What We Are Reading Today: The Perfect Predator by Steffanie Strathdee

Updated 05 November 2019

What We Are Reading Today: The Perfect Predator by Steffanie Strathdee

The Perfect Predator is a medical memoir that reads like a thriller.

This very engaging story “will probably be a historical record of the day treatment in the US of antibiotic resistant bacteria turned an important corner,” said a review in goodreads.com.

The author, Dr. Steffanie Strathdee, is a Canadian-American infectious disease epidemiologist who received her doctoral training at the University of Toronto.

“It’s an emotional journey with the author as she tells of her frantic efforts to save her husband’s life by finding the ‘perfect predator’ capable of knocking out ‘the worst bacteria on the planet.’ She does so my mobilizing her circle of medical and scientist friends to search for bacteriophages capable of doing what all known antibiotic drugs had failed to do,” said the review.

“It’s fascinating to read about the history of bacteriophage therapy. The therapy was discovered in 1915 (before Penicillin), but largely forgotten by the Western world after the Second World War,” added the review.

“The most surprising thing is that Strathdee is able to tell a very complex, scientific experience in a way that keeps a non-scientist totally engaged,” it added.


What We Are Reading Today: Texas Flood

Updated 10 December 2019

What We Are Reading Today: Texas Flood

AUTHORS: Alan Paul & Andy Aledort

Texas Flood by Alan Paul and Andy Aledort is a phenomenal biography of guitar legend Stevie Ray Vaughan that hits on every level, including interviews with those closest to him.

A review in The New York Times said: “An oral history is only as good as its sources, and Texas Flood is thorough and far-reaching, with Vaughan’s bandmates, crew and family taking center stage.”  It added: “Especially fascinating is Vaughan’s complicated relationship with his older brother, Jimmie,  and Vaughan’s ill-fated role in David Bowie’s band, an apparent big break that he quit because he was told he could not promote his debut album.”

The review said: “If there’s a disappointment in the book, it’s the lack of Vaughan’s own voice. Aledort interviewed him several times during his lifetime, but since those conversations were focused on specific projects, the quotes pulled for Texas Flood don’t leave much impression. Both authors are accomplished musicians and longtime contributors to Guitar World magazine, so occasionally things get a little gear-heavy.”