Meet Ghaliah Amin, Saudi Arabia’s very own curvy model

International labels have been making strides toward being more inclusive, and our region is following suit. Photo: Arab News
Updated 24 November 2019
Follow

Meet Ghaliah Amin, Saudi Arabia’s very own curvy model

  • Ghaliah Amin, dubbed the first Saudi body positive model, is breaking barriers in the Middle East
  • Since making her modeling debut in 2018, the trailblazer has become a beacon of inclusivity

DUBAI: In recent seasons, international labels have been making strides toward being more inclusive in their shows by casting a diverse lineup of models of all ethnicities and body types — and our region appears to be following suit.

The latest edition of Fashion Forward Dubai featured two curvy Arab models, who both live in Dubai, on the glittering runways.




Ghaliah is one of the first curvy models to emerge from the region. Photographed by Arab News at Tania's Teahouse in Dubai

Among them was Ghaliah Amin, dubbed the first Saudi body positive model, who was handpicked by fashion house Reemami in an effort to be more inclusive.

 “People are excited to see diversity on the runway and in the fashion industry,” the model and television presenter shared with Arab News, adding, “It was so satisfying to see this scale of acceptance in our region and I hope for it to continue.”




Ghaliah made her first foray into fashion in 2018. Photographed by Arab News at Tania's Teahouse in Dubai

While it’s more common to see size diversity on New York runways, which offer opportunities for multiple talents to shine, such as Ashley Graham, Candice Huffine and Lauren Chan to name a few, Amin, alongside Tunisian-born beauty Ameni Esseibi, is one of the first plus-sized models to emerge from the Middle East.

She believes that it’s because “the culture and traditions of the Middle East see the profession as taboo.”

However, she is grateful to be one of the first to carve out a fashion niche, in which she hopes many underrepresented women can fit. The model’s intentions are for Arab women to feel more comfortable with all body types that aren’t of the size zero variety and to “understand that their curves are what set them apart from the rest of the world.




She has worked with 11Honore, Marina Rinaldi and Good American. Photographed by Arab News at Tania's Teahouse in Dubai

“Growing up, I noticed from an early age that the fashion world and high-end brands only associated themselves with a certain body type,” the barrier-breaking model shares of never seeing a version of herself on international runways.

“This made me feel self-conscious as a child,” Amin shared. “This is why I make it a point to represent curvier women and help them realize that anyone can look and feel beautiful, despite their body type.”




The model’s intentions are for Arab women to feel more comfortable with all body types. Photographed by Arab News at Tania's Teahouse in Dubai

Since making her foray into fashion in 2018, she has worked with 11 Honoré, a retail platform that offers plus-size pieces from high-end designers, in addition to Marina Rinaldi, a womenswear label that churns out clothing specifically tailored toward the voluptuous trend-setter, in addition to Khloe Kardashian’s Good American brand.

She also launched a social media initiative in 2018 entitled “Ana Ghalia,” which translates to “I am precious,” that aims to promote body positivity and embrace inclusion. 


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
Follow

Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.