Twitter launches spam awareness drive in MENA

Twitter launched the campaign on Monday. (AFP)
Updated 27 November 2019
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Twitter launches spam awareness drive in MENA

  • Twitter wants to educate people about the safety tools they can make use of to identify spam behavior

RIYADH: A major campaign to raise awareness about internet spam among social media users in the Middle East and North Africa (MENA) region was launched by Twitter on Monday.

The platform shared a series of videos in Arabic on its @TwitterMENA account as part of a safety drive aimed at helping people to identify and report unsolicited online communications.

George Salama, Twitter’s MENA head of public policy, government and philanthropy, told Arab News: “We have launched the social awareness campaign to educate people on Twitter about how to deal with spam and to highlight our efforts around the health of the public conversation in the region.

“We want to educate people about the safety tools they can make use of, such as the ability to report the type of spam, in addition to tips and techniques to help identify spam behavior.”

He said spam was a kind of platform manipulation and could take many forms. It could be commercially motivated to divert attention from a Twitter conversation to certain products and initiatives or associated to inauthentic engagements that attempted to make accounts appear more popular than they were.

Sometimes referred to as junk, it could also take the form of coordinated activity that attempted to artificially influence conversations through the use of multiple accounts, fake accounts or automation, Salama added.

“We use the term (anti-spam challenges) to describe our process for confirming whether a human is in control of an account we suspect is engaging in platform manipulation.”

FASTFACTS

• Twitter challenged 291 million accounts for spammy behavior in the 12 months between July 2018 and June 2019.

• 50 percent fewer accounts were challenged in the first half of 2019 compared with the second half of 2018.

• Approximately 75 percent of challenged accounts failed the tests and were ultimately suspended.

For example, Twitter may require an account holder to verify a phone number or email address, or complete a reCAPTCHA test (to tell humans and robot software apps apart), he said, adding that these challenges were simple for authentic platform users to solve, but difficult or costly for spam and malicious account owners to complete.

“Accounts which fail to complete a challenge within a specified period of time may be suspended. We challenged 291 million accounts for spammy behavior in the 12 months between July 2018 and June 2019,” said Salama, noting that 50 percent fewer accounts were challenged in the first half of 2019 compared with the second half of 2018.

The Twitter official pointed out that approximately 75 percent of challenged accounts failed the tests and were ultimately suspended.




George Salama, Twitter head of public policy & government relations for MENA. (Photo/Supplied)

“We have made a number of investments in machine learning including the acquisition of Fabula AI (a London startup), which focused initially on expanding applications to stop spam,” he said.

Machine learning played a key role in Twitter’s attempts to serve the public conversation, he said, and Fabula AI had employed a world-class team of researchers to detect network manipulation. 

“In September, we expanded our policies to prohibit financial scams. We want Twitter to be a place where people can make human connections and find reliable information.”

Salama added that Twitter wanted to stop people from using its services to deceive others into sending them money or personal financial information via scam tactics, phishing, or other fraudulent methods.

“Using scam tactics on Twitter to obtain money or private financial information is prohibited under this policy. People are not allowed to create accounts, post tweets, or send direct messages that solicit engagement in such fraudulent schemes,” he added.


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”