Jamarat: Crowd management at the heart of Hajj

1 / 4
Security officers are posted everywhere to ensure smooth flow of pilgrim movement. (AN photo by Essam Al-Ghalib)
2 / 4
Every camp has a worker dedicated to them. They make sure the pilgrims’ schedule is kept. (Reuters)
3 / 4
Every camp has a worker dedicated to them. They make sure the pilgrims’ schedule is kept. (AN photo by Essam Al-Ghalib)
4 / 4
Every camp has a worker dedicated to them. They make sure the pilgrims’ schedule is kept. (AN photo by Essam Al-Ghalib)
Updated 12 August 2019
Follow

Jamarat: Crowd management at the heart of Hajj

  • Fatal stampedes have marred "stoning of the devil" ritual during previous pilgrimages
  • Plan in place these days to ensure the smooth flow of 300,000 pilgrims per hour

One of the biggest showpieces of Hajj infrastructure is Jamarat Al-Aqaba, constructed at a cost exceeding SR 4.2 billion ($1.12 billion) and capable of handling a flow of 300,000 pilgrims per hour.
The 950-meter long and 80-meter wide structure is designed to support 12 floors and accommodate five million pilgrims in the future if needed. It is at this site that pilgrims throw seven pebbles at a wall in a ritual that symbolizes the stoning of the devil.
According to Islamic tradition, Prophet Ibrahim was on his way to sacrifice his son Ishmael at Allah’s request when he was tempted by the devil on three occasions. Each time the prophet threw stones at the devil to drive him away.

RITUAL FACTS

  • Jamarat refers to three stone pillars in the city of Mina. The pillars are Al-Jamarah Al-Sughra; Al-Jamarah Al-Wusta; and Al-Jamarah Al-Kubra or Jamarat Al-Aqaba.
  • According to Islamic tradition, each time the devil tried to divert Prophet Ibrahim’s attention while en route to make a sacrifice, the Prophet would throw seven stones at the devil.
  • The stoning is carried out from the 10th to the 13th day of the Islamic month of Dul Hijjah.
  • On the 10th day of Dul Hijjah, Eid, only Jamarat Al-Aqaba is pelted with stones. During the subsequent days, all three are to be pelted with stones.
  • The stone throwing must be completed within the allotted timeframe or a penalty will be due.

Fatal stampedes have marred this ritual during Hajj several times in the past. This year the Saudi Ministry of Hajj, in collaboration with other government bodies, has put in place an elaborate plan to prevent the conditions that could lead to a stampede.
To ensure that all goes to plan, crowd-control personnel have been enlisted from the police and Saudi Civil Defense.
“Every year we develop a program for crowd-management and control,” Amro Maddah, advisor to the Minister of Hajj, said.




Pilgrims performing the al-Aqaba (stoning of the devil) ritual at the Jamarat Bridge outside of Makkah on Aug. 11, 2019. (AN photo by Essam AL-Ghalib)


“Each camp for each country has a number and a specific crowd-management worker. These people are all following the operational plan of the ministry."
Maddah said each crowd-management worker has a specific plan based on the schedule. “The pilgrims will throw their stones and go back to their designated camps," he told Arab News.
"To make sure that the schedule is properly followed, we use crowd-control cameras and smart IDs.”
“Every camp has a worker dedicated to them. That person is responsible for making sure that the pilgrims follow the schedules provided to them.
“If the schedule is not met and the person did not do his job, the office that he works for will end up getting a note from the ministry and then a huge penalty.
“We have more than 8,200 group leaders that are responsible for the movement of pilgrims,” Maddah said. “They are from Saudi Arabia, they are trained for this job and are highly reliable.”




Pilgrims performing the al-Aqaba (stoning of the devil) ritual at the Jamarat Bridge outside of Makkah on Aug. 11, 2019. (AN photo by Essam AL-Ghalib)

In order to not repeat the previous incidents and to maintain a healthy environment, Maddah said that this year’s crowds will be better controlled.
The Jamarat Bridge is vital for streamlined crowd management. The bridge is constructed around three vast pillars with multiple entrance and exit points at different levels.
The facility includes all the services needed to aid pilgrims, including an underground tunnel that separates vehicles from pedestrians; 11 entrances; 12 exits; a helipad for emergencies; and a sophisticated cooling system.
The Kingdom’s leadership was keen to implement the project to ensure pilgrims’ safety and security, as well as eliminate risks at the stoning area and avoid problems caused by overcrowding.
The Jamarat area project had four broad objectives: reorganizing the surrounding area; facilitating access to the bridge by splitting it into different directions; organizing the areas around the bridge to avoid crowds and congestion; and tackling the problem of people sleeping around the bridge.
The area also features underground tunnels for vehicles and evacuation exits through six emergency towers connected to the ground floor, tunnels and airfields.
The design of Jamarat and its elevation both improves movement and increases bridge capacity, helping to reduce the risk of stampedes and overcrowding.




Pilgrims performing the al-Aqaba (stoning of the devil) ritual at the Jamarat Bridge outside of Makkah on Aug. 11, 2019. (AN photo by Essam AL-Ghalib)

During the 1436 Hajj season, the west square of Jamarat was expanded by about 40,000 square meters from the north to form an exit toward Makkah.
The dimensions shifted, with the length extending to a kilometer and the width exceeding 70 meters.
Streets around the Jamarat have been reorganized in line with the expansion project, including Hajj Street, Prince Majed Street and the Grand Mosque Street.
The expansion has also meant that vital roads have improved connections, so there is a smoother flow of pilgrims exiting the facility.
The Jamarat Bridge has undergone a number of development and expansion works since it was established in 1974.
In 1982, the bridge was expanded in width and length from the north. There was a second expansion in 1987, increasing the width to 80 meters and the length to 520 meters.
The boarding ramp was extended to 40 meters in width and 300 meters in length. Five new service bridges were added, as well as signage, lighting and ventilation. Its total area reached 57,600 square meters.
The Jamarat Bridge underwent redevelopment in 1995, and again 10 years later.
These included modifications in the bridge structure and modifications to the shape of the basins from a circular to oval shape.
Other changes involving creating new emergency exits, installing signage with information and warnings in case of overcrowding, and connecting screens and signage directly to pilgrims’ camps.

(With Saudi Press Agency)

 


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 4 sec ago
Follow

An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 8 min 37 sec ago
Follow

Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.


Investigation clears coalition on claims of rights violations at Yemen sites

Updated 27 min 34 sec ago
Follow

Investigation clears coalition on claims of rights violations at Yemen sites

  • Report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center
  • Investigation concluded that the coalition carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target

RIYADH: The Joint Incident Assessment Team held a conference in Riyadh on Wednesday to announce the results of investigations into allegations against coalition forces in Yemen. 

The report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center in Al-Ghail. 

Team spokesman Mansour Al-Mansour said that “with regards to what was stated in the ninth periodic report on the works of the National Commission to Investigate Alleged violations to Human Rights in Yemen (NCIAVHR) on Dec 11, 2017, the Coalition Forces targeted G.J house and M.J. house in Sha’aban area in Razih directorate of Sa’ada governorate, the targeting resulted in the destruction of the two houses, killing and injuring number of people, and the destruction of two cars.” 

Al-Mansour, said that the investigation had concluded that the coalition forces carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target. 

Regarding the allegation that the coalition targeted a civilian house in Al-Jirahi directorate of Al-Hudaydah governorate on Dec. 1, 2021, and that one man and two children were injured in the strike, JIAT found that the coalition did not carry out any air missions in the whole of the governorate. 

JIAT also exonerated the coalition over a report issued by Physicians for Human Rights which stated that on Feb. 24, 2016, coalition forces aircraft dropped three munitions on Al-Ghail Health Center in Al-Ghail directorate of Al-Jawf governorate.

At the time, Houthi militia were occupying the site and using it as a military center. The building was partially destroyed in the attack. 

In response to the allegation, JIAT found that coalition forces carried out an air mission on a military target, consisting of a gathering of fighter elements belonging to the Houthi militia, in a vacant area, 2.9 km away from Al-Ghail Health Center, using one guided bomb that hit its target.


Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

Saudi FM Prince Faisal bin Farhan receives his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday. (SPA)
Updated 43 min 35 sec ago
Follow

Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

  • Yemen’s internationally recognized Presidential Leadership Council appointed Al-Zindani as foreign minister in late March

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday.

Prince Faisal congratulated Al-Zindani on his recent appointment as foreign minister by Yemen’s internationally recognized Presidential Leadership Council at the end of March, and wished him success in the role. 

During the meeting, the two ministers reviewed aspects of bilateral relations and ways to strengthen and develop them in various fields. They also discussed topics of common interest.


Saudi Arabia launches witness protection center

Updated 25 April 2024
Follow

Saudi Arabia launches witness protection center

  • Attorney General Sheikh Saud Al-Mojeb approved the establishment in line with Article Four of the Law for the Protection of Whistleblowers, Witnesses, Experts and Victims
  • Criminal penalties for those who harm witnesses under protection include up to three years’ imprisonment and fines of up to SR5 million

RIYADH: Saudi Arabia has launched a new center to protect whistleblowers and witnesses to crimes that will begin operations in July.

Attorney General Sheikh Saud Al-Mojeb approved the establishment in line with Article Four of the Law for the Protection of Whistleblowers, Witnesses, Experts and Victims.

The center will provide legal protection from threats, danger, or harm through methods stipulated in Article Fourteen of the Law, including security, as well as identity and data anonymization.

Victims can be transferred from their place of work, temporarily or permanently, and provided with alternative employment, as well as legal, psychological and social guidance.

The protection also includes provisions for security escorts and financial assistance.

Witnesses and whistleblowers can submit protection requests according to specific conditions, and can be assisted by the center without requesting help if in imminent danger.

Criminal penalties for those who harm witnesses under protection include up to three years’ imprisonment and fines of up to SR5 million ($1.3 million).

Tariq Al-Suqair, an accredited lawyer, told Arab News: “Each state has a duty to establish procedures that provide measures for the protection of people whose cooperation with the justice system in an investigation may put them at risk of physical harm.”

Saudi Arabia, which ratified the UN organized crime convention in 2005, has domestic laws that mandate protective measures for victims and witnesses of crime, he added.

Al-Suqair said that the Kingdom’s latest measures operate in accordance with Article 24 of the convention, which calls for effective protection for witnesses from retaliation or intimidation.

Saudi Arabia’s Public Prosecution has proposed an executive body to run the center and its witness protection program.

“It is expected that once the program starts, we will witness more effective control to combat sophisticated organized crimes,” Al-Suqair said.