Mohammed Abdu, Saudi singer

Mohammed Abdu
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Updated 01 January 2020
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Mohammed Abdu, Saudi singer

  • Abdu is credited to preserving classical songs representing centuries-old Arab heritage
  • He is dubbed “The Artist of Arabs”

Dec. 31 marked the 60th anniversary of the legendary Saudi singer Mohammed Abdu’s career. 

Born in the Kingdom’s Asir province on June 12, 1949. His father passed away when he was just three. 

He spent most of his childhood in an orphanage. From childhood he was interested in music and singing but Abdu wanted to become a sailor just like his father. 

In order to realize his dream, Abdu managed to join an institute specializing in shipbuilding.

But soon he abandoned the idea of become a sailor and opted for his true calling. 

Abdu began his career in the 1960s.  He entered the world of singing at an early age. 

Dubbed “The Artist of Arabs,” Abdu is credited to preserving classical songs representing centuries-old Arab heritage. 

His Chaabyat albums that he released through his label Voice of Al-Jazeerah in the 1990s were his attempt at documenting that old tradition. 

He plays an oud in a manner never seen elsewhere in any Arab singer other than Farid Al-Atrash, Baligh Hamdi and Talal Maddah. 

His performances are a regular feature at the “Winter at Tantora” festival held in one of the most important historically preserved sites for culture and heritage in Saudi Arabia — AlUla Valley.


Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

Updated 23 December 2025
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Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah

  • The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz

RIYADH: A new center for Arabic calligraphy under the patronage of Crown Prince Mohammed bin Salman officially opened in Madinah on Monday.

The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz, governor of Madinah region.

He was joined by Culture Minister Prince Badr bin Abdullah bin Farhan, touring the new facility’s exhibition spaces and receiving briefings on cultural programming and the center’s achievements.

They also viewed collections highlighting Arabic calligraphy’s artistic and historical importance.

Speaking at the opening, Prince Badr said: “From this land of enlightenment and scholarship, we proudly launch a global platform dedicated to Arabic calligraphy as an invaluable cultural asset.”

He went on to credit the crown prince’s “generous and boundless support” for the cultural sector.

The minister said that the center demonstrated to the world the legacy of Arabic calligraphy while underscoring Saudi Arabia’s commitment to safeguarding its cultural identity and heritage.

According to Prince Badr, the facility represents an ambitious vision to elevate Arabic calligraphy as both a universal communication tool and an integral element of Arab heritage, art, architecture and design.

The center further aims to enhance the Kingdom’s cultural identity and strengthen its international presence, targeting calligraphers, emerging talents, visual artists, Islamic arts researchers, educational and cultural institutions, as well as art and heritage enthusiasts worldwide.

It will deliver specialized programs including research and archival services, calligraphy instruction, academic grants, a permanent museum, touring exhibitions, an international calligraphy association and a business incubator supporting calligraphy enterprises.

Additional offerings feature artist residency programs, expert-led workshops, and standardized curriculum development, complemented by international educational partnerships aimed at heritage conservation and expanding global appreciation for this time-honored art form.

The center’s establishment in Madinah carries particular significance, given the city’s historical role as the cradle of Arabic calligraphy and its association with transcribing the Qur’an and preserving Islamic knowledge.