Study reveals Saudis’ admiration for Japanese traditions, customs

Students clad in kimono at a coming-of-age ceremony in the Kokugakuin university in Tokyo on Saturday. Arab perceptions of Japan are influenced by its traditions, the survey found. (AFP)
Short Url
Updated 12 January 2020
Follow

Study reveals Saudis’ admiration for Japanese traditions, customs

  • Saudis’ first impressions of the Japanese is that they are organized, hardworking and technical
  • Karate was ranked as Saudi’s favorite type of martial arts followed by judo and sumo, says poll

DUBAI: Contemporary Japan may be a paragon of sophisticated, cosmopolitan values, but Arabs’ impression of the Asian power appears to be more influenced by its traditions, customs and national character.

A YouGov poll conducted by Arab News across 18 countries in the Middle East showed that Saudis’ first impressions of the Japanese was that they were organized (51 percent,) hardworking (50 percent) and technical (42 percent).

Other words used to describe the Japanese culture were punctual, respectful and creative.

Such perceptions appear to be significantly shaped by Japanese fictional characters, mainstream media, martial arts and the country’s export industries.

Out of 3,033 survey respondents in the Arab world, more than 50 percent picked samurai, car manufacturing and sushi as aspects they most associated with Japan.

The findings were similar among Saudis questioned for the poll, with anime (Japan-style film and television animation) being one of the main attractions of Japanese culture.

This was also reflected in other findings of the study, which showed that 65 percent of Saudis associated the fictional character, Hello Kitty, with Japanese people. The cartoon was produced by Japanese company Sanrio under the gijinka concept, which creates human-like characters based on non-human subjects.

Fascinated by Japanese history, Rania Al-Mutairi, a pharmacist from Saudi Arabia, described the country’s culture as one with “many wonders,” reflected in the writings and poems of its literary masters.

She said Japanese people were “kind, polite and educated,” adding that Saudi Arabia and Japan had great respect for each other and shared cultural similarities.

In the same way, the warrior traditions of the samurai are to be found in different forms of martial arts, which date back to times of war in Japanese history.

Jiu-jitsu, for instance, originated in the 16th century and was taught to warriors as a method of fighting both with and without weapons. However, Japanese martial arts go far beyond matters of self-defense, and focus on building values such as discipline and mental strength.

A growing interest in martial arts has also been witnessed in Saudi Arabia, where 32 percent of respondents selected karate as their favorite type of martial arts, followed by judo and sumo wrestling (both 17 percent).

The survey also suggested that Saudis were widely familiar with products made by the technologically advanced nation, with many correctly identifying Sony, Sega and Muji as Japanese brands.

Al-Mutairi, a fan of some of Japan’s most popular brands, listed Hitachi, Sony and Toyota as her favorite products, citing the latter’s use of the kaizen technique, an approach that works on continuous improvements through small, ongoing positive changes.

Saudis quizzed for the survey were also well-informed about Japanese brands in the automotive industry, with 40 percent selecting Toyota as their favorite make of car, followed by Lexus (30 percent) and Honda (7 percent.)


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
Follow

Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”