Step aside Burger King, Lebanon’s Malak Al-Batata is claiming the French fries sandwich

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In Beirut, nestled among Hamra’s brandless shops and street vendors, through the chaos of taxi horns and grilled corn vendors, stands Lebanon’s Malak Al-Batata. (Arab News)
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In Beirut, nestled among Hamra’s brandless shops and street vendors, through the chaos of taxi horns and grilled corn vendors, stands Lebanon’s Malak Al-Batata. (Arab News)
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Updated 28 September 2020
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Step aside Burger King, Lebanon’s Malak Al-Batata is claiming the French fries sandwich

  • With Burger King’s latest announcement of the possible introduction a French fries sandwich in New Zealand, Arabs across social media were quick to remind the world of the sandwich batata (French fries sandwich)

LONDON: Since time immemorial, Arabs and their ancestors have laid claim to some of the world's most renowned inventions. From coffee, to soap and Algebra, the world can pay tribute to Arabs for their role in creating and exporting some of today’s most used inventions.

The same can be said about Arab food creations. With Burger King’s latest announcement of the possible introduction a French fries sandwich in New Zealand, Arabs across social media were quick to remind the world of the sandwich batata (French fries sandwich) and attempt to lay claim to the delicious creation. 

In Beirut, nestled among Hamra’s brandless shops and street vendors, through the chaos of taxi horns and grilled corn vendors, stands Lebanon’s Malak Al-Batata (King of Fries) on Hamra Main Street. The sign, which has changed throughout the years from an artistic vintage look to a more modern logo with the rounded face of a king, can be identified from afar — a beacon for hungry travelers along the road.

The neon red menu charts all the sandwiches the “king” is ready to serve, especially the shop’s namesake best seller — the batata sandwich. 

For a mere LL 3,000 ($2), a diner can get the large, toasted, fry-filled sandwich and even watch the chefs prepare it behind the glass counter in typical deli fashion.




(Arab News)

Open up a pita, stuff it with crunchy coleslaw, sweet ketchup, crispy golden French fries, then give it a slight toast and the best example of the whole being greater than the sum of its parts is achieved.




(Arab News)

When news spread of Burger King’s French fry sandwich, Arabs took to social media in their droves to defend the beloved batata sandwich.

“They’ve appropriated the batata sandwich,” tweeted Abed Ayoub, the legal and policy director at the American-Arab Anti-Discrimination Committee.

“The only true kings of this sandwich (are) Malak Al-Taouk and Malak Al-Batata. Y’all are frauds,” tweeted Ibn Battouta Jr.

“Feeling like a hipster (because) in Lebanon we (have) been eating sandwich batata since like 1914,” another user, Batenjeen, tweeted.

While Arabs may lay claim to this invention — and have been quick to call Burger King out for being late to the game — they aren’t the only ones with similar sandwiches.

The UK version is named the chip butty, while the South African fare is called the chip roll — both of which are made with chips (fries) on buttered white bread or a bread roll, often with an added condiment such as brown sauce, ketchup, mayonnaise or malt vinegar.

In 2018, Business Insider rolled out a video showcasing the Turkish version of the batata sandwich called the Patso, which is cheesy bread stuffed with French fries and topped with ketchup and mayonnaise. 

The video prompted a similarly strong reaction form the Middle East, with many teasing the US’s “lateness to the game.”

“Bro I’ve been eating this for 21 years,” Mustiddies tweeted back in 2018, adding that, “Whenever my mom wouldn’t have the energy to cook, she’d shut us up with a fries sandwich.”


Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

Updated 10 December 2025
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Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.

Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.

From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.

Bollywood superstar Alia Bhatt. (Getty Images)

“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”

Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.

“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”

This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.

Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.

“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”

 Hollywood heavyweight Sigourney Weaver. (Getty Images) 

Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.

When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.

“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.

Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.

“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.