Inspired by AlUla’s rich past, Saudi-based Hindamme launches latest collection

Saudi Arabia-based label Hindamme continues to experiment by giving a formal touch to streetwear. (Photos/Supplied)
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Updated 12 February 2020
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Inspired by AlUla’s rich past, Saudi-based Hindamme launches latest collection

  • It is a contemporary interpretation of the ancient desert Kingdom belonging to the Nabataean civilization

JEDDAH: Saudi-based label Hindamme by Mohammed Khoja is continuing its East meets West ethos with the launch of its new “AlUla” collection.
The collection is a contemporary interpretation of the ancient desert Kingdom belonging to the Nabataean civilization.
It features 23 pieces — making it Hindamme’s biggest collection yet — from silk velvets and golden pleats to Greco-Roman-style embroideries that are contemporary yet timeless.
“I think that it’s formal, yet it’s also very wearable at the same time. It’s a fusion of high-end formalwear meets streetwear,” Khoja told Arab News.
He said he was inspired by the natural colors from AlUla’s environment.
“The materials I’ve used also reflect that same theme because I’ve taken an artisanal approach. The color schemes are inspired by the natural colors of AlUla; there are a lot of blues, greens and obviously a lot of sand and terracotta texture colors that reflect the red rocks.
“I take a lot of the architectural inspiration as well. I deconstruct a lot of the stairs and I reapply them in a way that creates an interesting print.”
Khoja explained that this collection is special to him both as a Saudi and a designer.
“As Saudis, we are in a phase where we are rediscovering and appreciating our history. I feel like it’s a really important thing to reflect on to define our aesthetic in fashion and other forms of creativity.”
He added: “I tend to absorb everything around me, especially the environment, culture and history.”

HIGHLIGHTS

• It features 23 pieces from silk velvets and golden pleats to Greco-Roman-style embroideries.

• Hindamme partnered with the Winter at Tantora festival and has been working on the collection since early 2019.

• The collection will be exhibited at the festival, which is running until March 7. 

Khoja used many special textiles specific to the Nabataean civilization within the ready-to-wear collection.
“I used a lot of handwoven tapestry that illustrates the Nabataean language. I focused a lot on the Nabataean civilization more than the Lihyanite because they were the original builders of Mada’in Saleh.
“I felt like it was an important piece of history to tribute and I wanted to create something that means more than just clothes,” he said.
The Saudi designer wanted to give a history lesson through the collection.
“I like to think it’s a ‘fashion meets history’ sort of collection. I am fascinated by the Nabataeans and I think that they were a really excellent example of East meets West, because they were part of a larger Roman Empire, they influenced the Romans and vice versa. Even geographically they were located in a very important area for trade so there were a lot of important civilizations that have passed by this territory which we are proud of.”
Hindamme partnered with the Winter at Tantora festival and has been working on the collection since early 2019.
“I started designing and illustrating some of my concepts and then, when I started to finalize the design, I decided to approach Winter at Tantora and see if they would like to collaborate on the collection.
“They’ve been extremely supportive. They were able to link me up with historians and professors who have dedicated their lives to studying the civilizations that have passed by AlUla.”
It was important for Khoja to accurately convey the image of AlUla in his collection.
“I was able to make sure that if I was referencing or being inspired by that civilization and its aesthetic, that I was paying tribute to it. It was crucial to have a sense of cultural accuracy.”
The collection will be exhibited at the festival, which is running until March 7.


Japanese researchers hope to restore coral from Saudi-made structures

Updated 05 January 2026
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Japanese researchers hope to restore coral from Saudi-made structures

  • Coral skeletons made for Saudi Pavilion at Japan expo last year
  • Results of Japanese study to be revealed at Riyadh Expo 2030

TOKYO: Japanese universities are seeking to restore coral reefs and marine ecosystems after receiving artificial structures that Saudi Arabia made and showcased at last year’s Osaka-Kansai Expo.

The coral skeletons were donated to the University of the Ryukyus in Okinawa and Kansai University in Osaka Prefecture, Kyodo News reported at the weekend.

The structures are made from calcium carbonate, a material on which corals are believed to grow more easily compared to artificial alternatives such as concrete or metal.

The skeletal structures were created using 3-D printers, with one piece produced a day during the expo, and displayed across an entire wall in the Saudi Arabia Pavilion, which had an area focusing on sustainable marine environments.

Coral reefs serve as habitats for much marine life, but over 40 percent of the world’s 892 species face possible extinction, according to the International Union for Conservation of Nature.

The University of the Ryukyus, which received about 150 of the artificial coral skeletons, will place them in waters off the eastern coast of Okinawa’s main island and then examine their impact on the ecosystem.

Kansai University has placed theirs in the sea around Kagoshima Prefecture’s Yoron Island to observe their growth after transplanting coral polyps onto the structures.

The results of the research are expected to be revealed at the Riyadh Expo in 2030.

“I had never imagined that Japan and Saudi Arabia would cooperate on coral research,” said Masato Ueda, a professor specializing in regenerative medicine at Kansai University.

Ueda said he wants to demonstrate to children that “humanity is attempting to restore the environment.”