Algerian photographer shortlisted for World Press Photo of the Year

‘Clash with the Police During an Anti-Government Demonstration’ by Farouk Batiche. (Supplied)
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Updated 25 February 2020
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Algerian photographer shortlisted for World Press Photo of the Year

DUBAI: The World Press Photo Contest, which celebrates the best visual journalism over the past year, has unveiled the nominees for its 63rd edition, and it includes a photographer from Algeria.

Out of the 4,282 photographers from 125 countries that submitted their images for consideration, Algerian Farouk Batiche was the only Arab to be selected by the independent jury to compete among the 43 other nominees.

His photograph, entitled “Clash with the Police During an Anti-Government Demonstration” was nominated in the Spot News category.

The image, which depicts a group of Algerian students scuffling with riot police during an anti-government demonstration in Algiers on May 21, 2019, is also shortlisted for World Press Photo of the Year.

Read on for the other five nominees for this year’s Photo of the Year contest, below.

Nothing Personal - the Back Office of War, by Nikita Teryoshin

Taken at the International Defense Exhibition and Conference (IDEX) in Abu Dhabi, a businessman is pictured locking away a pair of anti-tank grenade launchers.

Relative Mourns Flight ET 302 Crash Victim, by Mulugeta Ayene

A grieving relative is pictured throwing dirt onto her face at the site of the Ethiopian Airlines flight ET302 crash on March 14, 2019.

Straight Voice, by Yasuyoshi Chiba

A young man recites a poem during a protest for civilian rule during a blackout in Khartoum, Sudan, on June 19, 2019.

Awakening, by Tomek Kaczor

A 15-year-old Armenian girl who had recently woken from a catatonic state brought on by Resignation Syndrome, sits in a wheelchair in a refugee reception center in Podkowa Leśna, Poland.

Injured Kurdish Fighter Receives Hospital Visit, by Ivor Prickett

A badly-burned Syrian Democratic Force fighter is visited by his girlfriend at a hospital in Al-Hasakah, Syria.


American-French filmmaker Roman Hill discusses his installation ‘Inflow:Outflow’ 

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American-French filmmaker Roman Hill discusses his installation ‘Inflow:Outflow’ 

RIYADH: For filmmaker and artist Roman Hill, Noor Riyadh — the festival of light art which took place this year from Nov. 20 to Dec. 6 under the theme “In the Blink of an Eye” — is “a rare opportunity to create truly monumental, immersive work.”  

Hill’s “Inflow:Outflow” consisted of two 15x7-meter projections in Riyadh’s STC metro station. He described it in a statement to Arab News as “a visual poem” that “celebrates universal movement.” 

“At every moment, everything — from the cells in our bodies to the microorganisms around us, and all the way up to the stars and galaxies — is engaged in a continuous dance of creation and destruction,” Hill elaborated. 

His installation, according to the Noor Riyadh website, “translates microscopic realities into monumental projections. Illumination magnifies chemical reactions filmed through polarized light, expanding them to an architectural scale. Color and textures cascade like slow galaxies, enveloping surfaces in living pigment. 

“By revealing the sublime within the small, the work bridges science and mysticism,” it continues. “Hill’s imagery, neither abstract nor representational, invites contemplation of unseen beauty.” 

The theme of this year’s festival “resonates” with his work, Hill said, “because it reminds us that, in a single instant, we are both observing and participating in this vast cosmic choreography.  

“The installation invites viewers to feel themselves at the center of this dance, even if only for a moment of heightened attention,” he continued. “For me, that moment of contemplation — like suddenly noticing a sunrise or a sky full of stars — is where an artwork truly stays with somebody. 

“This fascination with light and the universe is at the core of my practice, and runs through many of my projects,” he added. 

Indeed, he has just finished directing a new French series for European TV channel ARTE telling “the entire history of the universe — from the Big Bang to the very end of time — through the voice of light itself,” which he hopes to have dubbed into Arabic. All the imagery was created in Hall’s studio “using only physical and chemical phenomena, without CGI or AI.” 

Light art, Hall said, is “universal, immediate, and speaks to people beyond language or cultural background.” He believes Noor Riyadh is playing an important cultural role. 

“It brings together artists from many continents and very different cultures and places them in dialogue with Saudi artists … This mix, and the scale of the festival, make it one of the most exciting platforms for light-based work today.”