Yemen’s Taiz National Museum Reopens After Four Years of Closure

Established in 1967, Yemen’s Taiz National Museum closed its doors in 2016. Getty
Short Url
Updated 07 January 2020
Follow

Yemen’s Taiz National Museum Reopens After Four Years of Closure

  • Yemen's historic institution this week re-opened,  following a restoration of its exterior and roof
  • The Taiz National Museum closed its doors in 2016 amid the ongoing civil war

DUBAI: Established in 1967, Yemen’s Taiz National Museum closed its doors in 2016 amid the ongoing civil war.

The six-year-long conflict in the country has resulted in hundreds of thousands of casualties and the destruction of many historic sites and cities across the nation, including the museum situated in the southern city of Taiz, which was destroyed in a fire caused by shelling from Houthi rebels.

Finally, four years later, the historic institution this week re-opened,  following a restoration of its exterior and roof.

The restoration was made possible by a $130,000 grant from the British Council’s Cultural Protection Fund as well as a private US donor, awarded to the World Monuments Fund (WMF) Britain in late 2018 and signals a glimmer of stability and calm to the war-torn country after a Houthi coup in Sanaa led to a devastating war.

The move was an attempt to preserve and protect the institution’s artifacts from damage and looting from rebel fighters after the museum’s housed items, which included items belonging to the last Yemeni Imam, Ahmed Hamid Al-Deen, as well as 1,000-year old manuscripts and a ceremonial turban that belonged to an ancient king all succumbed to flames.

The restoration of the institute was done by Yemen’s General Organization of Antiquities and Museums (GOAM) from April to November. 

With restricted air travel to and from Yemen, WMF arranged for the GOAM staff to drive to the French Centre for Archaeology and Social Sciences in Kuwait training, where they dreamed up a restoration plan for the National Museum.

According to The Art Newspaper, WMF also provided the Taiz restoration team a camera for documentation and a computer as well as solar panels and a generator to run it when the local electricity supply failed.

Meanwhile, The Aliph Foundation, a Geneva-based non-profit fund solely dedicated to the protection of cultural heritage in conflict areas, has announced a $589,000 grant that will support the next phase: salvaging the museum’s objects buried underneath it.


Living Pyramid to bloom beyond Desert X AlUla

Updated 01 March 2026
Follow

Living Pyramid to bloom beyond Desert X AlUla

ALULA: Desert X AlUla officially closed on Feb. 28, but one of its most striking installations — the Living Pyramid —will continue to flourish. 

Tucked away within a lush oasis surrounded by ancient rock formations, Agnes Denes’ creation fuses art and nature, offering a living testament to resilience and connection.

Through her current rendition of The Living Pyramid for Desert X AlUla 2026, Denes seeks connection, likening it to bees constructing a new hive after disaster.

The pyramid structure is teeming with indigenous plants, forming layered patterns that echo the surrounding desert landscape. 

It blends harmoniously with the rocky backdrop while proudly standing apart.

“There is no specific order for the plants other than not to place larger plants on the very top of the pyramid and increase the number of smaller plants up there,” Iwona Blazwick, lead curator at Wadi AlFann in AlUla, told Arab News.

Native plants cascading down the pyramid include Aerva javanica, Leptadenia pyrotechnica, Lycium shawii, Moringa peregrina, Panicum turgidum, Pennisetum divisum, Periploca aphylla and Retama raetam. 

Aromatic and flowering species such as Thymbra nabateorum, Rhanterium epapposum, wild mint, wild thyme, Portulaca oleracea, tamarisk shrubs, Achillea fragrantissima, Lavandula pubescens, Salvia rosmarinus, and Ruta graveolens form distinct layers, adding color, texture and subtle fragrance to the pyramid.

“Each Living Pyramid is different. The environment is different, the people are different. I’m very interested in the different societies that come together on something so simple,” Denes said in a statement.

“Connection is what’s important; connection is what the world needs. I keep comparing us to a lost beehive or an anthill. And I wrote a little poem: This. And this is. Bee cries out. Abandon the hive. Abandon the hive,” she said.

Denes was born in Budapest, Hungary, in 1931 and is now based in New York. While the 95-year-old has not made it physically to the site in Saudi Arabia, she designed this structure to cater to the native plants of the area.

Her Living Pyramid series has certainly taken on reincarnations over the past decade. 

It debuted at Socrates Sculpture Park in New York in 2015, was recreated in Germany in 2017, appeared in Türkiye in 2022, and then London in 2023. 

In 2025, she showcased a version at Desert X 2025 in Palm Springs, California, and Luxembourg City. 

Most recently, in 2026, at Desert X AlUla.

While officially part of Desert X AlUla, the Living Pyramid stands apart and is housed separately, a short drive away from the other art works.

“The (Living Pyramid) artwork will stay for around a year, to showcase a full year’s effect on the plants throughout the different seasons,” Blazwick said.

After the year is up, it won’t go down. The plants will continue its metamorphosis beyond the pyramid. 

“The plants will be replanted and will have a new home within an environment that will suit their needs,” Blazwick concluded.