MAKKAH: Saudi Arabia loses 120,000 hectares of trees every year through destruction and tree logging.
Trees help stop desertification because they are a stabilizer of soil. In the Arabian Peninsula, land threatened by desertification ranges from 70 to 90 percent. A national afforestation campaign was launched in Saudi Arabia last October, and there is a national plan set to run until this April.
The Ministry of Environment, Water and Agriculture said that although natural vegetation across the country had suffered in the past four decades, modern technologies such as satellites and drones could be used to track down individuals or businesses harming the Kingdom’s vegetation.
“Harsh penalties should be imposed on violators such as the seizure or confiscation of transport and hefty fines,” Dr. Abdulrahman Al-Sugair, chairman of the Environmental Green Horizons Society, told Arab News.
These were long-term solutions and they needed coordination with authorities to ensure warehouses and markets did not stock logs or firewood, he said. Another solution was sourcing an alternative product from overseas that was of high quality and at a reasonable price. A third was to provide support to firewood and coal suppliers.
“The general public needs to be more aware of the importance of trees and should have a strong sense of responsibility toward these trees,” Al-Sugair added.
“They should also stop buying firewood in the market. We can also encourage investment in wood production through agricultural holdings as well as implement huge afforestation projects and irrigate them from treated sewage water.”
The fine for cutting down a tree can reach SR5,000 ($1,333) while the fine for transporting logs is SR10,000. These fines could not be implemented as they should be because there were no available staff to monitor and catch violators and, to make matters worse said Al-Sugair, there was a weak level of coordination between authorities.
Most of the Kingdom’s regions have suffered in some way from tree felling, and some places no longer have trees. These violations are rampant in the south and Madinah regions, as well as in Hail and Al-Nafud Desert.
Riyadh is the most active and the largest market for firewood. Many people in Al-Qassim use firewood as do restaurants in some parts of Saudi Arabia.
Omar Al-Nefaee, a microbiology professor at the Ministry of Education in Taif, said the reason behind the widescale destruction of the environment could be attributed to a supply shortage of imported firewood.
“Tree logging causes an environmental disequilibrium,” he told Arab News. “The Ministry of Environment, Agriculture and Water has launched an initiative raising public awareness on the issue and is asking people not to use local firewood. Several awareness campaigns have been launched for the same purpose to educate people about the importance of using imported wood instead of the local wood in order to protect the Kingdom’s vegetation.”
Official reports warn that the Kingdom has lost 80 percent of its vegetation and that the drop will have a detrimental effect on its biodiversity, as well as causing great damage to the environment.
The general public should use other heating options during the winter and stop using firewood, Al-Nefaee said.
Some local studies have called for farms that can produce wood from plants that do not consume too much water and do not affect vegetation, while at the same time reducing the pressure on other regions in the Kingdom that are rich in animal resources.
Falih Aljuhani, who runs a business that imports wood from Georgia, encouraged Saudi firms to import wood from the Balkans because it was a competitive market and the trees had low carbon percentages.
Saudi Arabia loses 120,000 hectares of trees every year
https://arab.news/6gnjg
Saudi Arabia loses 120,000 hectares of trees every year
- The fine for cutting down a tree can reach SR5,000 ($1,333) while the fine for transporting logs is SR10,000
‘Echoes of Movement’ exhibition explores Italy–Saudi artistic dialogue
RIYADH: Italian Ambassador to Saudi Arabia Carlo Baldocci recently inaugurated the exhibition “Echoes of Movement: Dialogues between Italy and Saudi Arabia,” presented within the framework of the Diriyah Biennale, the Kingdom’s leading contemporary art event and one of the most significant cultural platforms in the international art scene.
The exhibition, which runs until Feb. 12, is conceived as a space for cultural dialogue between Italy and Saudi Arabia, bringing contemporary artistic practices into conversation through the theme of movement, understood not only as physical displacement, but also as symbolic, historical and cultural crossing. Movement thus becomes a metaphor for travel, exchange and transformation — elements that have long shaped relations between peoples, territories and civilizations, particularly in the Mediterranean and Middle Eastern contexts.
The exhibition reflects on journeying as a shared human condition, evoking dynamics of migration, encounter, and mutual influence that have profoundly shaped cultural histories and continue to define the present. In this sense, “Echoes of Movement” positions itself as a space for reflection on the circulation of ideas, forms and imaginaries, highlighting art’s capacity to serve as a universal language that transcends geographical and temporal boundaries.
The exhibition features works by Mimmo Paladino and Davide Rivalta, two leading figures in contemporary Italian art. Eleven lithographs by Mimmo Paladino offer a poetic, contemporary interpretation of the medieval treatise by Emperor Frederick II, “De arte venandi cum avibus” — a foundational work of European scientific and symbolic thought, conceived in a historical context shaped by dialogue among different cultures.
The text has been extensively studied by Prof. Anna Laura Trombetti of the University of Bologna, whose research inspired the exhibition. Through his distinctive symbolic and expressive language, Paladino reinterprets the treatise from a contemporary perspective, bringing historical memory into dialogue with present-day sensibilities.
Alongside the graphic works, the exhibition is enriched by a monumental sculpture by Davide Rivalta, whose sculptural practice — marked by strong evocative tension and direct engagement with space — amplifies the sense of movement and presence, inviting visitors into a physical and conceptual encounter with the artwork.
The exhibition was realized through a fruitful collaboration with Black Engineering, an Italian company renowned for its excellence in designing and producing major cultural and artistic events at the international level. Its portfolio includes high-profile projects such as the Islamic Arts Biennale in Jeddah, the Diriyah Biennale, the construction of the iconic Maraya building in AlUla, and the production and curation of numerous art festivals, as well as the teaser for the Salone del Mobile Milano in Riyadh.
Equally significant was the contribution of Particle, an Italian company specializing in advanced digital experiences, which developed a digital pathway for the exhibition. This enhances accessibility to the content and extends its availability beyond the show’s physical duration, strengthening the project’s innovative dimension and long-term impact.










