landmarks spanning the Sarat and Tihamah regions, the area has gained the attention of state authorities, who aim to nurture its potential as both a summer and winter tourism hotspot through strategic development initiatives.