Saudis look back on their TV memories on Saudi National Day

Updated 23 September 2019
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Saudis look back on their TV memories on Saudi National Day

JEDDAH: When television came to Saudi Arabia in 1965, it was rejected by some as the “devil’s handiwork.”

But far from being in shock, Saudis generally were keen to embrace the new mass medium and learn what was going on in the world.

One TV station with a variety of programs was all it took to ensure that a Kingdom on the cusp of unprecedented prosperity and power also became home to an intellectually curious and informed society.

Saudis who commuted between Riyadh and the Eastern Province had known about the electronic device with moving images since the first TV broadcast from the US consulate in Dhahran in 1955.

“The Eye of the Desert” channel broadcast in English. Two years later, Aramco TV’s wider broadcasting range reached Al-Hofuf and other areas across the Gulf, with content in Arabic and English.

Speaking in front of a large crowd in 1962, then Crown Prince Faisal bin Abdul Aziz announced the Kingdom’s determination to bring television to the public.

“The responsibility of this facility is to serve our religion, our country and our nation,” he said. “It will be in the service of religion, the nation and the people in all necessary efforts and work in these regards.”

Under the banner “Channel of the Kingdom of Saudi Arabia,” the single official outlet went live in 1965 with a recitation of the Qur’an the first program to be broadcast.

However, as with almost any new development, the decision to launch the TV station offended Saudi religious conservatives, some of whom staged a demonstration where a number of protesters were killed when police responded to an assault on one of the TV facilities in 1965.

Saudi TV initially broadcast in Riyadh and Jeddah with modest technology and a broadcast time that did not exceed five hours a day. Hooked on the new source of entertainment, Saudi families gathered in front of a TV set every day and waited patiently for the signature tune that announced the beginning of the daily broadcast.

Talal Adham, 61, chairman of engineering consultancy Talal Adham & Partners, recalled those early days. “At first, broadcast was limited to only a few hours every day, but later it was extended to two shifts per day. The first was from 10 a.m. to noon and then there was an evening shift that ended at around midnight,” he told Arab News. “I remember the broadcast was continuous during the weekends, but would end around midnight or early morning time.”

Among the programs that aired in the 1970s were entertainment talk shows featuring Arab celebrities, studio musical performances by famous Saudi singers such as Talal Maddah and Mohammed Abdo, and American westerns.

Adham said that his two favorite TV shows from that period were “Fakir wa irbah” (“Think and Win“) and “Baba Ameen.” For many families, television was the only available entertainment source, “and viewership was at its highest during Ramadan,” he said.

Thuraya Arafah, 70, a retired instructor from the General Administration of Girls Education in Jeddah, said that TV programs in the 1970s were diverse. “There were religious programs, with the most famous being ‘Ala Ma’idat Al-Iftaar’ (’On the Iftaar Table’) with Sheikh Ali Tantawi in Ramadan, and ‘Al-Ilm wa Al-Eman’ (’Knowledge and Faith’) by Mustafa Mahmoud,” she said. “Then there were game shows such as ‘Huroof’ (’Letters’) and historical Arabic series such as ‘Juha’ and the Lebanese ‘Al-Hareb’ (’The Fugitive’). Then there were foreign TV serials such as ‘Mighty Mouse’ and ‘Fury.’”

Arafah said some of the best-known TV presenters at the time were Majid Al-Shibl and Hussain Najjar. “Gathering in front of the TV set to watch a film or a show was a way to spend quality time with family,” 

In 1979, in a watershed moment in modern Saudi history, Juhayman Al-Otaibi seized the Grand Mosque in Makkah with a group of ultra-conservative loyalists. demanding that the Kingdom “be cleansed of all evils.” 

Adham and Arafah both recall that TV changed dramatically after the Grand Mosque siege. “It became overly conservative,” said Arafah. “The concerts of Egyptian singer Um Kalthoum, and Egyptian and Lebanese series were banished. Women were not seen much on television afterwards.”

Adham agreed, saying that “women started appearing less and Islamic programs appeared more. Songs almost disappeared.”

SAUDI ’70s TV

• American series “Bonanza” and “Fury” (both Westerns) and “The Incredible Hulk”

• Syrian comedy series “Sah Al-Nawm”

• “Ala Ma’idat Al-Iftar” (On the Iftar Table) with Sheikh Ali Al-Tantawi

• “Al-Ilm wa Al-Eman” (Knowledge and Faith) with Dr. Mustafa Mahmoud

• “Hadith Al-Asdekaa,” a talk show on everyday social issues that first aired in 1965, hosting a number of government officials

• Kuwaiti comedy series “Darb Al-Zalag”

• “Sahrah Saudia,” a celebrity talk show produced by Talal Maddah

Many Saudis remember veteran TV and radio presenter Hussain Najjar relaying news of the assault on the Grand Mosque to viewers. Najjar also announced the news of Al-Otaibi’s execution.

One of the leading female Saudi TV presenters of the 1970s was Dunia Bakr Younis, known to audiences as “Mama Dunia” for her children’s program of the same name. Her father, a TV and radio presenter, was one of the founders of Saudi Radio, and she often accompanied him to the studio as a young girl. “I entered the media field with a strong foundation,” Younis told Arab News. “I have never had any difficulties. Neither of my parents prevented me from entering this field. My mother always said: ‘He who doesn’t get good grades won’t go to the studio.’ We were very serious about our studies and did not neglect them.”

Younis was living in the Eastern Province with her producer husband when the Grand Mosque siege unfolded. She was a presenter on her own shows, “Studio No. 5” and “Shati Nisf Al-Qamar” (“Half Moon Bay“), as well as on children’s programs on Dammam TV. “I decided to withdraw from TV appearances for a while,” she said. “I was mindful of the situation and as it was a confusing time for many. It was a good decision to make at the time.”

The Saudi Ministry of Information did not stop women presenters from appearing on screen, Younis said. However, she decided to take time out to look after her twins, Badr and Bakr, as well as her daughter Dalia, whom she used to take to the TV studio.

Younis said Saudi women played an important role in media despite the period’s social upheaval. “There was a misconception after the events of 1979 where Saudi women were viewed as if they had no rights,” she said.

“On the contrary, Saudi women were in their abayas and hosting shows on television. My sisters and I were like this, the pioneers. Some other contemporary female presenters were Dalal Aziz Diya, Salwa Shakir and Mariam Al-Ghamdi.”

Meanwhile, Saudi broadcasting has gone from strength to strength despite the setbacks that followed the events of 1979. A total of 12 TV channels are now available, covering a broad spectrum from music to news and entertainment. In September 2018, Weam Al-Dakheel became the first Saudi woman to anchor the main evening news on the Riyadh-based Al Ekhbariya channel.

“Mama Dunia” praised King Salman and Crown Prince Mohammed bin Salman for giving Saudi women more opportunities. “We are grateful for how far women have come under their rule. They have given women the opportunity to play a major role in society,” she said.


US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

Updated 25 April 2024
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US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

  • Ambassador Michael Ratney welcomes hundreds of Saudi guests to space-themed Riyadh reception

RIYADH: The US Embassy in Riyadh celebrated the 248th anniversary of Independence Day on Thursday with a reception hosted by US Ambassador Michael Ratney. 

The ambassador welcomed guest of honor Prince Faisal bin Abdulaziz bin Ayyaf, Riyadh Region mayor, along with Saudi officials, and hundreds of Saudi guests, as well as visitors from Washington, including members of the US Congress.  

The space-themed Independence Day reception served as a symbolic celebration of the future of the US-Saudi cooperation in space, highlighting the profound benefits and possibilities of space exploration, research, and commercial development.

Ratney said the theme reflects the “shared ambition of the United States and Saudi Arabia to embrace opportunities in space, positioning both countries as pioneers in this frontier of innovation.” 

The event evoked nostalgia for past achievements, such as the 1969 moon landing, while emphasizing ongoing advancements in space sciences, particularly commercial space exploration. 

Ratney highlighted Saudi pioneers in space travel, such as Prince Sultan bin Salman, and astronauts Rayyanah Barnawi and Ali Al-Qarni. 

An art installation, “Museum of the Moon,” by artist Luke Jerram, featured NASA’s high-definition imagery of the lunar surface. 

According to the US Embassy’s statement, the collaboration between the US and Saudi Arabia continues to advance shared interests in diplomacy, commerce, culture, and more.

The US remains dedicated to enhancing shared US-Saudi shared interests in security and in fostering prosperity in the region, while also exploring new avenues for partnerships in areas such as the arts, education, entertainment, and tourism, it said.

Both countries are poised to explore further cooperation, including potential joint ventures in space, reflecting a vision for an even stronger US-Saudi relationship in the future, the statement added. 


Saudi, Cypriot foreign ministers discuss relations

Updated 25 April 2024
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Saudi, Cypriot foreign ministers discuss relations

Saudi Minister of Foreign Affairs, Prince Faisal bin Farhan received his Cypriot counterpart, Dr. Konstantinos Kompos, at the ministry’s headquarters in Riyadh on Thursday.

During the meeting, the ministers reviewed the advanced bilateral relations between the Kingdom and the Republic of Cyprus, and ways to promote them in a variety of fields. 

They also discussed ways to increase bilateral coordination on issues of common interest and reviewed international developments.


New initiative to train young innovators in nanotechnology

Updated 25 April 2024
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 25 April 2024
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 25 April 2024
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.