‘Shams Al-Maaref’ (The Book of Sun) to premiere at Red Sea film festival

‘Shams Al-Maaref’ (The Book of Sun) captures the spirit of a generation whose lives were transformed by the internet. (Photo/ Supplied)
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Updated 17 February 2020
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‘Shams Al-Maaref’ (The Book of Sun) to premiere at Red Sea film festival

  • Film supported by the Red Sea Film Festival Foundation through the Tamheed Fund

JEDDAH: The Saudi feature film ‘Shams Al-Maaref’ (The Book of Sun) will have its world premiere when the Red Sea International Film Festival opens in Jeddah on March 12.

The film directed by Faris Godus, which is produced and topbilled by his brother Suhaib, is also entered in the festival’s In Competition category.

‘Shams Al-Maaref’ captures the spirit of a generation whose lives were transformed by the Internet. Set in 2010, high school senior Husam (Baraa Alem) finds himself drawn into the world of video production, an obsession that takes his focus away from the ordinary pursuits of high school and teenage life.

His best friend Maan (Ismail Alhasan), their one-time foe Ibrahim (Ahmed Saddam) and teacher Orabi (Sohayb Godus) also become preoccupied with the online world and the possibility of a medium that comes to represent freedom to them. The group set out to produce a no-budget horror movie – a wild adventure of self-expression and creativity that their families believe will put their futures at risk.

The Godus brothers came to fame through their efforts in projects such as Telfaz 11 and their acclaimed short film ‘Depressing Scene’ (2016) and the Saudi Ramadan TV series ‘Another Planet’.

The Red Sea Film Festival Foundation supported the film, bestowing a $500,000 production grant via the Tamheed Fund, a one-time award for emerging Saudi filmmakers. The film is one of a number backed by the Red Sea Film Festival Foundation’s broad slate of grants and funds.

Festival Director Mahmoud Sabbagh commented: “An insider’s look at the origins of new cinema in Saudi Arabia, ‘Shams Al-Maaref’ (The Book of Sun) is a fitting opening to the Kingdom’s first-ever international film festival. The Godus brothers have created a testament to the passionate community of pioneering filmmakers, who have inspired and drive Saudi cinema culture.”


REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

Updated 19 February 2026
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REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

DUBAI: In its first two seasons, “Shrinking” offered a smartly written, emotionally intelligent look at loss, therapy and the general messiness of human connection through the story of grieving therapist Jimmy (Jason Segel) — whose wife died in a tragic accident — and the village of flawed but recognizably human characters helping to heal him. Season three struggles to move forward with the same grace and thoughtfulness. It’s as though, encouraged by early praise, it has started believing its own hype.

For those familiar with co-creator Bill Lawrence’s other juggernaut, “Ted Lasso,” it’s a painfully familiar trajectory. That comedy also floundered in its third season. Emotional moments were resolved too quickly in favor of bits and once-complex characters were diluted into caricatures of themselves. “Shrinking” looks like it’s headed in the same direction.

The season’s central theme is “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. On paper, this is fertile ground for a show that deftly deals with human emotions. Jimmy is struggling with his daughter’s impending move to college and the loneliness of an empty nest, while also negotiating a delicate relationship with his own father (Jeff Daniels). Those around him are also in flux. 

But none of it lands meaningfully. The gags come a mile a minute and the actors overextend themselves trying to sound convincing. They’ve all been hollowed out to somehow sound bizarrely like each other.

Thankfully, there is still Harrison Ford as Paul, the gruff senior therapist grappling with Parkinson’s disease who is also Jimmy’s boss. His performance is devastatingly moving — one of his best — and the reason why the show can still be considered a required watch. Michael J. Fox also appears as a fellow Parkinson’s patient, and the pair are an absolute delight to watch together.

A fourth season has already been greenlit. Hopefully, despite its quest to keep moving forward, the show pauses long enough to find its center again. At its best, “Shrinking” is a deeply moving story about the pleasures and joys of community, and we could all use more of that.