YouGov poll: Japanese anime continues to draw Arab fans

Updated 28 October 2019
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YouGov poll: Japanese anime continues to draw Arab fans

  • As many as 75 percent of respondents ranked “Captain Majid” as their favorite anime of all time
  • "The Woodcutter’s Treasure" aired on Japanese TV in both Arabic and Japanese in 2018

DUBAI: For many people who have grown up in the Arab world, watching dubbed Japanese anime series in Arabic was an essential part of their childhood. Some of the region’s most-loved titles include “Adnan wa Lina,” “Captain Majed,” “Al Mohakek Konan” and, of course, “Pokemon.”
A YouGov survey conducted by Arab News confirms the region’s celebration of the Japanese comic book genre, as 75 percent of respondents across all age groups ranked the long-running Japanese manga series, “Captain Tsubasa,” known as “Captain Majid” in the Arab world, as their favorite anime of all time.
Another popular series, “UFO Robot Grendizer,” was also voted a favorite among 56 percent of respondents aged 40 and older.
While anime dates back to the early 20th century, it has become a symbol of Japan’s culture.
The Arab world’s fascination with the genre was celebrated when 13 episodes of a Saudi- produced anime, called “The Woodcutter’s Treasure,” aired on Japanese television for the first time in 2018, in both Arabic and Japanese.
According to Maaz Sheikh, CEO and founder of STARZPLAY, anime’s strong presence in the Arab world goes beyond its story lines. “Anime relates to Arab viewers on a whole different level,” he told Arab News.
“It blends the individuality of established comic book series and animations with the unmatched style originally derived from manga comics in Japan, creating a unique world that allows any fan to escape into that world.”

Sheikh said feedback from STARZPLAY subscribers since 2018 indicated a large following in the region and a demand for its current top-ranked series.
“Based on the feedback we received, the ‘escapism’ element of anime seems to be the biggest social aspect of what makes them so appealing,” he said.
“Anime allows viewers to live vicariously through the outlandish characters in a way that would otherwise be impossible to view with a live-action Hollywood series.”
Fans have also voiced a strong interest in theatrical releases of blockbuster anime movies in the MENA region, which Sheikh says only confirms that there is a tremendous appetite for the comic-book genre in cinemas, and on a larger scale.
Among the younger generation aged between 16-24, anime series such as “Dragon Ball” proved to be commonly watched by 59 percent of respondents, with less appeal to older age groups.
The survey also showed that 42 percent of young people stated their interest in manga and cosplay, considering it a top attraction in Japan.

ARABS' TOP 3 ANIME

  • Captain Majid Revolves around an 11-year-old student with a deep passion for football. Known as “Tsubasa Oozora” in Japan, Captain Majid follows his dreams to one day winning the FIFA World Cup in Japan and takes viewers on a journey of rivalry, friendship and talent.
  • Pokémon Follows the adventures of aspiring Pokémon master Ash Ketchum who is given an electric mouse named Pikachu on his 10th birthday. The two set off on a life-long journey and work up the ranks of the world’s many Pokémon leagues.
  • Grendizer A Super Robot equipped with only a flying saucer “Spaizer” flees the Vegan empire and enters our solar system, landing in Japan on the slopes of Mount Fuji to fight against the forces of evil and protect planet Earth.


Arafaat Ali Khan, owner of Domain Entertainment and co-founder of Middle East Film and Comic Con, said the trend among younger anime followers was mainly a result of the genre targeting not only a mature age group but also a younger audience through books, comics and movies.
“While you can get addicted to anything, if consumed in acceptable quantities, I do believe anime can inspire young minds as much as traditional art forms,” he said.
For Fatin Samir Al-Khuja, 24, a young Saudi graphic designer and illustrator based in Jeddah, her earliest memories of watching anime date back to elementary school. “I first began to watch ‘Card Capture Sakura’ and that gave me an affection for anime,” she said. 
“My love for Japan grew and that made me want to learn more about their culture and understand their language.”
Al-Khuja was first motivated to sketch out anime drawings in middle school but it was only in college that she learned how to draw digitally, realizing that she wanted to explore the world of illustrations.
“Anime influenced me in a positive way and it made me want to learn how to draw traditionally and digitally. It also influenced my way of thinking and I gained more knowledge, because unlike cartoons some anime series teach important life lessons,” she said.
Al-Khuja, along with 62 percent of people her age, associate anime with Japan and 86 percent share the desire to visit one day.
“I have visited Japan three times, and during my travel I discovered that just like Arabs, the Japanese people have maintained their customs and traditions,” she said.


‘The Wild Within’ sees artists breathe new life into Mideast buildings

Updated 16 December 2025
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‘The Wild Within’ sees artists breathe new life into Mideast buildings

DUBAI: Lens-based artist Ryan Koopmans and digital artist Alice Wexell are staging a showcase at Dubai’s Leila Heller Gallery that breathes new life into regional buildings.

The series of digital artworks is part of the exhibition “The Wild Within,” featuring images of old structures in Beirut, Istanbul, and Abu Dhabi filled with wild flowers.

Two of the largest works, “Heartbeats” and “The Wish,” are displayed using Ventana, a microLED architectural display surface created by visual technology company Megapixel.

'Around Us' by Ryan Koopmans and Alice Wexell. (Supplied) 

The former artwork depicts the entrance hall of Qasr Al-Watan, the UAE’s presidential palace in Abu Dhabi, while the latter reimagines the upper floors of the Emirates Palace Mandarin Oriental in Abu Dhabi.

“Each building we work with comes to us through a combination of research, travel, and intuition,” the artists told Arab News in a joint statement.

'Constellations' by Ryan Koopmans and Alice Wexell. (Supplied) 

“We are drawn to structures that carry both emotional and historical resonance, often buildings that once embodied human ambition and now exist in a state of quiet transformation.”

Koopans and Wexell made sure to research the context of each building they choose to recreate, saying “an old villa in Jeddah or a former school in Sharjah each hold their own cultural memory, influencing everything from the lighting and atmosphere to the plants and flowers that we digitally sculpt and implement into the photographs.”

'Heart of Sharjah' by Ryan Koopmans and Alice Wexell. (Supplied) 

The hypnotic works depict the interior of buildings in the region, with digitally rendered flowers carpeting the floor in a bid to “(reimage) these spaces (and) explore the relationship between nature, place, and time, while celebrating each site as a unique work of architecture with its own spirit and story,” the artists said.

Koopmans is of dual Canadian and Dutch heritage, while Wexell is Swedish and based in Stockholm, so it is noteworthy that both artists chose to explore the Middle East for their latest project.

'Blossom of the Ancestors' by Ryan Koopmans and Alice Wexell. (Supplied) 

“In the Middle East especially, the architecture reflects a layered past that merges different styles and eras, while also expressing a sense of renewal and forward-looking energy, particularly in the region’s fantastic contemporary buildings. We are drawn to the symmetry, geometry and patterns that are found not only in nature itself, but in the architectural language of the region both past and present,” they said.

The series — featuring works such as “Adore You,” “Between Worlds,” and “Blossom of the Ancestors” — explores contrasts between the natural world and human-made forms, as well as the traditional and contemporary worlds.

“We are interested in how these elements coexist and merge into one another, creating a sense of hyperrealism that feels both familiar and imaginary. By merging photography with digital sculpture, the artworks question where the boundary lies between documentation and invention, and how technology can extend rather than replace our sense of the natural world.”

'Under the Rain of Light' by Ryan Koopmans and Alice Wexell. (Supplied) 

Although the scale of the artworks ensures they leave the viewer entranced, it did pose challenges, according to the artists.

“Presented at a large scale, every texture in these artworks becomes visible, which can be demanding but is also incredibly rewarding. The magnified detail allows the visceral and atmospheric layers of the pieces to come through with greater impact,” they said, adding that each piece took “many months” to create.

“Ultimately, we want our collectors to experience a sense of wonder and contemplation, as if they are standing inside a dream that feels both entirely real yet unreal.”

The exhibition runs until Jan. 15, 2026.