From migrants and refugees to successful entrepreneurs

Startups without borders helps refugee and migrant entrepreneurs. (Supplied)
Updated 30 August 2019
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From migrants and refugees to successful entrepreneurs

  • Argentinian journalist Valentina Primo started Startups Without Borders in Egypt six years ago
  • Migrants and refugees often lack connections and awareness of the startup ecosystem

CAIRO: What does it take to become a successful entrepreneur? Some would say grit and resilience are among the qualities required. 

However, there is one point many overlook: A proper climate. Unfortunately, that is something refugees and migrants usually lack. 

According to estimates by the UN Refugee Agency (UNHCR), more than 25 million people are refugees worldwide. How can they hope to become successful entrepreneurs in environments foreign to them?

Valentina Primo founded Startups Without Borders (SWB) in pursuit of the answer to that question. 

The 34-year-old Argentinian journalist moved to Egypt six years ago, covering various success stories while trying to understand the Middle East without the bias that exists in much media coverage.

“I found hundreds of entrepreneurs who were creating new realities, and were taking it upon themselves to create a new future for their countries,” she said.

“If we talk about a startup ecosystem,  why not one for people who don’t have a home?”

Primo delved deeper into entrepreneurship in the region. “I realized that media does play a fundamental role in building a startup ecosystem, not only because it helped entrepreneurs showcase what they were doing, but also because it was providing a role model for Arab youth to realize there’s a way,” she said.

Primo began approaching refugee entrepreneurs to tell their stories, and it proved to be a turning point in her career.

“Their stories were incredibly inspiring, so I thought, ‘Why not create a media platform that highlights those stories?’” she said.

Initially meant as a media platform, it developed into a global community. “By growing a database of organizations that were supporting refugee entrepreneurs, I realized that they really needed to meet,” Primo said.

“If we always talk about a startup ecosystem for every country in the world, why not have one for people who don’t have a home?”

Primo worked on bringing those people together, but more needed to happen as they identified the main problem for refugee and migrant entrepreneurs: Lack of networks, connections and awareness of the startup ecosystem.




The organization has now established events in Cairo and Italy to connect migrants and refugees in a startup ecosystem, offerring support and fostering ideas. (Supplied)

“We started creating a series of events in Cairo, and now Italy, for them to get in touch and integrate with the startup ecosystem,” she said.

To join the network, an entrepreneur simply needs to register on the website, upon which SWB includes them in its database.

“We pair them up with mentors,” Primo said. “We offer workshops, we do pitching competitions, and we always partner with local incubators and accelerators because we’re not looking to create a separate cluster of startups, but to bring those two worlds together.”

While SWB does provide some training, its goal was never to teach the essentials of becoming an entrepreneur. 

“We have a database of over 200 organizations that offer boot camps, training, incubation, or acceleration focused directly on migrants and refugees,” she said.

SWB is launching a chatbot that anyone can use to find those resources. “Our vision is to build a real-world movement where newcomers — migrants or refugees — are seen as an opportunity and a source of enriching culture. We want to have chapters around the world,” Primo said.

SWB had to deal with the typical challenges facing a social startup, the hardest being assembling a team that shared the same vision. 

“We’re so lucky to have 35 amazing volunteers in different countries that help out in different ways,” Primo said.

“The first people who wrote to me to give feedback about the launch of the website and offer help were refugee entrepreneurs.”

As the pieces fall into place and the vision of an “ecosystem builder” takes shape, SWB has numerous plans for the future.

“We’re planning a summit in Cairo for the end of this year. We’re also working on a platform with access to the directory of startups.”

The organization has just launched a podcast that will feature a series of interviews with industry leaders and influential people in the scene, all of them migrants and refugees.

“Each interview is focused on a lesson learned, a particular skill, or tips,” Primo said. “It’s educational content, but it’s also very interesting and heart-warming stories.”

 

•  This report is being published by Arab News as a partner of the Middle East Exchange, which was launched by the Mohammed bin Rashid Al Maktoum Global Initiatives and the Bill and Melinda Gates Foundation to reflect the vision of the UAE prime minister and ruler of Dubai to explore the possibility of changing the status of the Arab region.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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