First Thai cave rescue movie promises thrills at Busan premiere

This photo taken on October 1, 2019 shows "The Cave" film director Tom Waller speaking during an interview in Bangkok. (File/AFP)
Updated 02 October 2019
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First Thai cave rescue movie promises thrills at Busan premiere

  • Waller’s challenge was to recreate the conditions of the dank, dark environment that made the rescue of the “Wild Boars” so harrowing and unprecedented

BANGKOK: From flooded passages lit by headlamps to urgent voices echoing off cramped walls, the director of “The Cave” — the first big-screen retelling of Thai rescue operation — promises to capture the peril of the mission when it premieres at Busan International Film Festival.

“No one is going to say, ‘Oh that looks like a set’,” Thai-Irish filmmaker Tom Waller told AFP ahead of the Saturday debut at Asia’s biggest film festival in South Korea.

“Those who suffer from claustrophobia, there should be a warning... (you) might get a little bit anxious,” he joked.

The 2018 mission to extract 12 young Thai footballers and their coach — known as the “Wild Boars” — from Tham Luang cave in northern Thailand captivated people around the world.

After wandering into the complex during the rainy season, the team were trapped by floodwaters for 18 days before they were sedated, fitted with masks, and dragged to freedom through kilometers (miles) of narrow passageways.

Waller’s challenge: to recreate the conditions of the dank, dark environment that made the rescue of the “Wild Boars” so harrowing and unprecedented.

To do so he filmed in similar caves around Thailand and employed four of the rescue divers to star as themselves.

“We had to deal with snakes, huge spiders,” Waller said. The movie is hitting theaters ahead of bigger and better-financed projects, and he hopes the festival will give the independent film the profile it needs to go truly global.

“Us being shown at Busan first, it’s playing the film on a world stage,” Waller said, adding that it will debut in Thailand in November after a festival tour.

Appetite for the incredible tale remains strong more than one year after the operation as companies pump out books, shows, and documentaries.

In the pipeline is a Netflix production from the producers of “Crazy Rich Asians” for which the rescued footballers were reportedly paid $100,000 each.
National Geographic is stepping into the competition with a documentary by the team behind the Oscar-winning film “Free Solo.”

But Waller’s film will have the advantage of being first to screen, and is taking a cinema verite approach. Four divers from Canada, China, Finland, and Belgium are acting in it under their real names, as is an American journalist who covered the saga.

Ireland-based Belgian diver Jim Warny, who helped pull the team’s coach out, said he had a flashback when they recreated the scene. And he wants the film to inspires others to dream big.

“I was afraid in the cave, I’m always afraid when I go cave diving,” he said. “I see it as a duty to show people that they can do amazing stuff against the odds.”


Director Kaouther Ben Hania rejects Berlin honor over Gaza

Updated 20 February 2026
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Director Kaouther Ben Hania rejects Berlin honor over Gaza

DUBAI: Kaouther Ben Hania, the Tunisian filmmaker behind “The Voice of Hind Rajab,” refused to accept an award at a Berlin ceremony this week after an Israeli general was recognized at the same event.

The director was due to receive the Most Valuable Film award at the Cinema for Peace gala, held alongside the Berlinale, but chose to leave the prize behind.

On stage, Ben Hania said the moment carried a sense of responsibility rather than celebration. She used her remarks to demand justice and accountability for Hind Rajab, a five-year-old Palestinian girl killed by Israeli soldiers in Gaza in 2024, along with two paramedics who were shot while trying to reach her.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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“Justice means accountability. Without accountability, there is no peace,” Ben Hania said.

“The Israeli army killed Hind Rajab; killed her family; killed the two paramedics who came to save her, with the complicity of the world’s most powerful governments and institutions,” she said.

“I refuse to let their deaths become a backdrop for a polite speech about peace. Not while the structures that enabled them remain untouched.”

Ben Hania said she would accept the honor “with joy” only when peace is treated as a legal and moral duty, grounded in accountability for genocide.